Kim Rendfeld On Leaving Your Debut Behind

Welcome to another of my fabulous acronym-based interviews. The second novel is no easy feat, and with that in mind I put together a series of questions for debuts who are tackling the second obstacle in their career path. I call it the SNOB - Second Novel Omnipresent Blues. Whether you’re under contract or trying to snag another deal, you’re a professional now, with the pressures of a published novelist compounded with the still-present nagging self-doubt of the noobie.

Today's guest for the SNOB is Kim Rendfeld, who has a lifelong fascination with fairy tales and legends, which set her on her quest to write The Cross and the Dragon, her debut novel. She grew up in New Jersey and attended Indiana University, where she earned a bachelor’s degree in journalism and English, with a minor in French. In 2007 she joined the marketing and communications team at Ball State University in Muncie, Indiana. She gets paid to agonize over commas and hyphens, along with suggesting ways to improve writing, and thoroughly enjoys it.

Her second novel, The Ashes of Heaven's Pillar is set in the wake of Charlemagne in the year 772. Set against a backdrop of historic events, including the destruction of the Irminsul, it explores faith, friendship, and justice. This companion to Kim Rendfeld’s acclaimed The Cross and the Dragon tells the story of an ordinary family in extraordinary circumstances. You can read the first few chapters of both Kim's books on her site for free!

Is it hard to leave behind the first novel and focus on the second?

Everyone has their own way to decide on when to start book No. 2. Whenever I finish writing a manuscript, I go through a form of grief, one that can be remedied only by starting on another book. So The Ashes of Heaven’s Pillar was the only way I could cope with leaving The Cross and the Dragon behind. Working on another project also took some of the anxiety out the query process. It gave me something else to concentrate on besides all those rejections.

At what point do you start diverting your energies from promoting your debut and writing / polishing / editing your second?

It took so long to get Cross and Dragon published that I had gone through three major drafts of Ashes and started on a third manuscript. Still, once my debut was published, I focused on promotion for three months. Then I realized promotion is never really done, and I simply needed to get back to the manuscript.

Your first book landed an agent and an editor, and hopefully some fans. Who are you writing the second one for? Them, or yourself?

I don’t have a particular audience in mind when I’m writing fiction. I’m mainly focused on telling a good story with characters who are true to their time – the early Middle Ages in this case – but still appealing and relatable to modern readers. Even with book No. 3 (tentatively titled Lady Queen Fastrada), my first priority is the story.

Is there a new balance of time management to address once you’re a professional author?

I was busy even before publication – a full-time job, a blog, a social media presence, and oh yes, my novel. In addition, I enjoy gardening and do some volunteer work at my local library. So time management feels like a juggling act. Each night and weekend, I must ask myself what gets priority: a blog post, publicity, my work in progress, critique of a friend’s work. In other words, what do I put off for another night? Sometimes the answer is deadline driven. My crutch is my handwritten lists. Note the plural.

What did you do differently the second time around, with the perspective of a published author?

I wrote most of the second manuscript while I was still unpublished, so the writing process wasn’t that different. However, one thing I got to skip in this go-around was the query process, and that is liberating. Of course, Fireship Press needed to review the finished manuscript before making an offer, but to have a publisher truly interested in your work is a great feeling and a boost in confidence. It allowed me to focus on polishing the manuscript rather than agonizing over a cover letter.

On the publishing and promotion side, there was a four-month wait between sending the finished book to the printer and releasing it for sale. The reason was to allow time to arrange the virtual book tour and other publicity. I am very grateful to Fireship Press for believing in my work to make such an investment. I didn’t mind the wait. In fact, it gave me time to write guest posts, work on novel No. 3, even take a vacation or two to see family.

Demitria Lunetta On Writing The Next One

Welcome to another of my fabulous acronym-based interviews. The second novel is no easy feat, and with that in mind I put together a series of questions for debuts who are tackling the second obstacle in their career path. I call it the SNOB - Second Novel Omnipresent Blues. Whether you’re under contract or trying to snag another deal, you’re a professional now, with the pressures of a published novelist compounded with the still-present nagging self-doubt of the noobie.

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Today's guest is fellow Class of 2k13 member Demitria Lunetta. Demitria is the author of the YA Sci-fi duology, IN THE AFTER and IN THE END. She holds a BA in Human Ecology and has spent countless hours studying the many ways in which people are capable of bringing about their own destruction. In case the end is near, she always carries a good book and a chocolate bar -- the two items essential for post-apocalyptic survival.

Is it hard to leave behind the first novel and focus on the second?

With your first novel you have all the time in the world to write it and the deadlines only come when you find a publisher and when you have to edit. For the second book, you have a deadline for EVERYTHING and life becomes very stressful. My second novel, IN THE END is the continuation of IN THE AFTER, so focusing on new characters/new plotline wasn’t really an issue. What was hardest was making the second book something fresh and new while also including all the things that readers liked from the first book.

At what point do you start diverting your energies from promoting your debut and writing / polishing / editing your second?

I started writing IN THE END before IN THE AFTER came out…so I was doing EVERYTHING at once. I don’t think I diverted energies from promotion, exactly, but it was important that I made sure my attention was given to everything that needed doing, which is not always easy! Usually it was my house/personal hygiene that would suffer…who needs to brush your hair when you’re stuck behind a computer all day!? But really, I knew it was time to get out when my husband started referring to my pajamas as my work uniform. 

Your first book landed an agent and an editor, and hopefully some fans. Who are you writing the second one for? Them, or yourself?

I wrote my first book for myself…and I think I’ll always write for myself. A lot of people say that they write what they want to read…and I do as well. I also have all these ideas bouncing around in my head at once, so it’s good to get them out on paper. Is it too cliché to say I write for my characters? Let’s just say I write for my sanity. I’m just happy when other people want to read the crazy-ness that pops out of my head.

Is there a new balance of time management to address once you’re a professional author? 

I never knew all the hats that a published author had to wear; writer, editor, blogger, social media queen, and giveaway guru. As I mentioned earlier, time management can be a huge issue. Now, I try to chop my day up into time segments and allot a certain amount of time to writing/editing and to promotion. I also make myself find the time to read because a) reading makes you a better writer b) I like to know what stories are out there and c) I just love it so much. I can’t imagine my life without books.

What did you do differently the second time around, with the perspective of a published author?

When you write before becoming published, you don’t know what an editor will say and what advice they will give. For my second novel, I had to think about editor input..before my editor even looked at it, which is not actually a bad thing. I learned a lot from editing my first book. I felt like the “rookie mistakes” I made on my first draft of IN THE AFTER weren’t present in IN THE END, which made the editing process a lot easier.

 

Kelly Fiore On Writing the Second Novel

Welcome to another of my fabulous acronym-based interviews. The second novel is no easy feat, and with that in mind I put together a series of questions for debuts who are tackling the second obstacle in their career path. I call it the SNOB - Second Novel Omnipresent Blues. Whether you’re under contract or trying to snag another deal, you’re a professional now, with the pressures of a published novelist compounded with the still-present nagging self-doubt of the noobie. 

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Today's guest is Kelly Fiore. Kelly has a BA in English from Salisbury University and an MFA in Small Spiral Notebook, Samzidada, Mid Atlantic Review, Connotation Press, and the Grolier Annual Review. Her first young adult novel, Taste Test, was released in August 2013 from Bloomsbury USA. Forthcoming books include Just Like the Movies, again from Bloomsbury, in 2014 and The People Vs. Cecelia Price from HarperTeen in 2015.
Poetry from West Virginia University. She received an Individual Artist Award from the Maryland State Arts Council in 2005 and 2009. Kelly’s poetry has appeared in

Is it hard to leave behind the first novel and focus on the second?

Um, no. Not at all.

I always thought I’d want Taste Test to be a trilogy or a series but, frankly, I think I do better with starting fresh. That’s not to say that I wouldn’t write a sequel – I would. But I don’t miss the characters or feel like I’ve left anything unfinished. Part of that is because my lovely editor (Mary Kate Castellani, Bloomsbury USA) helped me tie up the loose ends. I feel satisfied with the ending and that makes it easier to move on.

At what point do you start diverting your energies from promoting your debut and writing / polishing / editing your second?

My second book was due to my editor about 3 months before my first book was even released, so I can’t really answer that question. However, I can say that I’m in a weird limbo now between promoting Taste Test (out last summer) and promoting Just Like the Movies (out this summer.) I’m trying to balance my focus. For example, my in-person events are usually Taste Test focused because that is the book that is currently available, but my giveaways are all Just Like the Movies focused to drum up interest in the book.

Your first book landed an agent and an editor, and hopefully some fans. Who are you writing the second one for? Them, or yourself?

This is a great question. I would say that I wrote Just Like the Movies for a combination of people. First, for my 16 year-old self. I was just like my main character, Marijke, in high school. I believed in true love and the “movie-like” happily ever after’s. I also wrote JLTM for my best girl friends, two of whom have been my BFFs since childhood. 

Is there a new balance of time management to address once you’re a professional author? 

Absolutely. I think the reason I’m able to write as much and as often as I do is because I am methodical in my plotting and drafting. I do long synopses and chapter by chapter layouts for myself before I ever start the actual writing. I think that sort of organization allows for me plan and then work more efficiently.

I will say, however, that when I left my teaching job to write full time, I thought it would be so that I could write during the day and spend nights and weekends with my family. But I’ve been writing for nights and weekends for so long that I’ve had a really hard time kicking the working at night habit.

What did you do differently the second time around, with the perspective of a published author?

I would say that I’m far less nervous about things I can’t control. I’m also trying to only do things I really enjoy – I like blog posts and interviews and such, so I’m certainly doing those. But I’m trying not to stress about logistics, like sales. The truth is that whatever happens is what is going to happen. I will do everything in my power to pimp my book, but my power is limited. It is important for any artist not to equate their talent or skill to money or sales figures. (I know, it’s easier said than done.)