Lynn Forney On Choosing Survival, Overcoming Trauma, and Writing About It

Mindy:   Welcome to Writer Writer Pants on Fire, where authors talk about things that never happened to people who don't exist. We also cover craft, the agent hunt, query trenches, publishing, industry, marketing and more. I'm your host, Mindy McGinnis. You can check out my books and social media at mindymcginnis dot com and make sure to visit the Writer Writer Pants on Fire blog for additional interviews, query critiques and more as well as full transcriptions of each podcast episode at WriterWriterPants on Fire.com. And don’t forget to check out the Writer, Writer, Pants on Fire Facebook page. Give me feedback, suggest topics you’d like to hear discussed, and let me know if there is someone you’d love to see as a guest.

Mindy: We are here with Lynn Forney who is the author of Choosing Survival: How I Endured a Brutal Attack and a Lifetime of Trauma through the Power of Action, Choice, and Self-Expression. So I want to talk to you about quite a few different things here today. Of course, I want to talk about your experience and what happened to you... Trauma upon trauma after your initial experience and then the process of recovery and then also writing about that. So why don't you just start by telling us about Choosing Survival, what happened to you, and why you chose to write about it?

Lynn: First of all, thanks for having me. I'm so excited to be here. I was attacked when I was 21 years old. I woke up with a man next to me. He started stabbing me. I was stabbed 7 times, and I lost approximately 21 pints of blood. That experience alone was traumatic enough. I was on life support for quite a few days. And when I got off life support, I was being somewhat accused of possibly stabbing myself. And that was shocking and horrifying. I had experienced pretty severe depression a couple of years prior to this. So I understand they have to look at all the angles, but the facts would never have led anyone, I think, to believe that. But the police department, years later, came out that they were covering up crimes. Janet Reno did an investigation of the Boca Raton Police Department years later. Having this happen to me and then not being believed has led to years of trying to recover from that.

Mindy: Victim shaming, on top of that... Not only are you possibly lying, but did you do this to yourself?

Lynn: I had to take a lie detector test, and I kept looking at the guy like, "This is impossible." And he's like, "no, people have done this to themselves." I'm like, "I don't think so."

Mindy: When did this happen?

Lynn: May of 1998.

Mindy: Okay, so I was about the same age in the 90s. I would like to believe that something like that would not happen today. That if you were subjected to a violent attack, you would not then have to not only recover from your attack, but also take a lie detector test to prove that you had, in fact, been attacked.

Lynn: I still question what was worse, getting attacked or not being believed. 

Mindy: Well, and it becomes a question too... I'm sure, you'd already experienced some effects of mental health issues. Depression is obviously something that can really mess you up. I think to have that additional layer of other people questioning you in a pretty intense manner, I'm sure only exacerbated the situation.

Lynn: Question like, what's wrong with me? Why did this happen to me? And why are people treating me this way? What is wrong with me? Definitely.

Mindy: Absolutely. So what led you to want to write about this?

Lynn: When I would start to get into the story shortly after this happened... Seeing people's facial expressions and reactions, I would just kind of be like, I know this is so all so crazy. I should just write a book. I should just write a book one day. I wasn't convinced I would do it, but I've always wondered what can I do with this? There's got to be something I can do to help other people. I can sit there and be in the victim hood of like, “Why did this happen? Why did this happen?” Or I can choose to do something about it. I think with COVID, obviously, we all had to stay inside and lives changed quite a bit dramatically. And for me it meant that my performing arts life, that kind of slowed down quite a bit. And so I just kind of delved into different mindset classes and courses, and then I ended up taking vocal lessons. She also was a coach and had a small coaching container, and so I joined that. And kind of one thing led to another with that small container. I wrote a poem that did end up in the book, and I read that to the group. And getting their reactions was enough to be like, “You know what? Maybe this is the time for me to start writing this book.” So then I wrote the very first chapter. Maybe I have something. Maybe there's something here, and I can kind of continue and actually just finally put this into a book.

Mindy: So many people used COVID as a really good jumping in point to do some things that they had always wanted to but never really had the opportunity or the time. And COVID kind of opened that up. So I offer editorial services as part of what I do here at Writer Writer Pants on Fire, and my inbox really blew up during and then here tapering off after COVID. I've had so many people reaching out to me with projects that they finally found the time to work on or had the opportunity to work on. And then I've also heard, of course, plenty of other people having an opposite experience where they just kind of shut down or mentally COVID was too much for them. Maybe some of that groundwork that you had done before about choosing to take an action might have helped you be a little bit more proactive throughout COVID as well.

Lynn: Absolutely. I mean, I've never doubted that I have chosen constantly to try my best to thrive. Right? Certainly there's days and time periods maybe I didn't do as great of a job, but I think I chose that I would not let this event or this man just completely take over my life. And I've always kind of gone back to that. It's like, "No. I'm not going to let this event just completely shut me down." I'm going to continue doing what I want to do. I'm going to try to move forward and certainly kind of weaving in lots of healing and therapy and all that throughout. But that's always been a part of me, I think, too just to kind of like I'm going to take action. If something like, say, disappointing happens, I might take a few days to kind of shut down and sulk and cry and stay in bed, but then I'm going to be like, "Alright, what am I going to do now?"

Mindy: I'm a fixer, too. I have to go and do something and take action in order to feel like I am preventing something worse happening or improving upon where we are. I am a doer and a fixer. Sometimes things aren't fixable. Not all things, certainly. I can get caught in anxiety loops pretty easily. I'm going to fix this, and I am going to do everything I can about this. And it might not be within my power to fix or it may not actually be a problem. I may have decided there was a problem or created a problem, and then I'm trying to fix something that was never wrong in the first place, which is an impossible situation. Talk to me a little bit then about your recovery and the different methods that you used, because trauma is something that I think a lot of people don't want to own that word. Because they feel like it's reserved for someone that has been in war, or someone that has almost died, or someone that has witnessed a death, or lost a loved one in a tragic or violent way. So obviously, you had a very serious, violent attack. But I do see people, sometimes, resisting using the word trauma for things that have happened to them that they don't feel actually earn the label even though they might be suffering from the symptoms. So, if you could talk a little bit about how you kind of came to terms with what happened and then like your steps forward.

Lynn: I just had this conversation with my coach actually about trauma, and she lost her life partner and she still didn't consider herself having trauma. So I think that's really common, and so many things can create trauma in our brain. And again, like, you want to think that, "oh, I'm stronger than that. Or that's not a big deal." And even for me, I could find myself saying, "well, I was stabbed, but I didn't have that happen. Or didn't have this happen." Like still I wasn't worthy of having trauma. So I totally understand that. But I think we all have trauma to some degree. It is important to look at it and kind of figure it out because it affects our day to day lives whether we want to own it or not. One of my kind of go-tos is... I just avoid. I'm like, I don't need to feel that. I don't need to deal with that. I'm just going to go over here. And that's maybe the downside of the doing and the fixing, right? Because you don't look at the other stuff over here. So, I mean, I did go to therapy. I had a therapist when I went back to college. And then I kind of didn't for a little while, even though looking back, I probably should have. And then for a long time, I just kept trying to go do dance, and I'm going to go do this. I'm going to try to do that. And finally, about I would say about 16 years after this happened is when I found the trauma therapist. And that was really the turning point for me for really understanding and delving way deeper into the trauma. So I did EMDR with her, but even I have to say years after that, I had trauma come up... Responses that I didn't expect. Yeah, I've tried tapping, EMDR, multiple therapists because I just wasn't willing to give up on myself or my life.

Mindy: Trauma responses are really interesting. I only recently started to realize that I also have some some trauma responses that I wasn't expecting. Kind of resurfaced for a bunch of different reasons. Very suddenly. Knocked me all the way off my tracks, right? And I am self-aware enough to be like, "okay, something is wrong." Like I'm reacting very strongly to this, and I recognize that I am. And I know what I'm reacting to. So, it's like this was the trigger. I am looking at my reaction and saying, "okay. You're being ridiculous." But also, I still feel this way, right? Like, I can't...

Lynn: Yeah.

Mindy: I can't logic myself out of this. So, you know that this made you feel like this, but there's no reason for that. So why do you feel this way? And then picking, picking, picking, picking, picking until there's just a heap of unknitted sweaters in front of you. And it's just like, okay, now I have overthought everything, and I am exhausted, and I still feel the same way. I didn't realize that I had at least elements of, if not full blown, CPTSD. My therapist was like, "Dude! This is what's going on. And yes, like you do have this." Similar to you, I would be like, "Well, this happened to me, but… also the Holocaust. So I don't."

Lynn: Right.

Mindy: And it could be a symptom of being women, too. We do tend to trivialize our own suffering sometimes.

Lynn: Yeah. I totally agree with that because we're taught to not speak up or get angry or you're being crazy or you're being a woman, right? Or it's that time of the month or whatever. You understand how the brain works too. The way I was explained, this is very rudimentary, but if you have a circle or a loop that your brain is supposed to go through in any event and it kind of gets stopped, you'll sort of keep going back to that spot over and over again in your brain because you haven't finished that loop out. That helped me understand it. Okay, I keep getting stuck and any time anything is reminding me or my body of that experience, it keeps going to that spot. And then I get retraumatized. And logically I understand. I'm safe. I'm here. I'm sitting in this chair. Your body and your subconscious don't know the difference. It's like, "No. No. We're experiencing that same thing over and over again."

Mindy: I ended up learning a lot about my amygdala, and the reptile is driving the train. Fight, flight, or freeze. And I was kind of in that constant trauma response for a while. And that wears you out. Physically. Mentally. Constant. What do I need to do? Do I need to run? Do I need to hide? Do I need to punch someone? Not great for your social relationships, right? 

Lynn: I had a really wild experience after all this therapy that I literally had shut down. Like I witnessed these two men punching each other in the street, which is not great as it was, but I was driving, and I kind of was like, "Do I call the police? Do I try to help? I don't know what to do." So also my fight or flight was like, "Escape! Get out! Get out! Get out!" They broke up, and then I was going to dance rehearsal. And I got in there, and I started telling people like, "These guys were fighting, and I don't know if I should do something about it." And I just felt like all of a sudden everything inside of me just starts shaking. And I started crying. I don't know what's going on. And I had to just go to the bathroom, and I literally just sat in the corner and like shook and cried and had to call my husband. And I was like.. And I knew. I'm here at rehearsal. I am safe. I'm in this bathroom. Nothing is going to harm me. But for an hour, a full hour, I could not stop shaking and crying. And it was really confusing and also kind of embarrassing, if I'm going to be honest. I felt like all these people were judging me because nobody knew really what happened to me. Confusing is really the best word I can describe. Because I'm like, "It's been all these years. I've done all this work. What is going on?" But that kind of led to me creating a solo about it. Like I did a dance solo about it, and that's how I kind of transformed that experience into something that hopefully, again, could help someone that was in the audience and me process it.

Mindy: Specifically, I wanted to talk to you about EMDR because I know that this is something that I myself have used before and am currently using. I have found it helpful. I have talked to a lot of people that use it and have had differing experiences, and I know that you are a proponent of it. So, if you could talk a little bit about, first of all, what EMDR is, and then talk to me about how it has been useful to you.

Lynn: EMDR is a type of therapy that essentially gets your subconscious brain to come forward, come into more of the conscious brain. You generally use like a rapid eye movement. That for me made me really nauseous. So I had to close my eyes, and my therapist tapped on my knees. I will say, first of all, you have to get a really trusting connection to your therapist before you even try this. So I just want to say, if anyone's thinking about it, to know that going into it. She had me try to visualize going through like a boat, calm my brain down, my body down, and kind of visualize going into this safe, really safe place I could always return to. And then she kind of had me go into a cave and like, turn on a TV and try to get things kind of deep that I had repressed on this TV screen. 

And that didn't work for me initially, so I just had to kind of keep going deeper. But it's... It's really wild and odd, but really powerful. And I'm sure everyone's experience is a little bit different. So it's hard for me. That was mine. But I would feel all these weird sensations in my body. I would suddenly feel like my legs were like lead, but my upper half was like floating all around the ceiling. I definitely dug some stuff up that I think I've always known was there from very young childhood, but.. And I couldn't get it fully in my memory, like a movie, but I definitely had more information than I had before. And that was kind of terrifying at first. And then every week would go a little bit deeper and try to bring it up again to my conscious memory. But it was a way to understand and process and say like, yes, this did happen to me and this has been with me my whole life. And I just... I couldn't remember it. I never understood why I had these these certain reactions or why I got so depressed or anything like that. So it kind of helped me understand. Okay, like these things happened to me at a very young age. And then I've had all these compound traumas on top of it. So I had a better understanding of my brain and my reactions and my responses and maybe why I was certain ways that I was.

Mindy: My understanding of how EMDR works. You were talking earlier about those cycles and those neural pathways that travel and you travel and you travel and you'll get stuck. Or there'll be something that basically hasn't moved into your long term memory. It's still hanging out on those short term circuits, and that's your trauma. And the whole idea, my understanding, behind EMDR is that your therapist.. And you're right, you do have to be comfortable with your therapist and have a trusting relationship because they ask you to revisit things that are upsetting. Try to really, in some ways put yourself back there to some extent. And while you're there or while you're re-experiencing these things... We use clappers that you hold on to and they vibrate. The idea is that it forces your brain to do left, right, rapid switching.

Lynn: Yes.

Mindy: As if your eyes were in REM sleep, and your brain does the work of moving memories into long term storage while you're in REM. And that's why one of the reasons why REM is so important. And so the idea is that if you can access these memories or these moments or these traumas while your therapist is helping you simulate brain activity of REM, that it will begin to move these things into your long term where they can just kind of dissipate and be weakened essentially.

Lynn: But yeah, you're finishing that loop, basically. You're completing the loop that should have happened. You're literally, to your body and your subconscious, you're experiencing the exact same trauma as if it was happening right then and there.

Mindy: Yeah.

Lynn: So it basically helps you finish out that loop through your neural pathways of your brain so that you're not continually kind of getting triggered and responding in the same way.

Mindy: I've had some interesting physical sensations. You were talking about legs being heavy and your top half feeling light. I have had, certainly not a tingling or anything like that, but I have just suddenly been aware of the back of my brain. I haven't necessarily felt it in any sense that there's a sensation, but I'm just like, "Oh, it's there." I'm just like more conscious of it during EMDR and then for a little bit afterwards. I asked my therapist. I was like, "Is this something that other people have reported?" And she said she has one other client who says she feels like a tickling almost at the base of her brain when she's doing EMDR.

Lynn: Yeah, I definitely remember all kinds of weird sensations like that. Like my head was a balloon and floating around. It was really strange. But she also explained to me too, that I dissociated like all the time. I was living in a constant state of dissociation, which I didn't fully know. And I wasn't like to the point where I'm different people. She kind of explained there's five stages until you get to the point where you have multiple personalities. In other words, you can get up to stage four, but you're constantly in a stage 1 or 2. And kind of after that process, she could even tell... she's like, "Your eyes are brighter. You're more forward in your body." And it's hard to explain if you haven't experienced that, but it's like I could feel more present. I'm more present than I ever have been. And it wasn't like I wasn't aware or didn't know.

Again, it's a hard thing to describe to people who've never experienced it, but I would often feel like if I was starting to talk about something with a prior therapist that was difficult my head would kind of start feeling balloony. Or like I would be laying in the bed and I would suddenly feel like I was about three feet above my body, even though I was still in my body. Things like that. I would have those weird sensations. So when she explained that to me, I was like, "Oh, that makes sense." And so it just... If you're not fully present, you're not experiencing life the way you should be, right?

Mindy: Yeah. And some of these side effects and symptoms are things that are almost impossible to explain. I very recently, this past summer, I went off a SNRI that I had been on for about 15 years and...

Lynn: Oh wow.

Mindy: Oh, it was terrible. The withdrawal process was horrible and the disassociation was strong. Really scary. I knew what was going on, and everyone in my family and my close friends, like they knew that I was weaning off of a antidepressant. And that things were going to get funky. And so people were... People were helpful and everybody was watching out for me, and that was very useful. And it was good.

Lynn: Yeah.

Mindy: But when you are living in a constant space of not being able to trust yourself and even your own perceptions of yourself, it is extremely difficult to move through the day.

Lynn: Like I would have moments of completely blacking out and this would be like two seconds. But I remember being in a dance class, something I really enjoy, and then all of a sudden I'm like, "Oh, I'm back. I don't know where I went, but I left." And so just weird experiences like that, and then you're like, "Well, is this going to happen all the time? Is this a normal thing?" And so, yeah, you're constantly in this, a little bit of a state of worry. Again, that fight or flight is getting just amped up. Well, now, I don't know if I'm going to just suddenly leave. It was always like little snippets, but I was aware that it happened. And again, I'm doing something I enjoy. So what's going on?

Mindy: One of the things you talk about in your book is learning how to shift your energy out of low energy or negativity or shifting your focus, and especially mood swings and like difficulty managing where your energy is. Focusing on negativity and things like that. I think, particularly for writers, that would be a very useful skill set. Because we do tend to be emotional people, and a lot of us tend to be... Lean a little more towards the melancholy. Talk a little bit about some tips and tricks for shifting your energy and helping to relocate where that is being directed.

Lynn: There's a few things that I have learned. Things that can shift your energy the most are movement, breath, and sound. So, something that's simple you can try is literally just to like turn on a silly song and dance around to it. Even if you're like not in the mood. Singing along to it is even better. So that can be just a really quick, effective way. A few minutes of that. Breath is always helpful to shift. There's many, many breathing patterns you could do, but just trying to get the deepest breath you can. Inhaling for four counts, holding for four counts, and exhaling for six counts. If you do that ten times in a row, that can really shift some things. Just getting up and stretching. Moving. Doing some twists. Doing some squats. It sounds like it's too easy, but those little things can really shift.

And then for negativity and thought patterns, the most powerful thing I did was I met kind of a shadow part of myself. And she's a very domineering, unforgiving woman named Betty. I did it through an NLP session, which is kind of another way to get to your subconscious. Meeting her and kind of giving her persona. Giving her an outfit. Able to be like, "All right, Betty. I hear you, and I know you're here to protect me." Because that's what they do, right? They're here to protect you. Like, okay, remember that time in third grade you got made fun of? Well, we don't want that to happen again, so we're going to make sure that you don't put yourself out there that same way. So if you write this book, and you put it out there, and everyone's going to laugh at you... That kind of thing. So I could be like, "All right, Betty. I see you. I hear you. Thank you for being here. I know you're trying to protect me, but I've got this." There are days where I'm just really sad. I've done all those things. EFT tapping. That's a really great one too to move energy, by the way. I'm just going to let this sadness be here instead of constantly trying to avoid it or escape it. Because that's what would keep it there longer for me. I'm just going to accept this. I'm going to invite this in. I'm just going to accept that I'm sad. I'm going to accept that I don't know why, and that's okay. Because that for a long time to drove me crazy. Like it's a sad day. I'm just going to be sad with myself, and I'm going to curl up with a teddy bear. Love myself that way and know that tomorrow is a new day. And again, that sounds so trite in some ways, but it really is. And usually that will do the trick. The next day, I'll have a different outlook. I'll have a little bit different mood. I'll wake up a little bit different. So instead of just constantly trying to fight it like, "no, I don't feel the sadness" and shoving it down and shoving it down. It's going to come up. It's going to come out. It's going to come up.

Mindy: I take naps, and I have only in the past, maybe 5 or 6 years, been able to do the, hey, you feel this way right now? You're not going to feel this way in a little bit. Right now, it's bad.

Lynn: Yeah.

Mindy: In a little bit, it'll be better. And you don't want to wait for that in a little bit to get here and be conscious? You just go take a nap.

Lynn: There you go.

Mindy: I'm extremely lucky in that I'm a full time writer. I work from home. I'm my own boss. I absolutely realize that, you know, I have the wealth of time to be able to say I'm going to take a nap, and nobody can stop me. And I'm in charge of myself, right? 

Lynn: Right, right.

Mindy: So I absolutely recognize the privilege and being like, you know what? Time out. Taking a nap. I was always someone that pooh poohed meditation. That's dumb, and it doesn't work. I really landed pretty strongly on that for a really long time. And then just recently, within the past like maybe six months, I downloaded the Headspace app because I went off of my depression medication.

Lynn: Yes.

Mindy: And so I was like, "All right. What am I going to do to add another support here? Because I need it."

Lynn: Yeah, yeah.

Mindy: And I ended up using the Headspace app, and it did help tremendously. So I have become a convert to breathing and meditation and exercise. Now, I've always been an athlete. I've always been aware of how much that benefits me just physically and mentally and emotionally. And I go to the gym like every evening. The distinct difference between how I feel after a workout. I'm awake. I'm present. And I know that exercise is like the hardest thing to do when you're not there. If you would just work out, you would feel better. And it's like... That's the last thing that I can do right now. Like that is actually impossible for me. And I totally understand that. Taking a walk, even taking your doggo is something. Just moving a little bit can be so beneficial.

Lynn: And that's why I say like, just do two minutes of just jumping and dancing around. Because I would get stuck in like, if I'm going to work out, it has to be an hour, and it has to be hard core, and it has to be this, and it has to be that, right? Especially if you're a perfectionist and you're hard on yourself. But I think when you're in those really deep, dark places, and I've been there where I couldn't get out of bed for six weeks... So just getting into the shower can make a huge difference. Something about water is very healing. Add like an essential oil of eucalyptus or something. You know, put a few drops in the shower and just get in the shower. That can change your whole day. If you've never experienced this, you're like, "What? That's the stupidest thing I've ever heard." I can understand where some people would think that. But if you've ever been in the depths of it, like just getting into the shower, or crying in the shower, is very healing too. Even in those moments where you're just in the depths of it, that that can feel really hard too.

Mindy: I've had those stretches of "I'm going to lay in bed now." You smell bad, and your sheets smell bad. And I drooled in my sleep and my pillowcase stinks, right? I am a piece of shit, right?

Lynn: Yeah, right.

Mindy: And you get up, and you take a shower. Just smelling better. We're going to wash all the sheets. Even if I go back to bed after I do those things, I feel better because my environment is changed, and the environment is a little more healthy. And I have taken some proactive steps. And I don't smell bad, and my bed doesn't smell bad. A little bit of healing in that.

Lynn: Yeah, absolutely.

Mindy: Last thing, why don't you let listeners know where they can find you online and where they can find the book Choosing Survival.

Lynn: Yeah, I have a website. Lynn Forney dot com and you can email me at Choosing Survival at gmail dot com. And my book currently is on Amazon, and it's available on Kindle, paperback, and hardback currently.

Mindy:   Writer Writer Pants on Fire is produced by Mindy McGinnis. Music by Jack Korbel. Don't forget to check out the blog for additional interviews, writing advice and publication tips at Writer Writer Pants on Fire dot com. If the blog or podcast have been helpful to you or if you just enjoy listening, please consider donating. Visit Writer Writer Pants on Fire dot com and click “support the blog and podcast” in the sidebar.

Vellum Co-Founder On Creating Formatting Software for Indie Authors

Mindy: Welcome to Writer Writer Pants on Fire, where authors talk about things that never happened to people who don't exist. We also cover craft, the agent hunt, query trenches, publishing, industry, marketing and more. I'm your host, Mindy McGinnis. You can check out my books and social media at mindymcginnis dot com and make sure to visit the Writer Writer Pants on Fire blog for additional interviews, query critiques and more as well as full transcriptions of each podcast episode at WriterWriterPants on Fire.com. And don’t forget to check out the Writer, Writer, Pants on Fire Facebook page. Give me feedback, suggest topics you’d like to hear discussed, and let me know if there is someone you’d love to see as a guest.

Mindy: We are here with Brad Andalman who is one of the creators of Vellum which is a wonderful software. If you're a listener of the podcast, you know that I mention it often. I use it to format my books that I write underneath a pen name. And I also have Kate Karyus Quinn here, who is a fellow author and friend, who actually is the person that led me to Vellum. So Brad, Kate, thank you guys both for being here.

Brad: Thanks for having me.

Kate: Yes, thanks for having me, too. I'm so excited.

Mindy: Kate, since you are the person that actually came across Vellum first and led me to it... you've said before you downloaded it, and it was love at first use. So, why is that?

Kate: It was love at first use because it's just a wonderful program. It's super intuitive. It is incredibly easy to use. I was very concerned with formatting my own book and how I would do that. I know that publishers use an Adobe program that I don't know. I was, at that point, just barely trying to learn Photoshop and feeling super overwhelmed by it. I was nervous about formatting my own book and how I would make that happen. And it was my first indie book that I was publishing, so I was trying to learn all the things, all at once, and it was a bit overwhelming.

And when I came across indie authors talking about Vellum, I didn't really know what it was. I wasn't sure how hard it would be to use. I saw that there was a free trial, so I thought, "Well, it's totally worth trying it out and seeing how it goes." And it was so easy to use. Upload your eBook from Word, and it makes it look like a book. And it's beautiful, and there's all different things that you can sort of tweak and mess with. But so many of the things that I was nervous about doing... Thinking like, "Oh, I have to remember to do this with the front matter and the back matter." The front matter is your title, your copyright. All of that stuff, they have it all ready to go for you. So I didn't have to look up the copyright language. I just had to click that tab and it added it. It was amazing. And then just add my details into it. Same with the end page matter with acknowledgments. More than easy really, because it guides you and it really helps you make sure that you're getting all this stuff in there that you need.

Brad: We love hearing stories like that. That's one of the things we strive for. We want it to be fun and intuitive. We've been doing this a long time, but I never tire of hearing of those stories. Thanks.

Mindy: I also never get tired of hearing compliments on my own writing. So... Brad, how did you and your fellow Brad who began Vellum... How did you know that this was a need? How did you become aware that there was a market for software to help writers format their own books for self publishing and indie publishing?

Brad: We didn't really know, to be honest. Brad and I worked together before we started working on Vellum. We worked at Pixar for a while, but we knew that we wanted to write something ourselves. We had quit Pixar. We wanted to do something, and we wanted to do something that would help creatives... Basically to create professional software that would help creatives achieve their goals. We didn't know what that was, and there's only two of us who work on Vellum, and I'm named Brad. So is he. And Brad's wife, she was reading a ton of books on her Kindle. One of the books in the series was about to come out, and she was reading the author's blog and totally following the publishing process. And this person was like, "Oh, man. It would be out except for formatting. I've got to hire a formatter." She asked Brad, "What is this formatting thing? Why can't I read the book that I want to read?" And that started both of us down the path of "how hard is it to take your manuscript, make it look like a book, and publish it?" We dug a little bit into it and we're like, "This is actually harder than it should be." People are paying formatters all the time, and if they need to tweak it, they need to pay the formatter again to change their end matter. And it seemed like this was something we knew about. 

We both are book lovers and geeks about book design, and so we thought, "Let's try this." And we wrote the first version, and at that point it was only eBooks. We noticed that it was too hard, and we thought we could make something easier. And we gave it a shot. Pretty soon we realized, "Oh, there's a market for this here." But before we released it, we did a little market research. But, you know, you don't know until, you know, really with this kind of thing. And then ever since then, we hear stories like Kate's. People find it. They find it really easy. This part of the process, we don't want authors to have to think about too much. We want it to be more fun than stressful or anxiety inducing. Since then, we've added print and continued to improve it as we go.

Kate: You said you want authors to be able to make changes down the road, and that was one of the things that I was really concerned about. I didn't want to pay somebody to format my book and then find a misspelling or decide I want to change the backmatter and have to pay somebody again. I hate doing that. I want to keep my money to myself. Also, just the hassle of having to reach out to somebody and to ask them, "Can you change this?" And then wait for them to send you the files back. And this just makes it so much easier. I have gone back to books so many times. Readers will send me, "Oh, I found a mistake." Or a lot of times I change my backmatter when I have a new book coming out, and I can't imagine if I had to go to somebody every time I needed to make those changes. It would make me insane.

Brad: Yeah. Yeah. I mean, even if you had the money and it didn't matter. Just the time, the turnaround, and formatters were booked out weeks or months in advance. I just want to update this link in my backmatter. It shouldn't take more than a couple of seconds.

Mindy: And I love that you were led to this space as a reader as well. And a fellow reader was like, "Hey, I don't understand this little corner of the world." Because readers and writers are occasionally, you know, a Venn diagram that cross, but not always. If you move in the traditional world, those readers are often surprised that it can take 18 months to two years for your book to go from a Word document to a book that is on a shelf in a bookstore. Of course, that's a very different process when you are an indie writer. And again, that's one of the reasons why Vellum is so great. Because, like Kate is saying, you can upload your manuscript and Vellum just kind of... I don't know the first thing about software. I am just... It's like a small religious miracle. Every time I upload something and it's just like, "Yep, I know where the chapters are." And it's like, "Yep, this is the title page." And it just... It knows. I'm just always astonished by it, and as Kate has also said, the ease of use. So you started this ten years ago. I'm really curious how many iterations of Vellum have there been?

Brad: I don't know how many iterations there have been. Vellum 1.0. It wouldn't be completely unfamiliar to people today, but it had the same sort of overall structure. But it's gone through so many changes since then, and version numbers are sort of meaningless. But we're at Vellum 3.43 today. Actually Vellum 3.45, sorry. And some of these are just like minor bug fixes, releases, or minor improvements. Sometimes Amazon will change something, and we need to respond quickly. Sometimes Apple will release a new operating system, and we'll need to update Vellum for that. And then other times, like our most recent bigger release, we introduced a lot of fun new features that we were excited about. So things like text messages and written notes. And major releases like Vellum 2.0 is where we introduced the ability to create print books. So generate PDF print interior that you can upload to Amazon or Ingram Spark or wherever you print on demand. And then Vellum 3.0 sort of introduced way more styles.

Kate: Vellum 3.0. All the extras that you added were amazing. I originally downloaded it and used it on a very old Mac, and we had to upgrade the operating system to be able to use Vellum. But eventually we got to the point where it was too old, and we couldn't update it anymore. I mean, this is an old Mac. And so I didn't get to have the upgrades anymore. I've always been a PC person because again, I'm cheap and PCs are cheap. But I had to buy a Mac book so I could get the new version of it. And specifically, I was working on a special edition hardcover for a Kickstarter, and I really wanted those new features. I just love them. It was so fun. Like you said, it's fun, and it's play. And it really is. I love clicking through all the different styles and the little ways you can tweak them. It was really cool to see all the different things that you can now do and all the more ways to customize and really make a book special.

Brad: It's hard because, again, there's only two of us, and we strive to support the last 3 or 4 operating systems that Apple releases. But yeah, we do hear from some people that they're running on an ancient Mac, but it's also also really fun for when those people write us, they're like, "Oh my gosh, I just bought a new Mac book, and it's screaming fast. And I get to use all the new features, and oh, what was I missing?"

Kate: Anyone out there is still using the 2.0 version. Oh my gosh. It is worth giving Apple all your money just to upgrade to three. It really is.

Mindy: One of the things that makes Vellum so easy to use, as Brad was saying... You generate files for every platform out there off of one project within Vellum. So, when you go to produce that file, you just click your boxes and it will spit out... Here's your file for Apple. Here's Kobo. Amazon, of course. And, as you said, Brad, Amazon in particular and I'm sure Apple also, those are constantly changing. As a person that moves outside of the software world but I need to have enough operating knowledge to be able to produce my own versions of those files... It's so wonderful because Vellum just does it. It just does everything. It's so amazing to me that it's that simple on the user end when I'm sure it is incredibly complex on your end.

Brad: Yeah. There's a lot behind the scenes that goes on to make it so simple. But yeah, as you mentioned, one of the guiding tenets of when we started was we didn't just want this to be a Amazon e-book creator or a Amazon print generator kind of thing. We did want to be able to support people who are both focused on Amazon but also who went wide. Because we also think that for indie authors that decision can change over time. We hear from authors who sell mostly to Amazon, but we also hear from authors who have a huge market share in Apple or Barnes and Noble or things like that. And we wanted to make sure that Vellum could be used by all of those people. All of those authors. 

But you're right, behind the scenes, there's a lot that goes on in order to make sure that these books look good where readers read them. And for instance, Amazon applies this thing called enhanced typesetting, where they sort of take the epub that Vellum generates. They apply their own stuff to it, and so we need to account for that, you know. Apple's process is a little bit more straightforward, but again, they have different rendering display issues than Barnes and Noble. So one of the things that Vellum can do from this one, as you said, from this one Vellum file... When it generates something for Barnes and Noble, and Apple, and Amazon, those things are all subtly different. So they look the same when readers read them. When they purchase them through the app and they read them through the Apple books or on a Kindle, things like that. Staying on top of that is tricky. It's not like Amazon writes us and lets us know that these things are happening. So we're constantly testing and we always appreciate when authors reach out and let us know, "Hey, like this new thing happened," and we try to get on it as soon as we can.

Kate: Have you had a Sunday night where you're just, like, chilling at home, enjoying your weekend, and suddenly you realize something big has gone wrong and you have to rush over and start programming? 

Brad: There has only been one time in ten years where we actually sort of had to pull an all nighter, and it thankfully it was not related to an Amazon change. We try to think a little bit ahead. So if we think that something's going to happen, we'll try to code in options so that it makes it easy for us to switch gears. If we think that Amazon is going this direction, we'll try to prepare for that in earlier versions of Vellum so that we can say, "Okay, you're hitting this? Try this." It's actually truly a nerdy story about why we had to spend up all night. It was basically the server that we use to host purchasing actually got cyber attacked. So we had to move all of our purchasing stuff overnight so that people could actually buy Vellum. One of the things, Kate, that you mentioned is that Vellum is free to use to try to format your book. We thought that was crucially important. We're also software users, and we hate having to buy something just to figure out if it's going to work for me. And so we like making Vellum free to use to format your book. Now, yes, you have to pay when it comes to generate the final files. We have a lot of users who just use Vellum, and some people even write their books in Vellum, and you can do all of that for free. But then when people are like, "okay, I've got to publish this weekend." If they couldn't actually purchase a license to generate, that was a problem. So we had to stay up all night to fix that.

Kate: That's good. So Amazon has not yet tried to ruin your life?

Brad: Oh, well, let's not get crazy.

Mindy: We all move in those circles. I'm sure we've all been hit on the head with a club by Amazon once or twice.

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Kate: So, obviously you and Brad Two are often meeting and discussing what's coming down the road and thinking about troubleshooting. But, it's got to be more fun thinking about what new features you're going to add like we talked about for the new 3.0 release and all of those fun things. Is that the fun part, and how do you decide what you're going to do? Is it reader feedback? Do you talk to Brad Two's wife?

Brad: Features are really fun, and I think both of us really enjoy doing that the most. At the same time, your idea of a feature and our idea of a feature might be slightly different. For instance, workflow. Just improving those points. We strive for it to be very easy to use, but there are still things... We're like, Oh, doing this operation takes a little bit too many clicks. Or doing it like this could be improved. And that might not be as quote unquote feature-like as, you know, adding new text messages or things like that. But there's still a satisfaction to that that we both really enjoy. Even cleaning up some code so that it's going to be faster in the future to add new features is something we both take great pride in. 

We talk constantly. We think about where we want to go for the year, for over five years, things like that. And obviously we have to be super flexible because again, Amazon can come in and change our immediate plans. We talk to one another about the state of the software. And we also keep track of everyone who writes us, and we log those requests in our database. And absolutely, if we get a ton of authors requesting these features, we're like, oh, that's going to move to the top of the list. I think the thing that I struggle with the most is I would rather improve Vellum than I would work on ads. And I'm sure for authors it's the same thing. Maybe writing your first draft is the most fun or maybe editing is the most fun. Rarely do I come across an author who is like, "I love promoting my book and spending time looking at AdWords." That's important to sell your book just as it's important for Vellum to get out there. But that's the hard time. We have to balance our desire to make Vellum better versus also our desire for Vellum to be used by as many people as who want to use it.

Mindy: Yeah, that is definitely a struggle. I think Kate and I can both say that when it comes to ads period, it is just such a mind bender to try to figure out what works, what doesn't work, what is sucking the money right out of your pocket? I also despise trying to figure out ads and how to get my material in front of people so that they even know it exists because Kate moves in the indie world more than I do. But I wasn't aware that Vellum was a thing. And then Kate was like, "Oh no, this is a thing, and you need to be aware of it." And as soon as I was, as you were saying, I downloaded the free aspects and I was using it. And I was like, "okay. This is a no brainer." And I went in and I immediately bought that version and man, I was so glad I did. And continue to be. I think it's so cool that if someone emails Vellum, they're emailing you. I mean, you spoke earlier about working with Amazon because they are so far flung, and Kate and I both have also had numerous headaches working with Amazon and just being transferred to 5 to 7 different people or departments on a single phone call. So it is really cool that you yourself as an individual and then one other individual... If you've got five, ten, 18, 20 authors that reach out to you and say, "Hey, we would love to be able to put text messages formatting into our books," you know that and you don't have to go share that at a department meeting.

Brad: We don't have to lobby for that. The marketing department doesn't have to lobby. The engineering department doesn't have to... You know, doesn't have to, like, talk with the advertising department. No, we were like, "hey, text messages. It's going to be a thing, and let's just do it." And we did. There's some really, really nice things about being a small, fast company. And it's fun for us too, because there's that personal aspect we get with answering all the emails. It's both staying in touch with our authors, but also, even though most people are writing because they don't know how to do something or they have a problem, still, it's really great to like make that connection. And people are truly appreciative of the help.

Kate: I'm curious. How did you guys come up with the designs for the 3.0? Because you have so many options, and it's so clear that there was a lot of thought that went into making sure that there were choices that looked good for sci fi authors that maybe leaned a little more paranormal. Others that felt literary or classic. Do you go to the bookstore and flip through books for ideas? Or did you consult with someone?

Brad: Well, thank you for that. Yeah. Brad did basically all of the design for all of those styles. We get the inspiration in a variety of places. A lot of going to the bookstore. Going to the library. As I mentioned earlier, we're both avid readers. A lot of people ask, "Oh, are you writers?" It's like, "No, actually. We don't have pen names or secretly publishing books." 

When we first released Vellum, we had sort of eight styles that we thought covered a wide range, and some that we thought were more flexible, and some that we thought were more specific genre wise. But when we released 3.0, we really spent a long time, like you said, trying to think about what genres did we want to cover. At the same time, we didn't want them to be so specific they could only be used by that genre. What we would do is we'd push a design to a certain place and then we'd sort of scale it back to make it a little bit more wide ranging. We think that book design is really, really important. It's one of the reasons why Vellum is structured the way it is. It's like we have specific designs that people can choose from. Within those designs, you can further configure. You can change your heading style. Or you can change your first paragraph style. But these are like really buttoned down designs too, because if you go too far afield from some of these things, it starts not to look good. And one of the things we want is we want Vellum books to look great. And we also want to take that design burden off of the author and put it onto us. We do a lot of research, and then we do a lot of playing in the app to scale it back so that we think it can apply not just to one specific book about a fantasy book that's about dragons, but we could pull it back to something that maybe applies more generally to fantasy or more generally to paranormal.

Kate: Professional is absolutely the word. Especially as an indie author, you really want your books to be taken seriously and not to be seen as amateur. And especially the earlier version of Vellum that I used at the beginning... I put in my manuscript, and it just gave me these books that were so clean and so professional. And that was with me really not doing a whole lot except making sure that my chapters were there and making sure I had my backmatter... Definitely toggle through the headings and things just to play with them, but it was really simple and that sort of clean design aesthetic is so important.

Mindy: Yeah, I agree. I actually had a very emotional moment with Vellum. I had written a manuscript a long time ago. I think I was in college when I started writing it. So I was maybe 20 years old, and I wrote this book that as a published author in the traditional world does not fit my brand at all. Never has. Never will. Kate had said to me, "Just publish it underneath your pen name. There's no reason not to." And I was thinking to myself, "Well, yes. She's correct. So I'm going to do that." And I had this manuscript that I had updated and rewritten and worked with for actually 20 years at that point. 

And it's interesting, you were talking about upgrading your software all the time. Funny story. The characters in my manuscript were initially having big conversations, and a large part of the plot came about through a conversation over AOL Instant Messenger. That needs changed. So I had just been constantly going in and updating it - technology, slang, all the different things - for over 20 years and kept thinking maybe someday. This book. Kate said, "You really need to just self publish it under your pen name." I had been working with Kate on other things, and we had been working together using Vellum. And I had never used it for my own stuff specifically. I uploaded that book into Vellum. Chose all of my fonts and the styles. I looked at the front page and there's my title. And it has my pen name, but it says by someone kind of like you. Chapter one. And there's my first line that I wrote 20 years ago, and it was just like emotional for me because it actually got to be a book. And honestly, I would have never taken that step. I would have never done that if I didn't have Vellum, because now I have an e-book version. I have a print version. And, you know, I had it printed, and I sent my author copies to myself. And I actually was more, I think, moved by that than I have been over receiving some of my traditional books. Just because that manuscript had been set aside for so long. And to actually just be like, "You know what? All I have to do is upload this Word document, and it's a book."

Brad: I mean, that's a great story. I love that, that this thing had been sort of in the back of your mind for 20 years. We often hear that when people first look in the preview pane and see the drop cap and see the style applied, that it is emotional. It stops being a manuscript, and it becomes a book. And I'll be honest, I don't think that when we wrote Vellum, we thought that that would be the case. It was just like, Well, of course we have to have a preview. Like, how else are you going to see what it looks like? Make the editing pane the editing pane, and the preview can change according to the device or the font size. The very, very first time that people sort of like can envision it being an actual book as opposed to just an idea on the blank Word page.

Kate: I actually have a request for a tweak to the preview on my wish list.

Brad: Uh huh.

Kate: I was making a hardcover meant to be a special edition, and I really wanted to see the preview with both pages side by side. Even when you output it as a PDF, you see them stacked on top of each other. And so I actually ended up screenshotting the two separate pages and then cutting them out and pasting them into Photoshop so I could see them side by side. But before I did that I was clicking every button I could. And is there a way to do this? And I just can't figure it out. But I decided there wasn't.

Brad: So in Vellum, there is not a way to see it side by side yet. We've gotten that sug a few times. It's something we're definitely considering. It would make vellum fairly wide. There's some stuff to think about there, and you probably only want it for maybe the first page of the chapter. Who knows? Anyhow. There's a lot of stuff to think about there. However, what we usually recommend, which I think will be way easier than what you described is... We just recommend generating your PDF, and then opening it in your max preview app and going into two pages mode. And that will show it side by side.

Kate: I'm not surprised that I took the long way around to get there. Making easy things difficult.

Brad: When you don't know that it exists.

Kate: I just saw this in an ebook I was reading, and I thought it was so cool. I read The Scholomance series by Naomi Novik. It's an amazing series. It's a trilogy. It's so good. And I think it was book two that I was reading. I was noticing when I flipped to the beginning of a chapter, for the chapter header, they had some sort of design, and it would flash and change colors. And it was so cool. I think I even took a picture for my Instagram because I was like, "What is this magic? And how are they doing this?"

Brad: That's interesting. We do know that there are some times where Amazon works with authors who are selling a lot to allow a sort of a fancier version that they might not allow for just the rest of us.

Kate: This is a best selling series. So it's... Big deal.

Brad: There are things that are fairly frustrating. Uploading the epub to Amazon. They still don't support transparent images, let alone animated images. The technology has been around for years and years and years. They just don't support it through their self publisher network. So as soon as Amazon supports that kind of stuff, we're happy to jump on it. I'll dig into it. I've pulled up her books.

Mindy: So Kate has her wish list. Brad, you know, because we exchanged emails that I had been really looking for the text message exchanges, and that was introduced in 2022.

Brad: Yeah, we've gotten a lot of good response to text messages. There's been a lot of fun. It's such an important part of how we communicate these days that it just makes sense.

Mindy: And some of the things that you introduced or adapted in 2022, Kate already mentioned. The heading backgrounds. Introducing new headings for all kinds of different genres. Easier box set construction, which is actually really important to both Kate and I. Creating a box set file can make you a little bit nauseous.

Brad: Yeah. 

Mindy: Custom headers and footers so that the chapter and the page number can look however the author is looking for. You can export it back out of Vellum and into Word if you would like to. So those are all the different things that you guys brought about in 2022. What are you looking for and what can people expect? New elements that you're planning on or that might be coming up?

Brad: We tend to be fairly tight lipped. You know, we don't love to give specific answers, super specific answers. Because as we mentioned earlier, things can change, and we don't want to say things are coming in April 7th and then Amazon or Apple does something and we were delayed. But one of the things that we're focused on right now, in the short term, we're focused a little bit more on workflow. Even though it's been lovely to hear that like, "Oh, it's vellum. It's so easy to use." There are a few pain points, a few things that we want to do that we think we can make even easier. So we've got a few things coming down the pipeline soon-ish that we hope will make authors, the time they spend in vellum, even more fun. Even more efficient.

Mindy: Last thing. Brad, why don't you let listeners know where they can find Vellum and download that free trial?

Brad: Thank you. You can go to vellum.pub and if you have a Mac you can download Vellum. And like we said before, you can use it totally for free until it comes time to publish your files. And at that point you purchase a Vellum license and within seconds you can generate all the files that you need to publish your ebook or print edition.

Mindy: Writer Writer Pants on Fire is produced by Mindy McGinnis. Music by Jack Korbel. Don't forget to check out the blog for additional interviews, writing advice and publication tips at Writer Writer Pants on Fire dot com. If the blog or podcast have been helpful to you or if you just enjoy listening, please consider donating. Visit Writer Writer Pants on Fire dot com and click “support the blog and podcast” in the sidebar.

Caroline Kepnes on Loving Joe... Even If You Don’t Want To

Mindy: Welcome to Writer Writer Pants on Fire, where authors talk about things that never happened to people who don't exist. We also cover craft, the agent hunt, query trenches, publishing, industry, marketing and more. I'm your host, Mindy McGinnis. You can check out my books and social media at mindymcginnis dot com and make sure to visit the Writer Writer Pants on Fire blog for additional interviews, query critiques and more as well as full transcriptions of each podcast episode at WriterWriterPants on Fire.com. And don’t forget to check out the Writer, Writer, Pants on Fire Facebook page. Give me feedback, suggest topics you’d like to hear discussed, and let me know if there is someone you’d love to see as a guest.

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Mindy: We're here with Caroline Kepnes, who is the author of all of the You books featuring Joe Goldberg, who is just about one of my favorite people which makes me feel somewhat guilty, which is what we will talk about quite a bit. First of all, the next book in the You series comes out on April 25th - For You and Only You. The You series is the basis for a very popular TV show on Netflix. Pretty much everyone I speak to I have told to read these books. Let's just start by you telling us a little bit about the new one and what Joe is going to be up to next in For You and Only You.

Caroline: Yes. Well, thank you for having me here, Mindy. I love your podcast, and I appreciate being here. And I think it's wonderful that you say that you love Joe and that it says something about you. I feel like that's what started me with this, of finding this voice and wondering why it put a smile on my face. And every book is like this journey into his problems, but also the problems with our society. So it's like a kind of pick your poison thing where I'm like... the first one, of course, starts in New York with these Ivy League elites who think they're better than him and the girl caught in the middle of that. And in every book, like that's the deal that he sees the world mistreating a woman who he loves and he goes and tries to fix it. So this time around, we have Joe at Harvard University. He was very good with the pandemic, with the lockdown. He wrote a book and pulled off a kidnapping and did his little online sleuthing and managed to get himself a spot in a fiction writing fellowship. He's in this fellowship. It's supposed to be for undiscovered writers. That is what it said. But that is not the case. And everyone has a life and some success. And if you know Joe, you know that that's kind of not fair. There is a girl in the class named Wonder who is from Boston and didn't go to college and works at a Dunkin Donuts. I'm not going to start speaking in an accent, I swear. Instead of dealing with his own insecurity and his ego issues about writing, I mean, how convenient that he gets to project all of it onto her.

Mindy: Like I said, Joe is somebody who... I think all of us have those darker instincts and some of us are more in touch with our shadow selves than others. I'm pretty deeply in touch with mine. There are things that I don't do either because they are immoral or illegal. It could be one. It could be both sometimes. But you know, there's something that stops me from doing some of the darker things that I want to impulsively do. Joe doesn't have that problem.

Caroline: For me, there's something liberating about that. I like going into that space of like, especially the way he's obsessed with calling everyone entitled... It's like, how could you be more entitled than if you just go breaking every law and every social code?

Mindy: But he doesn't see that. Which has a little bit of a charm to it in a way, because we all have our blind spots.

Caroline: Yes. Oh, do we. Yes. Part of this book... Wonder does a lot of reviews on Goodreads, and with every book too, I'm exploring some form of social media. And in this one, he learns about her through her Goodreads reviews that are very revealing about herself, but in a way where she's very intelligent. But it's part of my basic fear. I grew up in the 80s and I just basically have been taught to be afraid to tell people things. And it fascinates me the way we all joke and we all get into rabbit holes and we can know a lot about someone. But it's like, you really can. I guess I just love going into that fear of when you put yourself out there, sometimes Joe is watching. You probably are the same way with that overactive imagination and taking everything as evidenced in your work to a very dark potential place.

Mindy: All day, every day. I want to talk about that. That's really interesting. It's an odd mind space to live in where most of the time, because I live in the country, I live very much rurally in Ohio, but I travel a lot. So I'm in big cities a lot. And because of my fairly cocooned life that I have out here, I generally feel safe all the time. And so when I'm out in the general public in a larger place, I mean, most of the time I'm not in any danger. But because of my imagination...

Caroline: Yeah.

Mindy: Everyone. Everyone is potentially going to kill me. I am always looking for the exit in whatever room I am in. I'm identifying possible weapons in case I need them.

Caroline: I am sitting with my back against the wall. Yes. You live in that space - an open space. I in some ways am more afraid. There's this place I like to go hiking where I grew up. On the one hand, you're totally isolated. For whatever reason, there's no one ever there. And you're, like, deep in this marsh. And then in the back of my head, I'm like, "This is the most dangerous place in the fucking world. I am alone. My cell phone barely works. Anyone could be here. Anyone could jump out from those dunes." And in some ways in the city, I always feel safer, and even if I'm walking around with headphones on, I just feel like, "Well, there are all these witnesses everywhere." And like you said, the majority of us are okay.

Mindy: I had a friend who got married and, you know, went to live in the city, and she had a very difficult time adjusting. And she kept telling me, "I don't feel safe. I don't feel safe." And I knew the part of the city she was in, and I'm like, "Dude, you're fine. Like, nothing's going to happen to you." Really if you think about it, living out in the middle of nowhere like we have our whole lives is actually more dangerous because there might be less people, so there's less of a ratio of people that could possibly hurt you, but if only that one person decides to, you can scream your head off. Nobody can hear you. You're done.

Caroline: It's the In Cold Blood of it. I read that in high school. I read it over and over. I feel like I did two term papers because I was just like, I will only read and write about this book and the possibility that whether it's random or intentional, you're a sitting duck and you're an isolated duck. There's a reason the ducks are in a group together in the lake, you know?

Mindy: So off topic. You brought up ducks so I just have to follow up with this. Are you familiar at all with the duck penis?

Caroline: Oh, very familiar. I've watched many videos. I don't remember how I originally learned, but every once in a while it's a really good Google. Some new tidbit to learn when you go back to it.

Mindy: I'm so glad that I'm not a female duck.

Caroline: Yes. I mean the violence with them, and there's a spot near where I grew up where they kind of gather and you can see them together, like working things out. And I just feel like the nastiest courtship rituals and the possessiveness and the violence.

Mindy: Pretty often, if it's a water based sports that they're enjoying, the female will get drowned.

Caroline: Yes. Yes. I mean, and the way that that's like just built into their system. What a world. What a world.

Mindy: So I just ended up learning about duck penises, and then, you know, it was one of those things where all of a sudden duck sex was like everywhere. I listened to a podcast and there was supposed to be like hunting and trapping and stuff, and they ended up just like really going into explicit duck sex. And I was just like, "Oh my God!" It was a... It was a real day. I had to turn it off. Like I was going through the drive through, and I'm like, "Dude, I got to turn this off."

Caroline: But then again, like the person at the drive through, maybe they learn about it and get turned on to it. Not turned on. Wrong word. But you know... but yeah, it is one of those things that it's like when you're trying to find shoes. So everywhere you go, you see shoes.

Mindy: Yep.

Caroline: And with duck sex... I heard it, there was something about it in a TV show or movie, I'm not going to remember what, a few weeks ago. But I remember thinking, if you didn't know about that, it would just go over your head. It was just like part of the dialogue. It wasn't a whole thing, but it's out there. People know.

Mindy: People know. I mean as soon as I saw a duck penis to you, you were like, "Oh, yeah, I know."

Caroline: And I love that moment of like, you tee it up and I'm like, "I'm not going to know what she's talking about." And then, "Oh! Duck sex! I know about that." 

Mindy: We can absolutely converse about duck sex. So speaking of just like, sex in general. I read recently Penn Badgley, who plays Joe on the show, gave an interview where he said he doesn't want to do sex scenes anymore because he doesn't feel that it is appropriate within the context of being a married man and it's a way that he wants to show his fidelity to his wife. And for one thing, my first thought was, "Man, you must be the best actor in the world. Because you feel that way, and then you play Joe." 

Caroline: Yeah. Yes. I mean, I think that's a personal choice thing, right? It's so personal. That's where acting freaks me out. Even in season one, I remember being on the set. He has to do everything twice because the voiceover acting with his face and his body and thinking all those sick thoughts and standing there. Anyone can use that moment to say, "You know what? This doesn't work for me. I don't want to do it." I think it's just good for the world because so many jobs in life are the exact opposite... Where you feel like you can't express your personal feelings about them, your preferences, or if you do, you might not be in that position anymore. I say, this is good. You know, like, what do you think?

Mindy: I thought it was awesome. I don't think that monogamy is cool in our society. Anybody can do whatever they want. It doesn't bother me at all. Like everybody has their own ways and they should go about that.

Caroline: That's you. I think that's the best thing to take away from it, because I can just as easily imagine a couple, whether they're both actors or one is, and they're good with it. It's such a thing between you and your partner and also your personal comfort zone. And it's an interesting thing too, because it's part of the age of hyper communication and just so much knowledge, you know. You figure years ago, there were probably actors that had this policy, or some degree of it, that we didn't know about because we just didn't have so much information thrown at us every single day. That's the thing that blows my mind about living the way that we live now. That's just so overwhelming when you think of us being a kid and waiting for Sassy Magazine to come out once a month.

Mindy: Oh yes, my Sassy and my 17. If I can just get one more glossy photo of Christian Slater, I will be so happy.

Caroline: Yes.

Mindy: It's really interesting what you're saying about the amount of media that we have in our faces all the time, because I was not even looking for information about you, about the show, about Penn Badgley. Nothing like that. It was on the front page of CNN.

Caroline: Oh, my God! I didn't know that. Wow! For the writers doing the show, it's like having a new circumstance and twist to deal with in storytelling. You and I can do whatever we want in our book. Have anything happen because no one has to use their physical form to bring it to life. The reader does that in their head.

Mindy: Then talking about the media. Like I said, that story was front and center for me on CNN, and I wasn't even searching for it.

Caroline: And that's fascinating because like, I love that that's news.

Mindy: Let me tell you, I scrolled past everything else and I read that. So... You were talking about how each of your books also in some way is kind of about or focusing on some form of social media in a way that is a little bit darker... A darker shade. And of course now everybody has their favorite podcast. Has someone else's voice in their ear constantly.

Caroline: Yes.

Mindy: I'm just curious if you could talk a little bit more about how you approach that because You, the You series, very much is social commentary.

Caroline: Yes. It's a commitment that I made in the first book. I remember the day that Lou Reed died, and I put it in the book. I didn't intend to write a series. Toward the end, when I wanted to do another, it was like, "Oh, boy. These take place now in this world right now." When the pandemic happened... Oh, this is an interesting conundrum because, yeah, like the way as a writer, you have those choices. You can write a world where it doesn't happen. You can mention it, or you can full on tell a story about it. And I loved the idea that we were all kind of living in this and figuring out how to deal with it in our stories and as we deal with it in real life.

So that's what got me started with this book where I had ended You Love Me with him in Florida in this place of mourning. And I had thought a lot about Florida Joe. I was alone. I'm like to me... Everyone was in some situation that is not the way they intended for their life to be right? If you're married and you love someone, you never meant to be together 24 hours a day. I like to be alone, but I never meant to be alone 24 hours a day. My first draft was... I started doing it with him having the fellowship over Zoom. Him using all of these new tools to get to people. And then it was like, "No, this is a book." And we're still, especially at that point I was like, "I can't write about this at length yet. Not that much." You know what I mean? So then it was like, okay, I'm going to send him to school. And he's going to be in the room smelling all the people and seeing them and eating with them. And yeah, it was, it was exciting because it was living vicariously through him, you know?

Mindy: It sounds like there's going to be a lot of inside baseball as far as writing and publishing goes in this one.

Caroline: It's his perspective on it, and he's very sure of himself. You know, he wrote this novel and I feel like in the way of living vicariously... oh God, to have his ego for an hour. What we could do with it! And then to see him be around these people and slowly realize that these people have done their work, and that if he shares his work with them, they're going to be allowed to say bad things about it. Which of course requires that he find a way to  kind of one by one, discredit, find every flaw, so that they can't affect him. And then that was the fun suspense for me with it. Because there's such a difference, right, between sitting alone and drafting it out and looking at your pages and exposing yourself to the world. I loved him sitting there with this bomb, with his book, in the sense that, like, what's going to happen if someone doesn't believe in him? And what's going to happen. And in that way, the girl that he liked, the books, the way they're always kind of talking to each other. Wonder writes, and Wonder is very sure of her process. And she is in no rush to get published. He takes it upon himself to change her approach to writing. Which is, in part, because he cares about her, but also because, of course, it allows him to avoid dealing with his own insecurities. It was very fun to give him a new job. Yes. To put him around other people who can handle their shit.

Mindy: That's the best place to put him.

Caroline: Yes. It just did feel like tingly good, right? Like I'm excited for you to read it. It's a good way to feel before a book comes out, right? 

Mindy: Oh, yeah. It's an amazing way to feel before a book comes out.

Caroline: I had so much fun naming the other writers and their books. And now when I go into a bookstore, I'm like, "Wait a minute. They don't have one book by Sarah Beth Swallows?" And I'm like, "She's not a real person!" Like, of course they don't. They're all fake.

Mindy: It's a good example of how real your characters are to you. Something else I wanted to bring up. A book that I just love that I think probably gets lost a little bit because of the fact that You is just so amazing and so popular. But you wrote a novel called Providence. I love that book! It's really good. I wish people would talk about it more.

Caroline: I know. Thank you so much. And that's like... It moves me so much when people say that because, exactly... Like You. I feel like it's like a middle school bully situation where not only are there now 4 You books, right? So Providence is just on its own out there, and it's its own thing. And it makes me so happy when I learn that someone has found it and enjoyed it, and I have such a soft spot for them in my heart.

Mindy: I love that book. I listened to the audio. It is quite good. I just loved it. I loved it so much, and I ran it down because I had... I had read at that point I think the first You book. And I was in a slump, and I could not find anything I liked. It was one of those weird times, and I was like, "Hey, I'm going to go see if Caroline Kepnes has written anything else." Then I was like, "Oh, she has." And I listened to Providence and God, I just loved it so much. So I was wondering, as a person that has had just a tremendous amount of success in this one arena, and you kind of already answered the question, but is there a part of you that is just like, "Man, I wish more for this other book."

Caroline: First of all, I want to go back to something you said about the moment for a book, because I love that so much. And something that makes me crazy about book culture is that like, here are the books to read this month! Here are the books to read this week! Here are the books to read today! And it's like the beauty of a book is that it never goes away. Sure, even if it goes out of print, you never know what you can find in a clearance bin at a used store like anywhere. And so I love when we're reminded that we can go find books. That there is no expiration date. Yesterday, I did a podcast and they were talking about Providence too. And the woman started out with like, "I am the biggest fan. I love it so much." And it's such a nice surprise that, yes, it just makes me happy because I would love for more people to find that book. And especially when it comes from readers, and especially author readers, who have that reaction to it, it's just a very good feeling. So right, you just always want more people to know that there's this other thing that I did that you might also like.

Mindy: You said, author readers... I wrote a book called Be Not Far From Me. It's about a girl that's lost in the Smoky Mountains. And she's out there for like a month, and she has to survive with just the clothes on her back. I started working on it, and as I was writing it, I was so pissed at myself because I had never thought about the fact when I pitched this idea that my main character is alone for 99% of the book. Alone. She has nobody to talk to. There's nothing for her to bounce off of. The environment isn't changing. She's in the woods alone for 99% of the book. And I was like, "Mindy, you fucking idiot. You have done this to yourself, and you are stuck. And you are in the woods with her." But the best thing that happened with that book is I would get, you know, texts, emails, DMs from fellow writers that would say, "How did you write a book where the main character was alone pretty much the whole time? That is incredible." And I was just like, "Thank you. Thank you for understanding how hard that was."

Caroline: That gave me such a good feeling to hear you say that, because that's my favorite part of writing once you're through it. But you know that moment when you're... You said it like, "What the fuck did I do to myself? What did I do?" Because I think that's where the best of us so often comes from. When we screw ourselves over, both in the way of deadline and also procrastinating and writing fast go together. You accidentally paint yourself into a corner and that just like you... Then you have no choice but to get out. Like you can always eventually feel that in the writing. In the pages. 

Mindy: Absolutely. Absolutely. My panic is inside of that girl who's trying to get out of the woods. Last thing. Why don't you let listeners know where they can find you online and then, of course, where they can get For You and Only You which will be out on April 25th.

Caroline: Yes. Well, you can get For You and Only You at your local bookstore. You can find it online. Hopefully, if they don't have it in your bookstore, you can go in there and be like, "Hey, you know what book you should have?" You can find me on Twitter for my wonderful retweets. Like, that's the bulk of what I do when I go on there and participate. You can find me on Instagram with book pictures, and I do have a Facebook page. And then there is kind of a secret place on Facebook that is called Caroline's Cage, and that's run by some readers who have been there ten years because it was 2013 when they got advanced copies of You. So yeah, that's a good group. Is that it? Are those the places?

Mindy: I think you got all the places.

Mindy: Writer Writer Pants on Fire is produced by Mindy McGinnis. Music by Jack Korbel. Don't forget to check out the blog for additional interviews, writing advice and publication tips at Writer Writer Pants on Fire dot com. If the blog or podcast have been helpful to you or if you just enjoy listening, please consider donating. Visit Writer Writer Pants on Fire dot com and click “support the blog and podcast” in the sidebar.