Tiffany D. Jackson On The Inspiration for ALLEGEDLY

Inspiration is a funny thing. It can come to us like a lightning bolt, through the lyrics of a song, or in the fog of a dream. Ask writers where their stories come from and you’ll get a myriad of answers. In that vein I created the WHAT (What the Hell Are you Thinking?) interview. Always including in the WHAT is one random question to really dig down into the interviewees mind, and probably supply some illumination into my own as well.

Today's guest for the WHAT is Tiffany D. Jackson, whose debut ALLEGEDLY drops today from Katherine Tegen Books. Tiffany is a TV professional by day, novelist by night, awkward black girl 24/7. She received her Bachelor of Arts in Film from Howard University and her Master of Arts in Media Studies from The New School University.

Ideas for our books can come from just about anywhere, and sometimes even we can’t pinpoint exactly how or why. Did you have a specific origin point for your book?

First time insomnia worked in my favor! LOL! I was up late one night, cruising the internet when I came across this story on People.com of a nine-year-old girl charged with murder. I was blown away and couldn’t stop thinking, “What if she didn’t do it?”

Once the original concept existed, how did you build a plot around it?

Thanks to Hurricane Sandy, I had a week off from work and wrote the entire first draft of the novel in a week! There were huge plot holes and missing back story but the story just poured out of me. I then stepped back to strategically do research and start conceptualizing how to add in the excerpts. 

Have you ever had the plot firmly in place, only to find it changing as the story moved from your mind to paper?

Of course! The original ending of ALLEGEDLY was completely different in my head. By the fourth or fifth review of my draft, with plot holes plugged and backstory layered in, I had a sudden epiphany in the shower one morning that turned the entire book upside down. 

Do story ideas come to you often, or is fresh material hard to come by?

I have about approximately five books in my head right now. Sometimes I start thinking of dialog for the next book before the one before it is done. I rely heavily on my “Notes” app when inspiration strikes at random, so I don’t forget scenes dancing through my skull and am constantly telling characters to wait their turn when they start talking. I’m officially the crazy dog lady on my block. 

How do you choose which story to write next, if you’ve got more than one percolating?

Whatever story has the most notes in my phone that’s the story I go with. 

I recently got stitches in my arm and was taking mental notes the entire time about how I felt before, during, and after the process of being badly injured. Do you have any major life events that you chronicled mentally to mine for possible writing purposes later?

I remember every moment of my Grandmother dying. I remember the feeling when I got the call that she was about to pass, the anxiety of trying to get to her hospice, the look on her face as she struggled, the way the room smelled, the color of her blanket as I laid beside her, the sounds of her last breath, the voices around me telling her it was ok to let go, then the unimaginable agony when she finally did. When I write hard, gut wrenching scenes of pain, I always pull from that.

The Importance of Facts, Even In Fiction

I'm a discerning reader, possibly to a fault. A factual slip can throw me out of a story and anything set in the country (or God forbid, on a farm) damn well better have been researched or I'm going to skewer it. In private, of course, but it will be skewered.

I researched for 18 months before writing A MADNESS SO DISCREET. I like to tell people I know so much about lobotomies I could perform one (I don't add that it's not a terribly delicate surgery). When it came to MADNESS, I dove in. Lobotomies, medical treatments for the mentally ill, the history of criminal profiling, the setting per 1890's culture, even speech patterns. I wanted to be thorough.

Originally MADNESS was supposed to have a connection to the 1893 Chicago World's Fair and America's first known serial killer, H.H. Holmes. That was scrapped later on for various reasons, but I had already done so much in-depth work framing the book for the 1890's that I didn't want to deal with a very big roadblock.

Lobotomies as we know them weren't in use until the early 1900's.

Whoops.

A part of my plot hinged on lobotomies and I'd read over a thousand pages concerning them, so I wasn't going to toss everything in the bin. Instead, I needed a feasible reason for a doctor in 1890 to have enough medical evidence to support performing something like a lobotomy... and I found that in the story of Phineas Gage.

I read another thousand pages in relation to Phineas before executing the scene in MADNESS where Thornhollow describes to Grace the function of the frontal lobe and explains the procedure he's about to perform on her.

Thousands of pages of research went into roughly three pages of that book.

In the same vein, I researched water for six months before writing NOT A DROP TO DRINK. I read about the history of water, about the projected water shortage, and even a book concerning - yes, really - water law. I can tell you things about water law that you really, really don't care about.

But in all of my thorough research concerning water I overlooked something vital.

Gasoline expires.

Did you know that? I didn't.

It was something I didn't even think to look into. Most post-apocalyptic movies show plenty of roving bandits on motorcycles and people driving around in cars. Totally wouldn't happen. This was pointed out to me at a conference the year that IN A HANDFUL OF DUST (a book with, yes, people driving cars) released.

I'm not above telling you that it really, really bothers me that any scene in DRINK or DUST that involves gasoline is bogus.

That's how important facts are to me, even as a fiction writer. So important, that one of my favorite quotes from a historical figure found it's way into IN A HANDFUL OF DUST. I'm going to leave it here at the bottom of this post as well, and you will be seeing it pop in my social media feeds as we move forward this year.

Thursday Thoughts

Thoughts lately revolve around movie soundtracks... like the score, not the compilation of songs that characters listen to while driving.

1) If my life were set to a movie soundtrack I would want it to be the one from Backdraft. Because my life is about fire and percussion.

2) Another alternative would be Last of the Mohicans, because I do occasionally kiss outdoorsy types.

3) Last one up for discussion is Beetlejuice. It's just kinda indicative of the interior of my head.