Tracy Holczer On Writing the Next Book

Welcome to another of my fabulous acronym-based interviews. The second novel is no easy feat, and with that in mind I put together a series of questions for debuts who are tackling the second obstacle in their career path. I call it the SNOB - Second Novel Omnipresent Blues. Whether you’re under contract or trying to snag another deal, you’re a professional now, with the pressures of a published novelist compounded with the still-present nagging self-doubt of the noobie. 

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Today's guest is Tracy Holczer. Tracy lives in Southern California with her husband, three daughters, and two rather fluffy dogs named Buster and Molly. She has a deep love for the mountains where she grew up so she writes them into her stories. A 2014 ABA Indies Introduce New Voices pick, her debut middle grade, The Secret Hum of a Daisy, was written in praise of both nature and family, and all that can be found if you're willing to hunt for treasure.

So --- how to deal?

My first reaction to reading the intro was—HAHAHAHAHA, professional? Which pretty much addresses the validity of the second part of the question. How to deal? Oh, man. Seriously, I would like to know. At least, I would like to know how to get through this part without all the FEELINGS. That, I can’t really help with. The feelings come and we all have to find a way to sit with them until they pass. But I can help with what keeps me productive while I’m having the feelings.

  • Walking. Not on a treadmill, although that is better than nothing. But walking in the world. Talk to the trees and/or your dogs. Or cats. Or whomever you walk with. Clear all the stickyawful thoughts first thing in the morning. Pretend your brain is an etch-a-sketch and just rip that little plastic thingie clean.

  • Write anyway. Even if your head starts back to yammering. Tune it out like the white noise it is and plow ahead. When you string enough days together with productivity, the feelings dim to a dull roar.

  • Love on your people. Like crazy. This will make them love on you back. Which you desperately need, even if you think you need to be left alone in a cave. This is your lying, lizard brain trying to fool you. Don’t listen.


Is it hard to leave behind the first novel and focus on the second?

YES!

At what point do you start diverting your energies from promoting your debut and writing / polishing / editing your second?

Um, today. Yeah. Today. What a coincidence that you would ask me this question on the very day I started really focusing on my second novel and not the eleventy-eleven things I still have to do for my debut. You must be psychic.

Your first book landed an agent and an editor, and hopefully some fans. Who are you writing the second one for? Them, or yourself?

I always write for me first and the reader in revisions. I think it’s important to write like I don’t have a reader when I’m just trying to get the story down. Much less pressure this way. I have more confidence in my revision skills than my drafting skills, so this works for me.

Is there a new balance of time management to address once you’re a professional author?

I waited until my kids were all fairly self-sufficient before I decided to try for a writing career, so it hasn’t been too bad in terms of time management. But I’m miserable at multi-tasking, so I’ve come up with a schedule where I can focus on one thing each day, whatever that is, and writing happens about five times per week. But it is a balancing act. I constantly have to remind myself that writing isn’t my hobby anymore and I can’t do it only when I feel like it. Discipline is key. Even though I don’t have as much as I could. Always a work in progress, I am.

What did you do differently the second time around, with the perspective of a published author?

I’m (lucky? Jury is still out on that one) to have signed a two-book deal. So there isn’t the nagging worry, will this one sell, too? But there is a different kind of pressure with a looming deadline, even though my editor would admonish me for feeling pressured. She has gone out of her way to make sure I’m comfy-cozy. But you can only do so much for a writer and her wonky head. I suppose that this time, I really do feel more like a professional, that my first book passed some kind of test and now I feel challenged to surpass that first goal. To write better. To use the skills I’ve developed (to remind myself I have developed skills #$%! dammit!). To BE a published author. You know? To live up to this amazing gift I’ve been given.

Emma Pass On Writing the Second Novel

Welcome to another of my fabulous acronym-based interviews. The second novel is no easy feat, and with that in mind I put together a series of questions for debuts who are tackling the next obstacle in their career path. I call it the SNOB - Second Novel Omnipresent Blues. Whether you’re under contract or trying to snag another deal, you’re a professional now, with the pressures of a published novelist compounded with the still-present nagging self-doubt of the noobie. How to deal?

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Today's guest is fellow Lucky13er Emma Pass. Emma has been making up stories for as long as she can remember. Her debut novel, ACID, is out now from Corgi/Random House in the UK, and from Delacorte in the US.  It won the 2014 North East Teenage Book Award, was shortlisted for the Doncaster Book Award, was nominated for the 2014 CILIP Carnegie Medal and has been longlisted for the 2014 Branford Boase Award and a Silver Inky Award in Australia. Her second novel, THE FEARLESS, is out on 24th April 2014 from Corgi/Random House and in early 2015 from Delacorte. By day, she works as a library assistant and lives with her husband and crazy greyhound G-Dog in the North East Midlands.

Is it hard to leave behind the first novel and focus on the second? 

It is! While I was trying to write THE FEARLESS, I was also editing/copyediting/reading proof pages for ACID, and it was sometimes quite difficult to balance working on a rough first draft (the part of the writing process I always find the hardest) with working on a polished, almost finished novel… and wondering if THE FEARLESS would ever reach that stage! 

At what point do you start diverting your energies from promoting your debut and writing / polishing / editing your second?

A lot of this stuff has to be done concurrently – there's no other way round it when there's only a year between your novels being released. And ACID released in the US just a few weeks ago, so I've been doing online promo stuff for it all over again just as THE FEARLESS is due to hit the shelves in the UK. But it's all good – and I hope there'll be lots of love for THE FEARLESS when Delacorte publish it in the US in 2015!

Your first book landed an agent and an editor, and hopefully some fans. Who are you writing the second one for? Them, or yourself?

First and foremost, myself. I have to love the story I'm writing; love the characters and the journey they're embarking on. Plus, if you think too much about what other people are going to say about the book, especially at the early stages, it can paralyse you.

Is there a new balance of time management to address once you’re a professional author? 

Definitely. It's easy to get sucked into spending lots of time online, chatting to readers and other authors, instead of writing. I was definitely more productive before I discovered Twitter! But on the other hand, I didn't have the incredible support network of fellow authors that I have now, so I wouldn't change anything. I do try and limit my online time now, but it's so tempting when you hit a plot snarl and the only other option for procrastination is doing the dishes…

The other thing that keeps me very busy is workshops and school visits. I love doing them, but it's very time consuming. I've found the trick is to fit writing in whenever you can – even if you only have an hour, get 500 words done. Every little helps! Luckily, I have a very understanding husband who doesn't mind me sitting in bed next to him tapping away on my laptop in the mornings while he's trying to get a bit more sleep.

What did you do differently the second time around, with the perspective of a published author?

Well, I definitely panicked more! When I wrote ACID, my debut, I only had an agent, not a publisher, and several years to write and polish it. THE FEARLESS was written in a much shorter space of time, under a deadline, and I was terrified, after hearing some horror stories from other writers, that my editor would hate it when it was done! But she didn't, and was really encouraging, which was a big help in calming my nerves.

However, all that fear (how ironic, eh?!) turned out to be a good thing in the end, because it showed me I can write an entire novel under the pressure of a deadline and contract – something I would never have believed I could do a few years ago. I've learnt new things with each novel – not just about writing but what I can do as a writer. And I think that's really important.

Polly Holyoke on Second Novels

Welcome to another of my fabulous acronym-based interviews. The second novel is no easy feat, and with that in mind I put together a series of questions for debuts who are tackling the second obstacle in their career path. I call it the SNOB - Second Novel Omnipresent Blues. Whether you’re under contract or trying to snag another deal, you’re a professional now, with the pressures of a published novelist compounded with the still-present nagging self-doubt of the noobie. How to deal?

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Today's guest is Polly Holyoke, author of The Neptune Project. When she isn’t writing, Polly loves reading, camping, skiing, scuba diving and hiking in the desert (where she quite stupidly got herself bitten by a rattlesnake). She lives with three rescue dogs, two spoiled cats and a nice husband who is tolerant about the piles of books all over their house.

Her fantastic debut, The Neptune Project, has been nominated to reading lists in both Maryland and Texas. It releases in paperback - today!

Is it hard to leave behind the first novel and focus on the second?

I didn’t have problems with this issue as The Neptune Challenge is a sequel to my first book, The Neptune Project. I had the plot for the sequel all planned out before I submitted the first book in the series, so it was fun and easy to dive back into the story (so to speak)!

At what point do you start diverting your energies from promoting your debut and writing / polishing / editing your second?

Ah, now this was harder for me. I was overwhelmed by how much promotion all my fellow debut authors seemed to be doing through social media. I had to learn how to use much of that media from scratch, and that was very time consuming. If they are serious about selling and promoting their work, I think writers should be building their social media platforms before they start submitting their manuscript. If I’d been more familiar with that side of promotion, I could have focused on writing my sequel earlier. I did make my deadline, but it was tight, and that was partly because I was so distracted by trying to promote the first book. 

Your first book landed an agent and an editor, and hopefully some fans. Who are you writing the second one for? Them, or yourself?

I still write the story I would have loved to read when I was twelve or thirteen. That approach seems to working for me because I keep running into enthusiastic fans that age who hug my book and announce that they’ve read The Neptune Project five or six times already. 

Is there a new balance of time management to address once you’re a professional author? 

Absolutely, but I still haven’t found the proper balance. One could spend an infinite amount of time on promotion. Now The Neptune Project has made the Texas and Maryland state reading lists, I’m also getting lots of requests for school visits. I love teaching and presenting at schools, but I’m finding it’s really hard to get much writing done on school visit days. I’m also a mom and a wife, and making sure I do those jobs well along with producing new work and promoting the old is one tricky business.

What did you do differently the second time around, with the perspective of a published author?

For so long I’ve wanted to be a published author, but during much of my debut year, I was way too stressed about the small stuff. A few months ago, I put a post-it note on my computer that says, “Enjoy the ride,” and that’s exactly what I’m doing these days!