Writing, Publishing & Marketing Advice From Beth Revis

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Today I am very happy to welcome to the blog bestselling author Beth Revis. Beth is the author of the NY Times Bestselling Across the Universe series, published by Razorbill/Penguin in the US and available in 17 countries. A former teacher, Beth lives in rural North Carolina with her husband and dog.

Beth has published a three-part series to help aspiring authors find their way through the maze of writing an publishing. Learn to avoid the common pitfalls and find your own path with Beth's PAPER HEARTS series.

Your PAPER HEARTS series is a three-pronged look at writing, publishing and marketing. How important do you think it is for a writer to be good at all three?

For a writer, the only thing you need is to know how to tell a good story. For a career author who wants to make a living at writing, I think it's necessary to know the business side of it, too--which includes not just writing a query, but deciding the best publishing path for your specific career, and then exploring the tools to help you position yourself for continued success. 

My books are definitely not going to be a cure-all, but I want to get people to ask themselves the questions necessary to sustain a career. What is more important to you, specifically: one book published or a career in writing? Are you more willing to sacrifice time or money when it comes to marketing? Are you more comfortable being social or innovative? How can you best help your career? Publishing, like writing, is not a one-size-fits all.

The idea came about after your collected Wattpad project had reached critical mass. Can you tell us more about your motivation to help aspiring writers?

I think part of my motivation just comes from the way my brain ticks. I used to be a teacher, and I loved that job. Not the grading papers or dealing with parents, not that, but the actual teaching part. I loved helping students, I loved discussing new ideas and just...just teaching. I really loved that job. This book comes about in part because of that. 

When someone asks a question, I want to be able to help them find an answer. So I started hanging around writing boards, like Reddit, Miss Snark's First Victim, and Facebook forums. I found that I was answering a lot of the same questions over and over, so I started to compile it all in Wattpad. A few months ago, after I hit my first 100,000 reads, I realized that I was looking at not one book, but three, and I might be able to help more people if I published them.

Volume three focuses on marketing... something that many writers are uncomfortable with, claiming that they're artists, not salespeople. Are there effective marketing strategies for even the shyest of scribes?

Oh, absolutely! That's the beauty of the internet! :)

But beyond that, there are ways where you can let your books do the talking. I am not a fan of the "hard sell"--where you stand up and actively approach people and engage with strangers. It works for some people, but not for me. So I try mostly to focus on ways you can engage no matter what your level. 

But a big key to marketing is just being plugged into the community. If you're most comfortable with Twitter, use Twitter. Not as an advertiser, as a user. See what makes you click links, which contests you are tempted to sign up for, which books you notice, and you'll be well on your way to finding the method of marketing that works best for you.

Only the first in the three volume series focuses on the actual writing process. How do you think an author's position in the publishing industry has changed over time?

When it comes to publishing, good writing will out. The first book is on writing processes, and it's the longest of the three books, but at the end of the day, the entire book is summed up with: "make art the best way you can." 

Publishing is more cut-and-dry. There are specific methods of publishing that work and some that don't. And sure, there are exceptions to the rule, but learning how to write a good pitch paragraph is important whether you are traditionally published (and need to add it to a query or a website) or you're self publishing and have to put it on the back of your book. Authors have a ton more options now to publish, and it is possible to stand out as a self publisher, and the best thing you can do for yourself is just learn and then be as professional as possible.

The title, PAPER HEARTS, is intriguing. What does it mean to you, personally?

I've latched on to that phrase for years. A paper heart is fragile, easily torn. But writers build their lives around paper, and even if one piece is easy to tear into shreds, a stack of papers--like the kind that make a book--is strong.

Interview with Chris Von Halle

I'm lucky (or cunning) enough to have lured yet another successful writer over to my blog for an SAT- Successful Author Talk. SAT authors have conquered the query, slain the synopsis and attained the pinnacle of published. How'd they do it? Let's ask 'em!

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Today's guest for the SAT (Successful Author Talk) is Chris Von Halle. Chris's books recreate his childhood memories of such outlandish locations as the near and distant future Earth, other planets, and even other dimensions. He lives in Ridgewood, New Jersey, and enjoys such extraordinary activities as playing videogames, tennis, and basketball, and writing the occasional comic strip. His debut, THE FOURTH GENERATION, is available now.

Are you a Planner or Pantster?

I’m definitely a pantser at heart, but over the years I’ve incorporated some planning into the equation. It’s an ever-evolving process ☺

How long does it typically take you to write a novel, start to finish?

I think the average is about two years. Usually that involves setting the book aside for months at certain points in order to work on revisions for another manuscript or simply to get distance from the book so I can return to it with fresh eyes.

Do you work on one project at a time, or are you a multi tasker?

As I hinted at above, I’m a bit of a multi-tasker, since I will sometimes set a book aside to work on another depending on which one needs my attention the most at the moment. However, over the course of any long period (say, two years), one project typically occupies most of my time and effort.

Did you have to overcome any fears that first time you sat down to write?

I’ve been writing ever since I can remember, so I’m pretty sure I wasn’t even old enough to be aware that writing could be “scary” the first time I sat down to do it. I just wrote for the sheer joy of it. However, the notorious self-doubt monster is definitely something that has periodically reared its ugly head over the years. I think that’s something every writer deals with at some point, though, if not often; even the most “successful” ones.

How many trunked books did you have before you were published?

It’s embarrassing to say, but technically six.

Have you ever quit on an ms, and how did you know it was time?

Yes, six times. In the beginning it was clear that I wasn’t writing at a professional level yet, based on the type of feedback I received from critique partners and agents, so that’s why I shelved a few. Later it was the fact that I sent out so many queries I couldn’t even count, and hardly received any requests or interest.

How did it feel the first time you saw your book for sale?

It felt absolutely fantastic, like a dream come true. Even cooler since I think the cover is so awesome (thanks, Cora Graphics!).

How much input do you have on cover art?

Speaking of which, I did have some input on the cover. That’s what I really like about my publisher, Clean Reads. The cover artist and I had a little back-and-forth action to iron out a couple things, and the result is stunning, I think.

What's something you learned from the process that surprised you?

I think it’s the importance of evolving and trying different paths if one path isn’t working for you. During my long seven or so years of shooting for publication, I had always envisioned myself trespassing the so-called traditional path: get a literary agent who then gets me a book deal with a major publisher. But after beating down that path for so long without much success, and giving a small press a shot without an agent, I’ve come to realize that that’s also a viable and rewarding path. So, bottom line: Don’t be afraid to try different avenues if one in particular isn’t working for you.

How much of your own marketing do you?

I do a fair amount of marketing. At least, these days I split up my writing time down the middle between marketing and writing the next book. I have a blog, a website, and Twitter.

When do you build your platform? After a book deal? Or should you be working before?

I think you can really start building your platform after you get an agent or a book deal, but it doesn’t hurt to have a blog or website while you’re shooting for those things. But, still, I’d say that prior to getting an agent or book deal, your time is best spent honing your writing skills, since ultimately that’s what will bring your work and your writing career to the next level.

Do you think social media helps build your readership?

Certainly. I’m not sure how much it ultimately helps, but it definitely makes you and your book(s) more visible and accessible to the market.

Melanie Crowder On Being Both A Planner &A Pantser

I'm lucky (or cunning) enough to have lured yet another successful writer over to my blog for an SAT- Successful Author Talk. SAT authors have conquered the query, slain the synopsis and attained the pinnacle of published. How'd they do it? Let's ask 'em!

Today's guest for the SAT (Successful Author Talk) is Melanie Crowder, who has received many honors for her debut novel, PARCHED, including Bank Street’s Best Books of the Year, a Junior Library Guild selection, a Silver Medal in the Parents’ Choice Awards, and a starred review from the Bulletin.

Her second book, AUDACITY, has received three starred reviews and is an Editor’s Choice at BookBrowse and a Top Pick from BookPage. Her third novel, A NEARER MOON, releases September 8 from Atheneum Books / S&S.

Melanie holds an MFA from Vermont College of Fine Arts. When she isn’t writing, Melanie can be found teaching, reading, daydreaming or exploring the beautiful state of Colorado where she lives with her family.

Are you a Planner or Pantster?

Both! 

I usually begin by writing really short drafts without much pre-planning to find the voice and tone for a new book. Then I step back and give it a read. I make a million notes and chart out the plot and character arcs—where I want the book to go thematically and structurally. Finally, I use all that planning to dig back in and write a much thicker, much stronger second draft. 

How long does it typically take you to write a novel, start to finish?

I have no idea, to be honest! Maybe 3 months to get to that second draft? Another month or two to before I’ll show it to my editor? Six months or more in revisions with my editor? So I suppose that’s about a year to D&A. Good to know—thanks for asking! 

Do you work on one project at a time, or are you a multi tasker?

I like to keep my focus in one place, mostly. That sort of single-minded attention means my mind is working on the story all the time—while I’m sleeping, or driving, or out on a walk. But there are always gaps in my revision schedule where, if I don’t turn to something new, then I wouldn’t be writing at all. Or, like what happened last week: I’m in the middle of revisions for one book when the first pass comes through for a different book and I have no choice but to switch gears. Sometimes it’s a little jarring to jump between different manuscripts, especially since the different projects are so different in tone and style, but that’s the job, and I love it! 

Did you have to overcome any fears that first time you sat down to write?

When I first started, I had no idea how little I understood about how to write a book. So I didn’t really have any fears then—I didn’t know any better! 

I definitely feel it now, though. There are always fears and insecurities that can get in the way of the creative process. The trick is to acknowledge them and then put them behind you. 

How many trunked books did you have before you were agented?

I worked on 4 books before I found my agent and editor: 2 before my MFA, and 2 during. I think of them as learning books—I doubt I’ll ever go back to them, and I’m so glad I had the time to work through those stories and improve before my work went out there into the world. SO glad!

Have you ever quit on a ms, and how did you know it was time?

Only during my MFA program. When I got to the point with a manuscript where I had learned all I needed to, then I moved on and started fresh with a story that would be stronger from the very first word because of all I had learned on the previous one. 

Who is your agent and how did you get that "Yes!" out of them?  

I work with Ammi-Joan Paquette. We found each other through an unusual process in that I was already connected with my editor and the book was already on its way to acquisitions when I signed with her. 

How long did you query before landing your agent? 

I think it was about six months of obsessive email checking before I got that YES. So glad that’s behind me! 

Any advice to aspiring writers out there on conquering query hell?

What they say really is true—keep writing. Send your manuscript out and start working on something else. If you’re willing to stick with it and push yourself to constantly improve your craft, it’s not so much if you will get an agent, but when. Hang in there!

How did it feel the first time you saw your book for sale?

There’s nothing like it. Just today, I saw a librarian featuring Audacity on a morning TV show, and I got that same thrill. That’s my name on the cover. It’s an awesome feeling! 

How much input do you have on cover art?

Virtually none. I see the publishing process as a partnership and I’m happy to let other members of the team make the decisions they are best qualified to make. I do the writing, they do the rest, and together we make great books! 

What's something you learned from the process that surprised you?

I think just the sheer number of books published in a single year. And good ones, too! Something like 750 books for children & young adults receive starred reviews in a single year. That’s amazing! I’m seriously behind in my reading.

How much of your own marketing do you?  

I have a website, I tweet, and I also just started using Instagram—it’s fun! 

When do you build your platform? After an agent? Or should you be working before?

I think it depends. Do you enjoy learning about the industry through social media posts? Then do that. Do you enjoy learning about writing craft through blog posts? Then do that. Do you like engaging with current issues on Twitter? Then do that. Would you rather be writing? Then do that. Just grab your domain name for now and call it good. 

Do you think social media helps build your readership?

I’m on the fence about that, to be honest. I think the most important thing to do as a writer is to write, so that’s where I put my energy. I could blog every day or tweet all the time and it wouldn’t be half as effective in reaching readers as the enthusiastic posts they see from other readers who just have to tell everyone how much they loved my book. That’s genuine, and it’s meaningful both to me, and to potential readers.