Release the Idea of Getting Published and Focus on Your Craft

Ruby, my dog, has an internal clock that chimes at exactly four o’clock every afternoon alerting her that it’s time for a walk.

“Let’s see if we can get past Bob,” I say as I struggle to slip the leash over her head because she is dancing with pre-walk glee. Bob is my neighbor and has an international best seller brewing in his brain. He is forever pressing me for the secret to getting published or suggesting that I ghost-write his novel.

“You ready to get started on my book yet?” Bob calls out when he catches sight of Ruby tugging me past his yard. Dried leaves crunch as he walks towards the street.

“It’s hard enough getting my own words on paper, much less yours,” I retort. “You need to write that book yourself.” 

Bob lobs his rake from hand to hand so that it passes before his face like a windshield wiper. 

“Exactly how hard is it to find an agent?” he asks for the third time this month. I can’t decide if he is teasing me or not, so I ignore the question.

“Have you started writing yet?” I ask.

“No. It’s still in the idea stage, and work has been crazy.” He pushes the rim of his glasses up his nose. 

“What’s the plot?” I ask. Ruby roots around, sniffing at the grass at the base of his mailbox.

“How do I know you won’t steal my idea?” He pulls the rake to his shoulder and steps back. 

“It’s hard for me to write your book if I don’t know the characters or plot points.” I chuckle, then repeat the advice I’ve given him ten times prior. “Start working on an outline, then a first draft.” Ruby and I begin walking away.

“How long will that take?” He asks.

“A few months,” I shrug. “A year?” How many times do we need to rehash the same conversation?

“I don’t have that long,” he calls after me.

“See you later.” I wave.

“I don’t have time to write his book for him,” I mumble to Ruby, who pants back at me.

Reading taught me how to write. By the time I was forty I’d read approximately three books a month for thirty years. Through literary osmosis I learned story structure, pacing, and characterization. Once I discovered that I loved to write I took classes and attended conferences where I signed up for critiques and pitch sessions. I joined a critique group and bravely read my work aloud every week, only to have my fellow writers tell me to cut out unnecessary descriptions and dialogue. Quickly, I learned to edit and rewrite. Once I got my first draft complete, my critique partner congratulated me then told me to start the second draft from scratch. The discoveries I made about myself while working on my novel were innumerable. I became more observant. When it rained, I ran outside and held my face to the sky taking note of how the raindrops splattered against my cheeks and ran over my jaw in rivulets down my neck. I began to listen, rather than speak. The universe placed fascinating people and hurdles in my way, leading me in new directions. At some point, at a writer’s conference, an editor suggested to the audience that we focus on our craft, and publication would follow. That simple advice rang true for me. Once I released the idea of getting published and made the craft of writing my priority, my writing leveled up. The more I write, the better I get. 

K. E. Bonner, author of Witching Moon, was always the first kid to sit down during a spelling bee. It wasn’t until she was an adult that she was diagnosed with dyslexia, which explained why she always had to study three times harder than her peers. Being dyslexic taught her perseverance and kindness, her two favorite attributes. She lives in Georgia with her husband, two sons, and two dogs. When not writing, she loves to read, swim, explore new places, and meet fascinating people. If you have a dog, she would love to scratch behind its ears and tell it what a good pup it is.

Writing Holiday Romances

I sort of fell into writing holiday romances through a love of reading them. Each Christmas my mum and I would buy a holiday romance each, read them, swap, and then discuss, like a book club for two. I hadn’t tried writing romance before I wrote The Twelve Dates of Christmas – unless you count a cringing attempt I made when I was fifteen, after secretly reading Lace by Shirley Conran - if anything, I leaned towards gothic/sci-fi as a writing genre. It wasn’t that I didn’t want to write romance, it was simply that I didn’t know if I could.  

I wrote Twelve Dates ostensibly for me and my mum. I wanted to write the joy that I felt when reading holiday fiction. It was my love letter to Christmas. I had no idea that writing about a subject I loved would be the thing which finally enabled me to become a published author. I adore Christmas. Everything about it. The colours, smells, music, cosiness and let’s not forget the food! It is my favourite time of year, not even so much the day itself but the build-up; it’s cold, you can drink hot chocolate with cream and sprinkles at 10am with no judgment and people are nicer to each other. It feels like a hopeful juncture, a small window of time in which we are granted the power to change and become better people if we want it. And it needn’t be limited to Christmas; Jean Meltzer’s The Matzah Ball is a Hanukkah romance which beautifully captures all those holiday feels.  

I have a confession to make; I don’t much like summer. There I said it. I prefer the cooler seasons. Spring is exciting, the light it brings after the winter darkness is wonderous and welcome, but for me it is Autumn and Winter that makes my heart sing. Perhaps it is because I am a November baby, born, so I’m told, when the ground was covered in thick white ice. Or maybe it is because of the winters I remember from my childhood; coming home from school on snowy days to hot soup bubbling on the stove and Christmas eve’s which felt so charged with magic that sometimes if I close my eyes and concentrate, I can still feel the tingle of it. 

I think to write any genre, you’ve got to love it and that is especially true for a holiday romance. You must evoke all the cosy, physical things about the holidays, and invoke the spirit of the season too. A better writer than me could probably conjure a brilliant holiday romance even if they hated Christmas, but I draw heavily on my unquenchable love of the holidays when I write. 

One of the best things about the holidays, from a writer’s perspective, is how contentious they can be. For all the candy-canes and fairy-lights, they can be an emotionally charged time. Alongside the sense of hope that I touched upon earlier, comes a stripping back of our protective layers; if we are to change our futures, we must first come to terms with our pasts, and goodness knows that can be difficult. The ache for those we have loved and lost becomes more acute during the holidays. And let’s not forget the obligatory family get-togethers; all those little niggles, so easily tamped down from a distance, suddenly become sharp and prickly when you are locked in a room together. For me as a writer this juxtaposition of yearning for the elusive most wonderful time of the year set against the myriad of our complex human emotions trying to scupper the whole thing is a gift. It means I can pour all my adoration for the holidays into a story but also root it in truth so that it is not only relatable but the happily ever after – the happily ever after is essential in my mind – feels attainable. After-all, shouldn’t we all be allowed to have a crack at a supremely magical moment?

And therein lies, I think, the reason why holiday romance is such a popular genre; it allows us to dream. The holidays are a wildly busy, often stressful time for most of us and we not only need but deserve a few blissful moments of escapism. Where better to find it than in a book. Like millions of others, I wear many hats in my life; wife, mother, daughter, working woman, chef, cleaner, general fixer of all crises, and sole provider of my families ‘perfect’ Christmas. It is a wonderful life, but it is also bloody exhausting. We turn to holiday books and movies to help get us in the mood and hold us there as we strive to juggle more baubles than a circus performer. Holiday books keep the love light gleaming, as we shop and cook and peace-keep our way through the season. They are the voice that assures us that it will all come good in the end. 

In the last few years, between the global pandemic and the world generally feeling as though it is going to hell in a hand basket, I think we are turning more and more to books which make us feel cosy. And why not? We need it! It’s tough out there and if holiday books can bring us some much-needed respite, I say bring it on. I don’t think the recent explosion of holiday novels into the book market is a coincidence. During the first lockdowns I started reading holiday books in September and I didn’t stop until March. Those hopeful romantic novels helped me deal with my anxiety for the outside world. And I don’t think I am alone in that. Whatever your opinions on the holiday romance genre, they are books which sing loud and proud about hope, joy, forgiveness, redemption, and above all love; all the things we need in our emotional toolbox to help change the world for the better.             

A former professional cake baker, Jenny Bayliss lives in a small seaside town in the UK with her husband, their children having left home for big adventures. She is also the author of The Twelve Dates of Christmas and A Season for Second Chances.

Randee Dawn on The Inspiration for Tune in Tomorrow

Inspiration is a funny thing. It can come to us like a lightning bolt, through the lyrics of a song, or in the fog of a dream. Ask any writer where their stories come from and you’ll get a myriad of answers, and in that vein I created the WHAT (What the Hell Are you Thinking?) interview. 

Today’s guest for the WHAT is Randee Dawn, author of Tune in Tomorrow: The Curious, Calamitous, Cockamamie Story Of Starr Weatherby And The Greatest Mythic Reality Show Ever

Ideas for our books can come from just about anywhere, and sometimes even we can’t pinpoint exactly how or why. Did you have a specific origin point for your book?

Having worked at a soap opera magazine for many years, I’d toyed around with the idea of basing some kind of genre-based story at a soap – like a murder mystery. But I didn’t do much with it. Later on, I was asked to come up with some ideas for a text-based online game for Choice of Games, and one of the pitches was about an actress who comes onto a soap and finds all sorts of shenanigans and machinations backstage. That story didn’t pan out to be a game, but it did get me to outline the basics of Starr Weatherby’s tale – and I realized I could make it even more accessible and fun by making it based in a fantastic world where mythical creatures ran the show.

Once the original concept existed, how did you build a plot around it?

To me, it fell in place naturally. On the one hand, Tune in Tomorrow has some familiar tropes: The show veteran who worries about keeping her place, the hard-working underlings who know everything that’s going on, a show that’s teetering on cancellation, a scheming Lothario, a wide-eyed newcomer. But they all take unexpected turns when tossed into the stew of fantasy, where so many surprising things can go wrong. So the thread of the familiar led me into the story – Starr is hired, Starr has to fight to find her place on the show amid all the creatures and humans who might not want her there – but along the way the characters sent me in new directions thanks to their personalities and abilities. 

Have you ever had the plot firmly in place, only to find it changing as the story moved from your mind to paper?

Absolutely. I wanted it to be a funny book! The first draft or two I wrote were mildly amusing, but I needed to lean into the wackiness. I started looking at scenes and saying to myself, “That’s all nice and moves the plot and so forth, but how could it be wackier?” Then I took my own advice. I also had Starr falling into her romances earlier, but realized – with some beta reader help – that the true love affair she has is with the show, not one individual (or two individuals). That was a more interesting concept to develop, so I could pare down some of the overheated scenes and get to her finding out more about herself as she became part of the fabric of the show.

Do story ideas come to you often, or is fresh material hard to come by?

There is never a dearth of story ideas! It’s about how to implement the story idea. A great plot is one thing, but you have to start it, end it and populate it with fascinating characters people care about, or at least care about seeing how things end up for them. I have loads of ideas I only wish I had time to properly sit down and work through.

How do you choose which story to write next, if you’ve got more than one percolating?

Mostly it’s what interests me the most on any given day. Right now I’m in a strange place – a book out that could have a sequel (or at least a sequel set in the same world) or a new draft of a fresh novel I wrote during the pandemic. A lot will depend on how Tune in Tomorrow sells – if it does well and my publisher wants a follow-up, I’ll tackle that next (I have about five chapters already written). If not, I plan to go back to the other novel and see if that can get sent to my editor. So those are very practical reasons for deciding what comes next. I have a hard time deciding which I’d prefer right now!

I have 6 cats and a Dalmatian (seriously, check my Instagram feed) and I usually have at least one or two snuggling with me when I write. Do you have a writing buddy, or do you find it distracting?

Not really! I do have a wonderful Westie named Birdie, but she’s always been very low-energy and thanks to some arthritis she doesn’t really climb the stairs to my office much. She has been in my office while I’ve written in the past, but I’m pretty much a solo animal on my own, living in my head as I write.

Maryland-born Randee Dawn is now a Brooklyn-based entertainment journalist who scribbles about the glam world of entertainment by day, then spends her nights crafting wild worlds of fiction. She's a former editor at The Hollywood Reporter and Soap Opera Digest, and these days covers the wacky world of show business for Variety, The Los Angeles Times, Emmy Magazine and Today.com. Dawn's obsessive love of all things Law & Order led her to appear in one episode and later co-author The Law & Order SVU: Unofficial Companion. Her short fiction has appeared in numerous anthologies and online publications; she also dreams up trivia questions for BigBrain Games. Once a month she can be found hosting Rooftop Readings at Ample Hills Creamery in Brooklyn, and when not writing she's focused on her next travel destination, and hangs out with her wonderful, funny husband and fluffy Westie. She admits she reads way too many books and consumes far too many mangoes.