Frolic Interview

Note From Frolic: Our resident YA expert Aurora Dominguez got the opportunity to interview author Mindy McGinnis and ask her five(ish) questions. Mindy’s novel Be Not Far From Me‘ is out March 3rd!]

What was your inspiration behind your most recent novel?

I am an avid hiker, and often take vacations in places where I can get some hiking in. One such vacation was near a particularly dense Pennsylvania forest. The person I was with thought we could get a spur of the trail in before darkness fell. I didn’t think we could, and said so, but curiosity outweighed caution and we tried it. Hours later, with no overnight packs and failing phone batteries, we were in pitch black with a trail as wide as my hand, mostly searching for faded blazes on trees to mark our way. It was simultaneously exhilarating and terrifying. We did break out onto the trailhead around 11 PM. And no, I didn’t rub it in that I had been right about that spur. I was too grateful that we’d made it back to our car… and that a novel had been born while we wandered. But me being right about the spur totally came up the next day.

What character do you most relate to and why?

People ask me often what character of mine I’m most like. Ashley is definitely the answer. I grew up pretty hardscrabble, and a lot of the stories from her childhood are only slightly adapted from my own experiences.

Please describe the content of your latest book and what can readers expect from the read.

I pitch Be Not Far From Me as “drunk Hatchet, with a girl.” That pretty much sums it up. You can expect an angry, female Gary Paulsen vibe.

What’s next for you in the book world?

I’m very excited for my 2021 release, The Initial Insult, which blends retellings of Edgar Allan Poe stories in a contemporary Appalachian Ohio setting.

Who is your favorite writer right now and why?

I don’t tend to have favorite writers. I will pick up anything and give it a shot. I will say that anything by Tiffany D. Jackson has my vote!

Source: https://frolic.media/mindy-mcginnis-you-ca...
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Behind the Book Jacket

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By Grace S. , West Jefferson HS Student

Author, podcaster, book saleswoman, and overall fascinating person Mindy McGinnis visited our school on October 24th, 2019. Media Specialist, Mrs. Kearns, scheduled her to come and give 50-minute talks to the middle school and high school about her novels.

Because of this, we all sat in on her presentation. Anybody can google her. I am interested in the discrete parts of her; the person she is behind the jacket photo. I had the opportunity to interview her in between sessions. We talked for 31 minutes about canned tomatoes, meat processing plants, and lobotomies.

I sat with Mindy and my best friend, Cory Ratcliff, at the first round table in the library waiting for Mrs. Kearns to get back from her lunch run. Once she got back, the questions started. Throughout the interview, kids interrupted with books for her to sign and questions about how to make their writing better. She obliged everyone.

First we talked about emotions. Since her books tend to cause so many people cry, I needed to know if she cries when she reads books or watches movies. She said she does, “especially if it’s about dogs,” and that she doesn’t have “a problem with getting completely emotionally invested into something.”

Fall is easily her favorite season. She enjoys the weather, the breeze, and the noises. In true author fashion, she launched into a descriptive rant about her love of the autumnal noises. “Fall has so many sounds. The dead leaves skittering, but also corn, so when the corn is dry, oh my gosh, those noises that it makes. It’s very special and very specific to corn,” said McGinnis. “All of those things, cicadas, bugs...Just even the bugs, everything is different in the fall. There is something about it. It gets me every time. I love it.”

Another thing she loves about the fall is the harvesting season. She is a farmer’s daughter, so fall has been a big farming season for her whole life. Panic is the mindset of the season because there is a narrow window between ripe crops and rotting vegetables that a farmer must straddle. McGinnis has gotten good at walking that fine line. She said, “Controlled chaos is probably one of my organs.”  

Most of her stories take place in Ohio. She does this so that every type of kid can see themselves portrayed in a book. “I just like to write about regular people leading regular lives,” said McGinnis. She had been a librarian for five years before she started writing. She noticed a discrepancy in the socio-economic status of the characters in books and the kids reading them. “All the books that were really popular at the time were very much about rich kids and the sons and daughters of movie stars...Those were the books people were reading, those were the books that the kids liked, and they were all about really rich kids with rich kid problems. Where I’m from, we don’t have rich kid problems. [We have an] eighty percent free and reduced lunch kind of situation. I wanted to write a book that reflected their lives.” And so she wrote Not A Drop to Drink.

Her vocabulary when she speaks is obvious of a writer. She used big words such as “vignette”, “populating”, “burlesque” and “percolating” in our lax conversations. She said her favorite word is “circuitous” which means “round and round and round”. 

Speaking of favorites, I asked her about her favorite music to listen to. She said she listens to music “all the time”. McGinnis's music taste changes frequently. At the time of this interview, she was listening to music by Caro Emerald. She describes her music as “1920s burlesque music". While that's what she was listening to then, she said that "next week it will be something different." 

McGinnis is only still friends with one person from her high school. She went to a small high school similar to West Jeff and remarked how a lot of friendships made in small towns only exist because of the geography. She notes how that changes in college by saying, “When you go to college, you get to pick your friends. Geography isn’t dictating your friends. And the friends you make in college will be your friends for life. 

Just like friendships, McGinnis said who a person is can also be dictated by geography. “Take me, and raise me in California, and I’m a different person.” She said she likes the Ohio version of herself because she is, “super casual and I’m really laid back and I don’t worry about much...I’m very country and I like being that. It’s who I am. It’s what I enjoy.”

Another thing McGinnis enjoys is being an author. “I love my job...I love being an author, I’m so lucky that I get to do this. It’s just a blessing.” Thankfully she’s had a good payoff; she has won multiple Edgar Awards and has written many poignant novels.

Even though she loves her job, she finds herself falling victim to procrastination. She said one time she defrosted the deep freezer when she needed to revise one of her novels. She jokes, “I was like, ‘This needs to be done, this hasn’t been done in years. Somebody’s got to do this.’”

She recognized that she is lucky because she has achieved her dream. She advises anybody who wants to have a career in the arts to “make that your plan B.” This tough love advice sounds bad, but she concedes, “You have to eat and you have to have a roof over your head and you have to pay your bills. And art, unfortunately, does not do that for 90% of the people that produce it.” That being said, she believes that it is worth it to follow your dreams.

One of the best parts of any Mindy McGinnis novel is the diverse and developed characters. In one of her most popular novels, The Female of the Species, even the “bad” characters still have humanitarian and likable traits, most notably Branley. McGinnis said she didn’t mean to make Branley that human when she first started writing the book. “Branley became a real person and I think it says a lot that it wasn’t my intention. She did it. And that made me think. What was I going to do? I was just going to write a dumb cheerleader? No, she wasn’t going to let that happen.” She creates her characters, but they teach her lessons.

This article physically can’t cover every topic Mindy and I dove into; it would literally be 10,000 words and we would be here for years. Mindy McGinnis is like the cool wine aunt that your mom doesn’t want you to talk to at family events because she speaks too much truth. I would do anything to have her be my aunt. I’m not kidding.

Source: https://jhenry867.wixsite.com/mysite-1/pos...

Real Issues. Real Conversations. An Ohio Humanities Podcast

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SUMMARY

Rachel Claire Hopkin talks with Ohio author Mindy McGinnis about her new book, "Heroine."

SHOW NOTES

In this episode of Ohio Humanities’ Real Issues: Real Conversations podcast, Ohio author Mindy McGinnis talks about her latest YA novel Heroine(Harper Collins, 2019).

Mindy McGinnis is an Ohio-born-and-bred ninth generation farmer and an award-winning author of YA fiction. Mindy’s latest book, Heroine, has been described as “captivating and powerful exploration of the opioid crisis—the deadliest drug epidemic in American history—through the eyes of a college-bound softball star” and a “visceral and necessary novel about addiction, family, friendship, and hope.”    

Beside authoring YA fiction, Mindy also blogs and podcasts about writers and the writing process under the title of  Writer, Writer Pants On Fire.  

Mindy McGinnis is interviewed by folklorist/radio producer Rachel Hopkin

The podcast’s opening and closing music is provided by Sokolovsky Music

Real Issues: Real Conversations is a production of Ohio Humanities, the state-based partner of the National Endowment for the Humanities.  The views expressed in this podcast do not necessarily reflect those of the National Endowment. This podcast is also made possible, in part, with support from The Ohio State University’s Humanities Institute.

Source: https://share.transistor.fm/s/73df3b89
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Mindy McGinnis on Creating a Snow Globe of Writing Efficiency

Ep. 140

Mindy McGinnis is an Edgar Award-winning novelist who writes across multiple genres, including post-apocalyptic, historical, thriller, contemporary, mystery, and fantasy. While her settings may change, you can always count on Mindy’s books to deliver grit, truth, and an unflinching look at humanity and the world around us.

How Do You Write Podcast: Explore the processes of working writers with bestselling author Rachael Herron. Want tips on how to write the book you long to finish? Here you'll gain insight from other writers on how to get in the chair, tricks to stay in it, and inspiration to get your own words flowing. 

Source: http://howdoyouwrite.net/episodes/140
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Six Questions: An interview with Mindy McGinnis

1) Do you think that personal experience with mental illness or addiction is necessary to write a book which deals with mental health or addiction?

I think a measure of it is useful, of course. And – if we’re being honest – pretty much all of is have that, either in our own experience or through loved ones. Having never been an addict myself (to substances, anyway), I wanted to be sure that I knew what I was talking about when I wrote this book. Research involved reading thousands upon thousands of pages about addiction, but also talking to counselors and addicts. The best compliments I’ve had for HEROINE is when a recovered addict tells me I got it right.

2) It’s clear that society is facing a massive addiction crisis, particularly when it comes to heroin. How much was your book inspired by that ongoing issue?

I got the idea for writing HEROINE after visiting a school district that had been particularly hard hit by the opioid crisis in southern Ohio. That, combined with my own experiences as a school librarian for fourteen years (and an intense love of softball + respect for female athletes) were the two sticks that struck together to create the spark for the story.

3) More often then not, when we’re dealing with books about young adult and sports, it’s written as a male character; yours obviously has a female lead. Why do you think that is?

I was a YA librarian for 14 years in a public school system. I could count on one hand books that featured female athletes, and needed both hands to count off male authors who only wrote about male athletes. As a former high school athlete who was also a reader, I had to wonder – why the disparity? There’s no real reason. So I set out to plug that hole.

4) I noticed that a few of the reviews noted that the book made readers uncomfortable because of the subject matter. Is that level of discomfort a basic requirement when dealing with a topic this heavy?

It depends entirely on the reader. I’ve written books where people get set on fire, or nine year olds are shooting someone to protect their water source. I don’t pull punches and I don’t shy from rough topics. I show teens using drugs – and liking it – in this book. I’m sure it will make some people uncomfortable. That’s reality. It’s not pretty or nice or kind or comfortable.

5) Your book comes with a trigger warning about how has “realistic descriptions” of opioid use, and there has been a good amount of debate over the subject of trigger warnings in recent years. I’d love to hear your thoughts about why you included one and what your thoughts are on the subject generally.

I’ve never used trigger warnings in any of my books, regardless of the fact they all do feature pretty intense content. For this one, I chose to include a trigger warning because of the honest depictions of drug use. It’s not an after school special with people doing drugs and immediately hating themselves or puking. They do drugs and love how it makes them feel. I didn’t want a recovered addict to read a realistic description of the high of heroin, and miss it enough to relapse.

6) If you could do it again – anything you’d do differently with the book?

Too early to say. I can point to things in my older releases that I would do differently because I have some distance and time has passed since I wrote them. HEROINE is still too fresh to have that perspective.

Source: https://mikeschlossbergauthor.com/2019/05/...

Refinery 29: Mindy McGinnis: "My YA Books Aren't Here To Please Adults"

When my book A Madness So Discreet was released in 2015, I had the occasional reader ask, “Why would you write a book for teens where the main character is being sexually abused by her father?”

My answer?

Because that’s who it happens to.

While my books cover the gamut of genres, they are always looking deeply into the dark corners of our world, places that some prefer not to go. My answer to that question would set the occasional person back. Others would nod knowingly. That’s who I’m writing for.

As a former high school librarian, I fully support reading for escape. I worked for 14 years in a rural, economically depressed area — the same area I grew up in and still live in. Some of my students needed to read about fantasy and fairy tales, and were desperately looking for the happily ever after that many romances promised, but reality failed to deliver.

But others needed to see themselves in the pages of the books they read — be it an alcoholic parent, an abusive relationship, a sexual-assault survivor, or just a hardscrabble kid down on their luck looking for a way out. Where I’m from, luck runs thin, and there aren’t many ways out.

I began writing for teens in 2010 after years of handing my students books set in the glitz of big cities, often following lives of the famous or wealthy. Characters in these books had handbags that cost more than my students’ entire wardrobes, and they certainly didn’t walk to school or have to worry about not having a coat to wear when the temperatures dropped. I wanted rural kids to see themselves and their struggles in fiction, so I set out to do just that.

When I wrote The Female of the Species in 2016 — a rape-revenge, vigilante-justice story — I fully expected it to be banned. Instead, my inbox filled with upraised fists, shared experiences, and heartfelt thank yous. A woman in her forties told me that if she’d had that book growing up, she would have reported her attacker. The grit in those pages was hard for many readers, but for many more it was an abrasion they have felt before and known too well. To see it play out differently this time — and with a note of hope at the end — was a balm.

Writing Heroine, which is about the opioid epidemic, was no different.

I pride myself on not pulling punches, but this was one story where I didn’t know what to strike out at. Anger drove The Female of the Species, but tales of addiction don’t have an obvious villain. Holding big pharma responsible for their role in the epidemic will be key in reality, but for fiction I needed a smaller picture, an emotional foothold rather than an agenda. As it turns out, that foothold was easy to find. Too easy.

In the late spring of 2017, I was visiting a school in southern Ohio — an area hard hit by the opioid crisis and considered by many to be the epicenter. As I spoke with the librarians and educators over lunch, they told me that their local economy was struggling. No one carried cash any longer, they paid each other in pills. If you lived there, I was told, you had a few employment opportunities — the school, the prison, the hospital, or...you sold drugs. You can guess which one paid the best.

This wasn’t said judgmentally, but with true grief. They were watching their students overdose and their own friends and families succumb. A complicated mix of sympathy and confusion clouded their words, along with a sense of urgency and need for hope. I drove home thinking of them, their students, and of the people in my own life who have been pulled into the vortex. A phrase they used at lunch stuck with me, and I’ve heard it repeated multiple times when I meet educators, reviewers, librarians, booksellers, and readers: Everyone knows someone.

That someone is an every person — not a different race, not a homeless woman on the street, not the rough guy hanging out in the parking lot. It’s the girl sitting next to you in math class, the parent who runs the carpool, or the athlete who needs to push past the pain in order to perform.

When writing Mickey, my main character in Heroine, it was important to make her goals the reader’s goals. I’ve had readers tell me they were almost rooting for Mickey to get her next fix because that is what she needed to “be well” enough to walk out onto the softball field and catapult her team into the spotlight. The slippery logic of addiction is at work in Mickey and wheedles its way into the reader as well, creating the all-important element of empathy.

I’d like to see Heroine performing in reverse to my original goals as a writer. My readers may indeed see themselves in these pages. But more importantly, I want them to see Mickey in the people around them. And if they can feel for her, maybe they can feel for them, too.

Realism is a large part of what I deliver with my writing, and Heroine is no different. There is no neat answer, no happy ending. What I bring with my fiction is what I felt was needed at that lunch meeting, and in all of our lives right now: some hope.

As with my other works, there is darkness. As with my other works, I wrote it because it’s honest about what’s happening. But in this case, it’s not just for teens.

It’s happening to all of us.


Source: https://www.refinery29.com/en-us/taboo-top...

“It’s Not Nancy Drew Out There": Writing Tough Topics for Teens

Rape. Murder. Suicide. Overdose. It might sound like the lead-in for a true crime show, but it’s a sampling of the traumas my students dealt with in the more than a decade that I worked in a high school library. I’m from a rural community in Ohio, graduating under 100 kids every year. The grass is green, the wheat is golden, and hometown football games are the place to be on a Friday night. While the setting may sound idyllic, our lives often aren’t.

Almost 25 percent of our students live below the poverty level. Lines at food banks are long, and often those standing in them lack other essentials as well—like a good winter coat. But class inequality and nature aren’t the only things that harm us. Sometimes we hurt one another, and often we hurt ourselves. Even though I worked in a school serving a very small community, staff and students experienced the traumas mentioned above—in some cases more than once.

Teen literature as we know it today did not exist when I was growing up, and there was a very large gap between what I read as a middle schooler before making the jump to adult titles. I often joke that I went from reading books about hiding a stray puppy in the basement so that allergic parents wouldn’t know it’s in the house to . . . Cujo.

There were a handful of authors available to me as a teen—Judy Blume, Lois Duncan, Caroline B. Cooney, and Christopher Pike, to name a few—who did push the envelope as far as content was concerned, and I am eternally grateful to them. Even so, topics such as rape or addiction weren’t something many authors were willing to address or, when they did, were handled so carefully as to render the text vague and antiseptic.

When I wrote The Female of the Species as an adult—a rape-revenge, vigilante-justice story—I got in trouble . . . with my mother. She was upset that I would talk so openly in a book for teens about consensual sex, violence, rape, and drinking. I remember defending the book by telling her, “It’s not Nancy Drew out there anymore.”

Since the publication of The Female of the Species, I have received emails, tweets, and messages from multiple girls and women letting me know how much the story resonated with them. One woman in her 40’s said that if she had read a book like it when she was a teenager, she might have found the strength and courage to report her attacker rather than accept such behavior as the norm.

Heroine, my newest release that focuses on a female athlete and the opioid epidemic, has garnered much the same reaction. Early readers reached out, thanking me for writing about addiction in a way that empathized with the user, sharing how their loved one suffers and that the book helped them understand that struggle a little bit better.

If writing about difficult topics makes it more likely for people to feel comfortable talking about them, then I consider my work a success, even if I am not a household name. I have heard from multiple parents that Heroine helped them open up a conversation with their teens about prescription drug abuse, and I know that The Female of the Species is very often a mother-daughter read.

As a librarian I became good at finding the readership for a particular book, especially for my students who were dealing with tough topics. It’s a small town, and often I knew what their story was, without them having to tell it. I could pair a teen with a title, and felt the warmth of reward when they finished it and asked for another like it. It’s an unfortunate fact that a book like Heroineor Female of the Species has elements that will resonate with so many young people. As I explained to my mother—it’s not Nancy Drew out there anymore.The truth is it never was. We just didn’t talk about it.

Source: https://www.slj.com/?detailStory=its-not-n...

YABC Teen Read Week: Mindy McGinnis

ABC:   What book or books were your go-to choice when you were a teen?

YA as we know it didn't exist when I was a teen, so I went straight from middle grade books to Stephen King. Learned a lot, real fast.

ABC:  What do you love most about the YA genre?

What I love most about writing for teens is the constant possibilities. Adults tend to lead somewhat static lives, usually moving in the same schedule and staying within the same social circles. Teenage live is much more volatile, for the good and the bad.

YABC:   What 3 YA books would you love to recommend to our readers?

MONDAY'S NOT COMING by Tiffany D. Jackson

ANGER IS A GIFT by Mark Oshiro

THE WEIGHT OF FEATHERS by Anne Marie McLemore

Writer's Digest: Mindy McGinnis on Rape Culture, Universal Emotions and Strong Female Protagonists

A prolific Edgar Award–winner, Mindy McGinnis’ stories cross subgenres of young adult fiction, from fantasy to dystopian to contemporary. Her novel confronting rape culture, The Female of the Species, was named to an impressive roster of “Best Of” lists in both 2016 and 2017, including those from School Library JournalBustleMashable and Seventeen.Her short story “Do Not Go Gently,” about a teenage mother struggling to finish high school while working nights as a nurse’s assistant, won the 2017 Katherine Paterson Prize for Young Adult and Children’s Literature. A fixture at book festivals across the Midwest, she runs the Writer Writer Pants on Fire blog and podcast for aspiring authors.

Your novel The Female of the Species has been celebrated for the way it addresses rape culture from the perspectives of female and male characters alike. I know most writers are driven by plot questions or characters more than themes, but I also know you have a lot of experience working with teens as an educator and librarian. How much did the message you hoped the story might send drive its creation, and did that message change at all from the story’s inception to its publication?

When it comes to message in books for teens, an author has to be careful. Teens know when they’re being condescended to, and they don’t like it any more than an adult does. For me it was less of a message and more of a story about rape culture and sexual assault—one that many, many teenage girls can relate to. So often we relive our own situations and stories over and over in our minds, trying to think of what we could have done differently, or—sadly—in an attempt to determine how much of the blame is our own. Rage takes hold—against attackers, and against ourselves. So much of The Female of the Species is about anger—at our world, and the people in it. Anger is a universal emotion, and even though the novel focuses on female anger specifically, the emotion itself is one that all readers can relate to.

What has been the most meaningful reader response to The Female of the Species?

There have been so many. I think the most impactful email I received came from a woman in her 40s, who said that if she’d had a novel like Species when she was in her teens, she would have not been silent about her assault.

Novel & Short Story Writer’s Market 2018

You’ve always written strong female protagonists—something agent wish lists noticeably call for with increasing frequency. Have you observed a shift in how those characters are received in the years since you began publishing?

The “strong female character” has now become something of a trope herself. What I like to do is explore the different ways in which a woman can be strong, so that we’re not viewing strength as a one-note trait. [Being] physically strong is only one aspect. Having the strength of your convictions, of self-worth in general, are necessary as well in order to present a well-rounded individual.

I like to tell people about a woman in my family tree I discovered who had 15 children. She buried 13 of them—giving birth to one and subsequently losing the infant as well as two older children in the same week—and lived into her 80s. She was a German housewife in the 1500s, undoubtedly tied to home and hearth, perhaps could not even read or write. Yet no one could say she wasn’t a strong female. Women have always been strong. We’re just talking about it now.

I’ve seen panel discussions debating a double standard in young people’s literature in which books with a girl on the cover are often seen as “for girls” whereas books featuring a strong male lead are more often marketed as “for everyone.” How much truth do you think there is to that, and have you noticed any shifts that make you hopeful this will improve?

I absolutely stand by the idea that there are no boy books and no girl books. What does exist is marketing, and the cover reflects who marketing thinks is the target audience for a particular book. My own team has done a great job of making my covers gender-neutral. Even though they have female main characters, a boy can carry any of my books around without having to feel self-conscious. That’s important to me, as many of my readers are male.

In your years working as a library aide, what are some books you’ve taken joy in recommending to teenage girls especially?

It always depends on the girl, and their interests. I can say the one thing I would love to see more of is sports books for girls. I only have a handful of titles that I can go to for female athletes as main characters, whereas for male athletic stories there are lots of choices.

Source: https://www.writersdigest.com/writing-arti...

Is It Teen Enough For You Now Episode 024: Mindy McGinnis

We recorded our interview with Mindy McGinnis on October 16th. We discuss the way McGinnis crafts full and complex characters, her use of frank and coarse language, that ending, and our ugly culture (in the person of Harvey Weinstein and other predators).

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Source: http://isitteenenough.blogspot.com/2017/11...
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The InkBlotters: This Darkness Mine

Mindy McGinnis has been delivering badass (sometimes unlikeable) but definitely strong female protagonists since her early works. This Darkness Mine is no different from her previous novels in that regard. Sasha Stone is the epitome of perfection: first chair clarinet player, straight-A student, and also comes equipped with a “perfect” boyfriend who’s handsome, well-dressed, and doesn’t pressure her into sex. All of this slowly begins to erode once bad-boy Isaac Harver enters the scene. Soon, she begins to feel feelings towards him that she never did and recalling events she’s never taken part of. Or has she?

Some light begins to shed when we find out that Sasha had a twin that she ultimately ended up absorbing whilst in the womb (known as Shanna). Unlike Sasha, this twin despises control and perfection and begins to wreck havoc into her life once she starts to take over Sasha’s psyche. But is Shanna real or merely a figment of Sasha’s imagination?

The book flirts with the notion of unreliable narrator, much like Darren Aronofsky’s Black Swan did with Natalie Portman’s character. Is what is happening real or is it all just a sign of Sasha’s ultimate madness?

McGinnis breathes life into the “dead twin” Shanna, allowing her to be the personification of Freud’s ID (meaning being a person who only lives for their own passions and don’t allow their brain to control their emotions). Sasha on the other hand is Freud’s EGO end of this yin-yang duo, the brain and captain of the ship. But what happens when the emotion-driven Shanna takes reins of the situation and how will that effect Sasha’s “perfect” world?

This book isn’t for the faint of heart. It’s dark. It’s gritty. It’s gory. (Yes, I L-O-V-E-D it!). And just when you think you know where it’s leading you, you’re completely blindsided by yet again another improvised detour that will leave you questioning your own sanity and judgment. McGinnis delivers a punch to the gut with her sharp writing and often ruthless character interactions.

So take the plunge, cause it’s one hell of a crazy ride.

Short Q & A With the Author:

When I started reading This Darkness Mine I realized that the book was based off of the short story that appeared in Among The Shadows, entitled Phantom Heart. When did you decide to further explore Sasha’s world and what was it about this character that compelled you to do that?

Great question, thanks for noticing! Yes, DARKNESS is based on my short, “Phantom Heart.” Originally, I had no intention of taking this any further. Then my fellow editors for Among The Shadows – Demitria Lunetta and Kate Karyus Quinn – insisted that there was a whole novel there. I wasn’t sure, but I pitched the idea to my editor at Harper Collins, who was like – Yes! Write it!

Sasha Stone is the typical overachiever. Do you think that her mental illness derives from expecting perfection out of herself and the pressures that come along with that, or does she suffer from multiple personality disorder?

I worked in a public school for 15 years, and I always thought it was interesting how black and white rules and programs were. Drugs are bad. Sex is bad. Smoking is bad. Period. In some ways, we’re telling the kids that even curiosity about our “darker” inclinations are plain wrong, and need to be smothered, not investigated. Perfection is impossible, yet many strive for it. I wondered what would happen if you took an already strained teen, trying to be the “good” kid, and had her repulsed even by any interest in doing “bad” things. Would she be able to accept that such urges can be normal? Or is that so far outside of what we’ve taught her is “good” that she has to come up with an alternative explanation?

For many years I’ve been very fascinated with the creepy phenomenon of Fetus in Fetu, where a twin ends up absorbing the other twin in the womb, and in some cases doctors have later found the missing twin inside of the living twin, usually mistaken for a tumor later on in life. When did you become interested in this strange phenomenon?

It’s actually not a rare event, it’s something that usually goes completely unnoticed. I can’t remember the first time I ever heard of it, because it is pretty pervasive in pop culture, but I did have a student years and years ago who had absorbed his twin. It’s something I collected in my lint trap of a brain, and it became paired in my mind with the mirror therapy that they use for phantom limb syndrome, which is how “Phantom Heart” came about.

In the novel, Sasha is a clarinet player. Were you ever in band in high school and how did that help with writing the novel from a musician’s point of view?

You bet!!! Trombone since 4th grade!!! I tell everyone this is my band geek book. I also took piano lessons throughout most of my childhood, so music has always been a part of my life as both a consumer and a producer. This was a chance to work that into a book.

This novel was exceptionally dark. It explored the trials of mental illness as well as what it means to be a successful girl. Which actress could you see in the role of Sasha if this were to be made into a movie?

Oh, I have no idea. I don’t ever do any fan casting.

(Editor note: I asked that question because I could totally see Emma Roberts portraying stone-cold crazy bitch Sasha to perfection.)

I often use music to get into a certain mood depending what scenes I’m writing. Since your novel was about a girl who was obsessed with music, did you use music as a way to aid you in the writing of this book? And which music/artist/or song did you listen to when immersing yourself into Sasha’s world?

I actually don’t listen to music when I’m writing because while it can be helpful to get you into one mood, it can also end up controlling you mood so that when you need to flip to something else when you change scenes it can be hard. Instead I have a white noise app that I keep on while I’m writing. It’s a back ground noise that lets my creativity be in control, not someone else’s.

Source: https://theinkblotters.com/2017/11/06/book...