Jessica Strawser On Finding Inspiration... Accidentally

Inspiration is a funny thing. It can come to us like a lightning bolt, through the lyrics of a song, or in the fog of a dream. Ask any writer where their stories come from and you’ll get a myriad of answers, and in that vein I created the WHAT (What the Hell Are you Thinking?) interview. Always including in the WHAT is one random question to really dig down into the interviewees mind, and probably supply some illumination into my own as well.

Today’s guest is Jessica Strawser (jessicastrawser.com) editor-at-large for Writer’s Digest and the author of five book club favorite novels: Almost Missed You; Not That I Could Tell (a Book of the Month bestseller); Forget You Know Me; A Million Reasons Why (named to Most Anticipated lists from Goodreads, SheReads, Frolic & E! News); and her latest, The Next Thing You Know (March 2022), a People Magazine Pick for Best New Novel (all from St. Martin’s Press). She has written for The New York Times Modern Love, Publishers Weekly, and others, and is a popular speaker at writing conferences. She lives with her husband and two children in Cincinnati, where she was named 2019 Writer-in-Residence for the Public Library of Cincinnati and Hamilton County. Follow her on Facebook & Instagram @jessicastrawserauthor.

 Ideas for our books can come from just about anywhere, and sometimes even we can’t pinpoint exactly how or why. Did you have a specific origin point for your book?

I was doing research for an entirely different book when I stumbled upon a reference to a death doula. I’d never heard of that before—someone who is trained to be with people and their families in the final stage of their lives—and was instantly fascinated by what it would take to do that job. Because it’s not medical: It’s all about finding peace, whatever that means to you. I instantly thought a death doula would be a fascinating protagonist.

Once the original concept existed, how did you build a plot around it?

I brainstormed reasons someone might be drawn to this profession and hit on a compelling backstory—one that would also be the character’s deepest secret. (I love a character with a secret!) I made her a motorcycle-riding free spirit who plays loose with the rules, and paired her with a client who would be her biggest challenge yet: A handsome yet prickly fallen rock star, Mason Shaylor. I decided on dual timelines, with a mystery at the center: In the present day, she’s being accused of mishandling Mason’s case, and he’s no longer there to defend her. In the past, we see their relationship unfold from day one and slowly learn what really happened between them.

Have you ever had the plot firmly in place, only to find it changing as the story moved from your mind to paper?

All. The. Time! Although really, I’m not sure the plot is ever firmly in place before I start writing—I usually know where I’m going but not how I’m going to get there.

Do story ideas come to you often, or is fresh material hard to come by?

Whenever it comes time to write a new novel, I usually have an idea or two already marinating in the back of the fridge, but I definitely don’t have a pantry full of extras.

How do you choose which story to write next, if you’ve got more than one percolating?

I usually start with a concept or theme, so if I have more than one, whichever starts bringing actual characters to mind first usually wins. But sometimes it’s about timing—what might seem topical or more right for the moment.

I have 6 cats and a Dalmatian (seriously, check my Instagram feed) and I usually have at least one or two snuggling with me when I write. Do you have a writing buddy, or do you find it distracting?

I find it distracting—which made this book a challenge to write during lockdown! I have two elementary-school aged kids who were home with me full time for six months (remote school, the whole works) in the time leading up to this deadline.

Bethany C. Morrow on the Social Horror Genre & The Importance of Nuance In Audiobooks

Today's guest is Bethany C. Morrow, author Cherish Farrah. Bethany joined me today to talk about the rising genre of social horror, the importance of nuance and performance in an audiobook, unreliable narrators, and those of us who operate within the social contract... as well as those of us who don't.

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Len Joy on "The Half-Known World"

by Len Joy

In my first novel, American Past Time, the main character, Dancer Stonemason, is a minor league baseball player in the 1950s who pitches a perfect game that ends up costing him his chance to make it to the major leagues. The novel covers the twenty years after the cheering stops as Dancer struggles to find his way in postwar America. My third novel, Everyone Dies Famous, picks up Dancer’s story thirty years later, with Dancer a grief-stricken old man, trying to come to grips with the death of his son. In my second novel, Better Days, the main character, Darwin Burr, has coasted through life on the fading memory of high school heroics. But when his boyhood vanishes, he risks everything to save him.

My new novel, Dry Heat, is the story of Joey Blade, All-American high school football player. On the day Joey turns 18, he learns his ex-girlfriend is pregnant, is betrayed by his new girlfriend, and is arrested for the attempted murder of two police officers.  

I was a good high school athlete in a small town back in the day when it was possible to play three sports. I have always been interested in the life lived after the crowds have all gone home. In my novels, Dancer struggled, Darwin coasted and Joey went to prison.

Put simply, I am following that adage, to “write what you know.” I understand athletes, the rush of having a crowd cheer for you, the wistfulness of no longer being able to do something that you loved, the challenge of moving on and growing up.

Dry Heat is set in Phoenix during the period from 1999 to 2014. Joey Blade, is an All-American high school football star, planning to attend the University of Arizona on a football scholarship in the fall. His family owns the largest engine rebuilder in the southwest.

In 1988 I bought a large engine rebuilder in Phoenix and for the next fifteen years I operated that business with my brother-in-law. On a summer evening in 1996, the son of one of my employees was riding in a car with two other boys and they were involved in a road rage incident with another vehicle. One of the boys fired a gun at the other car. It turned out that the driver of the other vehicle, who had instigated the confrontation, was an off-duty cop. They were all arrested, but the other two disappeared before their trial and my friend’s son was the only one prosecuted. He was looking at twenty years in prison if he lost at trial, so he took a plea deal for three years. One foolish mistake and his life was changed forever.

In my novel, on the day Joey Blade turns 18, he learns his ex-girlfriend is pregnant, is betrayed by his new girlfriend, and after a road rage incident where he is the innocent bystander, he is arrested for the attempted murder of two police officers.

It is not the story of my friend’s son. But that incident made me think about how easy it can be for any of us to have our lives turned upside-down in an instant. I imagined a character who had everything going for him and lost it. The challenge of the novel was not describing the incident or even the courtroom drama. The challenge was figuring out what Joey Blade does with the rest of his life.

I am a strong believer in what Robert Boswell’s describes as “The Half-Known World.” Boswell maintains that it is not necessary to know everything about your character. Let your imagine roam. Give your character the opportunity to surprise you. 

It is important, of course, to get the details right. It was easy for me to recreate the setting of Phoenix circa 2000, because I lived there. I didn’t have any experience with gangs or the criminal justice system, but I had good contacts. The mother of the boy who went to prison shared with me her son’s perspective as well as her own. One of my beta readers is a criminal attorney and he helped me with the trial procedures. I found numerous articles and blogs on gang activity.

It is easy to get caught up in the research, but it is important to have a light touch. The goal is not to show the reader how much you know. The goal is to tell a good story and keep the reader turning the page to find out what happens next.

Len Joy is the author of Dry Heat(2022). He has published three previous novels, Everyone Dies Famous (2020), Better Days (2018) and American Past Time, (2014) and a collection of short fiction, Letting Go (2018). Len is an All-American triathlete and competes internationally representing Team USA. He lives in Evanston, Illinois with his wife, Suzanne Sawada. For more information, please visit https://www.lenjoybooks.com