Liv Constantine on How Two Sisters Write Together Without Killing Each Other

I'm lucky (or cunning) enough to have lured yet another successful writer over to my blog for an SAT - Successful Author Talk. SAT authors have conquered the query, slain the synopsis and attained the pinnacle of published. How'd they do it? Let's ask 'em!

Today’s guest for the SAT is Liv Constantine, author of The Senator's Wife, the story of a D.C. philanthropist who suspects that her seemingly perfect employee is secretly plotting to steal her husband, her reputation—even her life.

Are you a Planner or Pantster?

We call ourselves Plantsers. We have a broad outline, we know the main twist, but the rest of it gets written as we go along.

How long does it typically take you to write a novel, start to finish?

Our first draft takes three to four months and then we spend another two or three months going through several rounds of edits. So from start to finish takes anywhere from five to seven months. 

Do you work on one project at a time, or are you a multi tasker?

We concentrate on one fiction project at a time. We like to immerse ourselves in the story world so it’s difficult to have more than one project going. That said, if we are in edit mode in one book, then we have the creative energy to work on something new, especially crafting and scoping out the next story and its characters. 

Did you have to overcome any fears that first time you sat down to write?

There was excitement the first time we sat down to write. However, sitting down to write the book that followed The Last Mrs. Parris and its success, was when some fear arose for us. The sense of freedom we felt when writing the first book was not something we felt as we wrote The Last Time I Saw You, our second book. There was always the knowledge that the bar was now set higher, that The Last Time I Saw You would be compared to and judged against The Last Mrs. Parris. It was definitely a much tougher umbrella to work under. 

How many trunked books (if any) did you have before you were agented?

One. 

Have you ever quit on an ms, and how did you know it was time?

Yes, the book we wrote before The Stranger In The Mirror became lack luster for us after the first draft so we decided to shelve it and start a new book. We may at some point go back to that one, but for now, it’s in a drawer.

Who is your agent and how did you get that "Yes!" out of them?  

We got our first agent with The Last Mrs. Parris through the traditional query route, although we did have a personal referral to her. We met her at Thrillerfest a few months after sending the manuscript and she offered us representation.

How long did you query before landing your agent?  

We spent three years querying agents before finally landing one. The book that we put away was the book we had been querying and we would get close. Agents would ask for a partial, then a full but it was never quite right. Once we shelved that book, we went to work on The Last Mrs. Parris and that’s how we found representation. 

Any advice to aspiring writers out there on conquering query hell?

Perseverance is key as well as the ability to take criticism. Make sure that your manuscript is pristine and in the best shape possible. If you’re able, hire a freelance editor to help you make sure your manuscript is ready for submission. And the old saying…if at first you don’t succeed, try, try again. 

How did it feel the first time you saw your book for sale?

It was amazing! We were at Bouchercon in Toronto, and we went to Indigo Bookstore and there it was – prominently displayed on the shelf – maybe ten across. We got chills!

How much input do you have on cover art?

A lot. We’ve been very fortunate with our publishers in that they want us to be happy with the covers and it’s been a collaborative effort.

What's something you learned from the process that surprised you?

How many hands touch your book. There’s such a large team that takes a book from manuscript to finished book. The passion and dedication of our publishing teams have been such a blessing and we’re so appreciative of all the hard work that goes into it. 

How much of your own marketing do you?  Do you have a blog / site / Twitter? (I'll insert the links here)?  

We’re active on social media. We love to interact on Facebook and Instagram, and we also have a Facebook reader group where we do lots of fun giveaways and discussions. We also do giveaways on our newsletter that are exclusive to our subscribers. Twitter

When do you build your platform? After an agent? Or should you be working before?

Definitely before. It’s good to have a website and social media built up well before that first book is on sale. You can build relationships and goodwill by sharing other authors’ news and books, and it gives you a leg up once you have your own book to sell.

Do you think social media helps build your readership?

Absolutely. Social media is a great way to connect with readers, other authors, bloggers, bookstores, and libraries. 

Liv Constantine is the pen name of sisters Lynne Constantine and Valerie Constantine. Lynne and Valerie are Wall St. Journal and USA Today international bestselling authors with over one million copies sold worldwide. They are Library Reads Hall of Fame authors.  Their books have been translated into 28 languages, are available in 33 countries, and are in development for both television and film.  Their books have been praised by USA Today, The Sunday Times, People Magazine, and Good Morning America, among many others. Their debut novel, The Last Mrs. Parris, is a Reese Witherspoon Book Club selection.

Joan F. Smith on The Ins and Outs of Writing and Publishing "The Other Side of Infinity"

I'm lucky (or cunning) enough to have lured yet another successful writer over to my blog for an SAT - Successful Author Talk. SAT authors have conquered the query, slain the synopsis and attained the pinnacle of published. How'd they do it? Let's ask 'em!

Today’s guest for the SAT is Joan F. Smith, author of The Other Side of Infinity which releases today!

Are you a Planner or Pantster?

One million percent a planner, but with permission to deviate from the plan if a better choice arises. (If it’s part of the plan to go with the flow, then you’re still a planner, no?)

How long does it typically take you to write a novel, start to finish?

It varies. The Other Side of Infinity was my shortest “done” book. I had a weird “lightning strike” moment for it, and then it took me three months to draft it, and two more to revise it to a first real draft. My planning stage lasts a few weeks to a month. I usually write a book with a fairly clean first draft in a four to five month timeframe. About two-thirds of the way through drafting, I usually re-plot something for another week. I then let it sit for a solid length of time, revisit it myself, and attack it with a revision action plan. After whatever that time asks for—could be a month, could be three—I send to my critique partners, revise again, and then kick it to my agent. TL/DR: So far, the books I’ve written have taken five months to two years for a finished manuscript in a pre-submission format. 

Do you work on one project at a time, or are you a multi tasker?

Multi-tasker, especially when you incorporate the business side of authorship. Currently embarking on promotion for my upcoming book The Other Side of Infinity, going out on sub with my first adult manuscript, and drafting my second. The audiobook for my debut The Half-Orphan’s Handbook actually just released a few months ago, so there was a moment in time where I was also pushing that one. 

Did you have to overcome any fears that first time you sat down to write?

I’ve been writing since before I can remember! I think I probably experienced the opposite effect of brazen over-confidence, which has now thankfully been taken down.  

How many trunked books (if any) did you have before you were agented?

Technically, zero, which I’m grateful for. My debut was the first book I ever finished writing. I did have a few false starts, though—I think I wrote maybe half of maybe 2 books prior to actually buckling down and finishing that first one. 

Have you ever quit on an ms, and how did you know it was time?

Yes! I am a person who is okay with quitting something that doesn’t feel right. Writing can be a chore once in a while, but if you’re full of dread every time you approach a project, I think it’s fair to say it can be set aside. I have also returned to books I’ve set aside before—there’s a solid chance I’ll be doing that this summer, actually. 

Who is your agent and how did you get that "Yes!" out of them? 

My agent is Kerry D’Agostino from Curtis Brown, LTD. She was a traditional query. She had requested the full manuscript and then our timeline sped up because I nudged her again a few days later once I received offers from two other agents via PitMad.

How many queries did you send? 

I sent a few less than 30 queries over a few months. 

Any advice to aspiring writers out there on conquering query hell?

First: Give yourself some time between finishing the work to craft your query. Once you’re distant enough, read your manuscript start to finish one last time before you decide you’re ready to query. Then adjust the query if needed (I find it almost always is). I think if you do your research and send your query whenever it’s ready, so long as the agents are open, then you’re already ahead of the game. Patience is paramount (though incredibly difficult for me). I also don’t generally think it’s realistic for authors to expect feedback from agents—it takes a very long time to read a whole book and compose a reply, so if an agent is compelled to give you some, then I’d sit up and take note of it. 

How did it feel the first time you saw your book for sale?

Absolutely incredible. On release day, I went to Barnes & Noble to sign their local stock. It was the first time I had been in-person in a bookstore since the previous summer (thanks to the pandemic). One day later, I went to the Brookline Booksmith and they had a stack of preordered copies for me to sign. It was surreal. I personalized books to those who requested it, including to other authors' names (who I never expected to order), and truly couldn't believe it. 

How much input do you have on cover art?

My editors have always been very gracious in consulting with me on what I like, along with the artist selection and concepts. I’ve given small bits of feedback but I’ve been happy with the process so far!

What's something you learned from the process that surprised you?

So much (too much?) of writing has absolutely nothing to do with writing.

How much of your own marketing do you?  Do you have a blog / site / Twitter?

I have an online presence of sorts, and I think of myself as a partner of marketing and PR with the magic they spin. 

Website / Twitter / Instagram / TikTok / Facebook

When do you build your platform? After an agent? Or should you be working before?

You can only control your own actions. You can’t control when an agent decides to sign with you. Some of the most talented writers I’ve ever read have had a huge run of difficulty finding agents. I’d work to build a platform if you think you have something you’d like to share, and only so long as you enjoy the process. You also don’t magically become successful at any step of the way—I think it’s a cumulative effect for most people. Overnight successes aren’t newborns; they have a ton of nights behind them, too. 

Do you think social media helps build your readership?

I hesitate to say unequivocally yes, but I do think it helps, and I think it depends. Even readers who are guaranteed to buy your book are probably thankful for a quick social media link—I know that these days, I am more likely to buy something if I see it as opposed to seeking it out in a store. I think I’m in the “can’t hurt” camp on this one, and probably helps at least a little!

Joan F. Smith is a novelist, essayist, and dance instructor from Massachusetts. Her writing uses humor to explore the themes of unanswerable questions and the intersection between truth and lies. Joan does her best writing on airplanes, and her worst with no caffeine. She studied creative writing and social science at Providence College and received her MFA in Creative Writing from Emerson College. When she isn’t writing, Joan teaches dance, travels, exercises, mentors writers, and wrangles her kids. She is the author of the young adult novel The Half-Orphan’s Handbook (Imprint/Macmillan 2021) and the The Other Side of Infinity (Feiwel & Friends/Macmillan April 2023). She was the 2021 Writer-in-Residence at the Milton Public Library. Her writing has appeared in various publications such as The Washington Post and The Mary Sue. She lives in the Boston area with her husband and kids, where her daily requirement as a parent includes dance parties in the kitchen. You can find more about her at joanfsmithbooks.com, and follow her on Twitter, Instagram, TikTok, and Pinterest @jf_smit.

Sarah Hawley on Unusual Paths to Publication

I'm lucky (or cunning) enough to have lured yet another successful writer over to my blog for an SAT - Successful Author Talk. SAT authors have conquered the query, slain the synopsis and attained the pinnacle of published. How'd they do it? Let's ask 'em!

Today’s guest for the SAT is Sarah Hawley, author of A Witch's Guide to Fake Dating a Demon which releases on March 7

Are you a Planner or Pantster?
A bit of both! I tend to write long, rambling synopses that generally sum up the trajectory the book will take, but I go off synopsis frequently and write where the characters and dialogue take me. I’m trying to be better about plotting, rather than writing on *vibes*, but structure is not something that comes naturally to me.

How long does it typically take you to write a novel, start to finish?

All over the place, but generally a few months if I’m really committed to it. My ideal pace is about 1.5 months for drafting, 1.5 months for editing, but I’ve drafted a book in as little as 9 days and as long as 1.5 years. Now that I have a schedule dictated by a publisher, it’ll be interesting to see how my timelines change. 

Do you work on one project at a time, or are you a multi tasker?

Generally one at a time. I work best when I can hyperfocus on something and ignore the outside world.

Did you have to overcome any fears that first time you sat down to write?

The fear of not being good enough! I started writing on a near-daily basis about ten years ago, but that was mostly snippets of dialogue or a few scenes, not an entire book. The first book I ever wrote was a terrible genre-mash (multiverse romantic sci-fi set partially in Victorian England) with the worst plotting this world has probably ever seen, but when I finished it I was so proud. I still am. It was proof that I could actually write a work of that length with a general beginning and end. (Let’s not talk about the squishy, chaotic middle.)

I still face those fears now that I’m being published. After the joy of getting a book deal, imposter syndrome started to creep in. What if I’m actually a hack? What if I wrote one decent book and the next two are garbage? What if my editor hit her head the day she made the offer and now that she’s feeling better she regrets it horribly???

Fears are normal, so I try my best to just keep writing, day after day. Eventually every book emerges from its awful first draft cocoon to become a butterfly.

How many trunked books (if any) did you have before you were agented?

I had two trunked projects that I didn’t even try to edit or query because they were so messy: the aforementioned multiverse book and a very short memoir of the demon Lilith. (Side note: Lilith now appears in book two of my fantasy rom-com trilogy!) But my third book (which sadly died on sub) was the one to get me an agent.

Have you ever quit on an ms, and how did you know it was time?

Yes, though maybe I’ll return to it someday. I have a YA heist MS that was just horrible to write, like pulling teeth. When everything is a slog and you don’t connect with your own characters emotionally, something is wrong. In that case, I was writing while feeling very down about my writing journey and inability to get published (I’d had several projects die on sub). I’d also tried to come up with an idea that might be “sellable,” which was the wrong place to approach it from. Instead of writing because I loved the characters and the world, I was trying to force myself to check off imaginary boxes in the hopes that if I wrote exactly the right thing, an editor would buy it. Ultimately, my heart wasn’t in it, and I decided to abandon it about halfway through.

Who is your agent and how did you get that "Yes!" out of them? 
My agent is Jessica Watterson at Sandra Dijkstra Literary Agency, who is absolutely lovely, kind, smart, and a dream to work with! The process of signing with her was very odd.

I’d been agented before and parted ways with them amicably (sometimes it’s just not a great fit, and changing representation is common in the industry). Initially getting agented involved the traditional process of querying and racking up dozens of rejections over months until that first yes.

After parting ways with my previous agent, a very strange thing happened. I had been writing Star Wars fanfiction as a way to stay creative while on submission, and I have an anonymous fanfiction Twitter account. When I tweeted about having a piece of original fiction and asking my fellow Reylos to wish me luck querying, someone slid into my DMs. It was Cindy Hwang, now my amazing Berkley editor! She liked my fanfic and wanted to read the book. This blew my mind, especially since Cindy has discovered some of my favorite authors through fanfic as well: notably, Meljean Brook and Jessica Clare.

I sent the book to Cindy, then got a referral from Ali Hazelwood to her agent, who referred me to Jess, who read the book at the same time as the editor. I signed with Jess the same day we got the offer call from Cindy!

This was a very backwards way to go about it, which just goes to show that sometimes this industry can be strange and downright magical.

How long did you query before landing your agent? 
I queried for about six months before getting my first agent. The total number of queries was somewhere around 90-100, I think, with 100 being my internal marker of when it was probably time to shelve the book. My first agent got the query somewhere in the middle of that process, but the reading timeline added a few months.

Any advice to aspiring writers out there on conquering query hell?

It sucks! I have a few pieces of advice:

1. Dig deep and find whatever motivates you to keep going and getting your voice out there. This industry can be terribly painful, but resilience will carry you through the waves of rejection. Some days I queried out of hope, sometimes out of spite (not directed at any particular agent, of course, more of a generalized spite – like “You can’t keep me down, publishing industry!”) I also turned querying into a habit—I got into a routine with my batches of queries and sent a new one after every rejection.

2. Speaking of spite, remember that agents are generally lovely human beings and not evil boogeyman gatekeepers determined to crush your dreams. Don’t be rude to them and don’t hate them for doing their jobs or not connecting with your book. This is a long-term personal relationship and business partnership, and you don’t want to go into business with just anyone – you want the right person for your material, vision, and communication style, and agents want the same. Be gracious and respectful!

3. Research, research, research. Before sending a query, check out QueryShark, PubTips on Reddit, and other sites that workshop queries. When I was first in the trenches I knew my query was working when it got about a 10-20% request rate, but request rates may be lower now – I haven’t been in the trenches for a while, so I recommend doing some exhaustive internet searching. If you’re not getting requests, rework your query. Also, I really liked QueryTracker as a tool for finding agents and tracking submissions.

4. If it is affecting your mental health in a serious way, take a step back. There’s no deadline for you to get agented, and timelines in this industry are long. Your brain is the precious source of all those words – protect it! Sometimes that means not sending any queries for a while or even trunking a project.

How did it feel the first time you saw your book for sale?

I think seeing it on a shelf will be an incredibly surreal moment. Even seeing it available for preorder online has been shocking. Like… I wrote that, and now people can buy it? What?? So much of this process can seem nebulous or like it’s taking forever, and then you get something tangible like that and it’s like “oh yeah, this is actually happening!”

How much input do you have on cover art?

Berkley asks me for ideas before their cover conference: Pinterest boards, character descriptions, or whatever else I have that might be useful for a general direction. The artist then creates a sketch or two, and I can give notes on elements that don’t match how I see the characters (like if someone’s hair is too long). Then we get color options, and I can choose my favorite color or ask to see a few more options if nothing’s really hitting. Jess Miller, the artist who does my covers, is incredible; I love her sketches and her eye for color. I actually just saw the color options for book 2 and immediately fell in love with one of them, which I can’t wait for people to see!

What's something you learned from the process that surprised you?

The sheer volume of things to learn in the publishing industry has been surprising! I feel like every level, from querying to being on sub to having a deal to doing promotion, teaches me something new, and I’m definitely nowhere near done learning. Plus getting to peek behind the curtain and see how a book actually gets made has been fascinating.

How much of your own marketing do you do?  Do you have a blog / site / Twitter?

I have a website where I post updates, as well as an email newsletter I send out about once a month (sign up here!). I also tweet and post on Instagram, though usually it’s either jokes or pictures of my cats. I’m trying to find a balance between posting my normal silly content and posting information about my books.

When do you build your platform? After an agent? Or should you be working before?

I started working on my platform before, but I don’t think it’s necessary (and my platform isn’t huge by any means). It just sort of happened because my friend Jenny Nordbak and I started a romance podcast, The Wicked Wallflowers Club. For querying authors, I wouldn’t worry about it too much—focus on writing the best book you can because your words are more important than how many followers you have.

Do you think social media helps build your readership?

Possibly! Maybe! I hope so? I don’t have a massive social media platform, but there are a lot of engaged readers on there. In particular, my fanfic mutuals have been extremely excited about all the Reylos getting book deals recently (as am I).

Sarah Hawley is an author of romance and fantasy novels. She was a winner of RevPit 2018, and her short stories and satirical articles have been published by Hooked, Slackjaw, The Belladonna Comedy, and Points in Case. She co-hosts the Wicked Wallflowers Club podcast about romance fiction, which was featured on Entertainment Weekly’s “Must List” as “a compelling reminder of why the oft-dismissed genre is a real force in cultural conversations about consent and desire.”