Randy Ribay On Rolling With The Plot Changes

Inspiration is a funny thing. It can come to us like a lightning bolt, through the lyrics of a song, or in the fog of a dream. Ask any writer where their stories come from and you’ll get a myriad of answers, and in that vein I created the WHAT (What the Hell Are you Thinking?) interview. Always including in the WHAT is one random question to really dig down into the interviewees mind, and probably supply some illumination into my own as well.

Today's guest for the WHAT is Randy Ribay, debut author of the contemporary YA novel AN INFINITE NUMBER OF PARALLEL UNIVERSES (Merit Press, October 2015). He's also a book reviewer & blogger for THE HORN BOOK and a high school English teacher. He can be found in Camden, NJ walking his dog-children, gaming, or making lightsaber sound effects with his mouth.

Ideas for our books can come from just about anywhere, and sometimes even we can’t pinpoint exactly how or why. Did you have a specific origin point for your book?

I began with some vague shape of the kind of story I knew I wanted to tell. When I started writing AN INFINITE NUMBER OF PARALLEL UNIVERSES, I was coming off of writing a post-apocalyptic zombie novel (that nobody will ever read!). I like mixing things up, so I knew I wanted to go in the opposite direction and try something realistic. From there, I knew I wanted to tell the story of a nerdy kid. And as I started writing his story and building his world, I became interested in his friends and their stories. That’s how I ended up deciding to ignore every piece of writing advice ever about how to structure a story.

Once the original concept existed, how did you build a plot around it?

I’m a diverse person who has lived a diverse life. Having been starved for literature that reflected my world as a child, I knew I wanted to my characters to convey a variety of experiences. So even though I was writing about a group of nerdy friends (who found each other by playing Dungeons & Dragons), I did not want them all to be the same type of nerd with the same background and the same struggles. So I began by creating my characters, and once I knew them, I gave them each a problem they needed overcome that would be true to their character. And once they each had a problem, I gave the group a problem that they would have to collectively resolve. I wrote to help them solve those problems.

Have you ever had the plot firmly in place, only to find it changing as the story moved from your mind to paper?

My plot(s) kept changing right up to the final draft. Given the unique structure of my story (four parallel storylines that eventually converge), I constantly struggled with making sure that the individual plots intertwined sufficiently to necessitate that they be told jointly. On top of that, I had to ensure that the larger arc would help resolves the individual arcs. This, or course, made revision a…challenge. Every time I altered a plot point in one section, I had to then go and change every other section. Good times.

Do story ideas come to you often, or is fresh material hard to come by?

It took me a long time to start writing because I always felt like the first thing I wrote had to be a complete masterpiece. However, once I finally realized that that was bullshit (can I curse here?), I was actually able to write. Since then I’ve been able to find new ideas all around me. A lot of the times I’ll begin with an image—usually something I see in my daily life—and simply wonder about the story behind the image.

How do you choose which story to write next, if you’ve got more than one percolating?

In between novels, I’ll do a stint of short stories. And I’ll basically keep writing short stories until something sticks, until I get to that point where I can’t stop thinking about one of the stories and its characters. So even though I always have a few bouncing around my head, it’s the one I’m most curious about that I’ll expand simply because I feel like there’s more story that I want to uncover.

Given the choice of losing your feet or your hands, what goes?

Feet, hands down (see what I did there?). My hands help me write, type, make omelets, play video games, pet puppies, build sandcastles, etc. My feet get me from point A to point B. Sometimes they kick things. I feel like they could be replaced with wheels or robot spider legs or a jet pack, and things would work out. Maybe I could even get stilts and finally be taller than Mindy McGinnis.

Fan Art Is Good For The Soul

I haven't had a lot of fan art so far, but I do love what I have had... so much so that I keep a Pinterest board of it. I've been word-slinging non-stop since the end of May, and while that's not a complaint (boredom is my worst enemy), I do sometimes have to remind myself that absence can be what makes the heart grow fonder.

So I took a few days off for the 4th of July weekend, partly because I was road-tripping and partly because it was time to separate from GIVEN TO THE SEA for a breather before diving back in for the grand finale. A little bit of space can mean all the difference in delivering a satisfying ending, rather than rushing for the finish line because it's in sight.

But a few days away from the keyboard can also serve to remind you how much easier it is to not write. There's no that's-not-quite-the-right-word-but-I'm-going-forward-anyway syndrome, no idly tearing off your fingernails while waiting for the subplot to tie itself off in your mind, no wondering why that supporting character won't stop trying to steal the page.

So while I was enjoying my freedom, I was also a little sluggish on social-media, taking some true Mindy Time. I picked up my phone and hopped on Twitter at one point to see what was up, and a follower drew my attention to an amazing piece of art by Charlie Bowater that had been inspired by NOT A DROP TO DRINK.

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Seeing someone else take put this much care into representing Lynn was pretty awesome, and I have to say I think the art is just breathtaking. Fan art is a good reminder for writers that while writing is a solitary endeavor, the end product is anything but.

The Beauty Of Pantsing It: The Character You Didn't Expect

I've got a lot on my plate right now, but I mean that in strictly the metaphorical sense because I definitely just clean plated my breakfast. Farm eggs, man. Can't beat 'em.

The first draft of my fantasy series, GIVEN TO THE SEA, is due somewhat soon, and I also need to do an edit on my 2016 release THE FEMALE OF THE SPECIES, which is a rape-revenge vigilante justice contemporary. It's possible that one day I will write something where the description doesn't make people cringe a little, but don't hold your breath - that's what I keep telling my mom, anyway.

So with all this work staring me down, the coffee pot on overtime and the cats tossed outside so they can't sit on my face, I've actually been getting a lot done. The fact that it's been raining non-stop in Ohio for the past two weeks has been a big help, as my outdoor soul isn't contending with much guilt from nice breezes and warm sunshine.

All that being said, it's still work, and cranking out the words is never easy. There's always the author's biggest enemy - procrastination - staring you in the face (well hello blog post, I should write you, yes?). But what stalled me the other day was something else, something that I only have myself to blame for.

I'm a pantser, complete and total. Whenever I turn in a synopsis to agent or editor it comes with a heavy warning that some people I earmarked as survivors may actually die, and I might decide to kill those who got a reprieve in the initial concept. I also might wander down paths I didn't know existed, which is where my subplots always come from. It's a lovely thing when an organic subplot pops up, and that happened to me yesterday, in the form of a character I didn't know existed.

He had a few things to say. He's quietly masculine and made of honor, and while I only meant to give him a line or two of comfort to a stricken female, he showed up again a few chapters later and kept talking. I was like dude, what are you doing - I didn't even give you a name, so shut it. And suddenly I had to give him a name, because he kept talking to my female character and the pronouns were getting old, and once I'd given him a name I gave him a wife and a kid, and suddenly he had a subplot and possibly his creator had a little crush on him.

This is why I love being a pantser - a subplot I never intended, but neatly ties together my overall arc came about organically, nicely tied up in a cool dude with armor and a conscience.

I'll take it.