Sherry Sidoti on Falling In Love With Her Cover Art

I love talking to authors. Our experiences are so similar, yet so very different, that every one of us has a new story to share. Everyone says that the moment you get your cover it really hits you – you’re an author. The cover is your story – and you – packaged for the world. So the process of the cover reveal can be slightly panic inducing. Does it fit your story? Is it what you hoped? Will it sell? With this in mind I put together the CRAP (Cover Reveal Anxiety Phase) Interview.

Today’s guest for the CRAP is Sherry Sidoti, author of A Smoke and a Song: A Memoir which releases August 1!

Did you have any pre-conceived notions about what you wanted your cover to look like?

I cannot say I had a clear picture of what I wanted my cover to look like, but I knew how I wanted it to feel. I wanted it to feel like how I felt back then, in my youth: humid, sticky, red-hot like a wildfire, windblown, messy. Like a New York City subway—graffitied, noisy, metallic angst-in-motion.

Did you have any input on your cover?

Yes, it was a whole journey that went a little something like this:

August 2022 

Step 1- Fill out a detailed cover concept template complete with chapter summaries, my description of the tone and mood, and covers of other books I liked. Submit it to the in-house design team at She Writes Press.

November 2022: 

Step 2- Choose my favorite of five mock covers that came in my inbox. 

(None of which were love at first sight, by the way.) 

December 2022: 

Step 3- Have multiple conversations with my publisher:

Me: “It’s beautiful. But I am not sure the color is right.”

Her: “It’s evocative. Moody and intriguing.”

Me: “But I’m not sure it feels like me.”
Her: “It’s not you. It’s your book.”

January 2023: 

Step 4- Tweak the layout. Remove. Enlarge. Play with alternative colors. 

(All the while, I doubt. She remains patient, encouraging, yet firm.)

Step 5- Surrender and commit. Tell myself: don’t be stubborn Sherry. Learn from the experts. Trust the process. Practice loving it, meditate on the things that are right.

Twice each morning and once during nights, for days and days and weeks, I squint my eyes and breathe with the image. I zoom in on the cigarette in the ashtray, the white textured layers of swirling smoke rings trailing out towards the melancholy blue background, the jagged-edged boxy letters in solid black ink. The open window, the scaffolding. 

I remember who I was: a red-hot, angsty, New York City girl. And who I am now: a cool moody blue mid-life woman who loves hard and wrote a whole damn book! 

And just like that, I fall in love with my cover. Like an arranged marriage.

How far in advance of the reveal date were you aware of what your cover would look like?

Eight months.

Was it hard to keep it to yourself before the official release?

Yes, and I wasn’t good at it.

What surprised you most about the process?

Releasing control! I gave birth to my book, yes. But as I learned to do as a mother, I had to do as an author — let my book have a life of its own. 

Any advice to other authors about how to handle cover art anxiety?

Hire experts and trust them to do what they do. 

Let your cover reveal to you what you may not have been able to see before—about your book, and more importantly, about yourself.

Breathe.

Sherry Sidoti is an author and the founder and lead director of FLY Yoga School, a teacher training program, and FLY Outreach, a not-for-profit that offers yoga and meditation for those in recovery from addiction and trauma on Martha’s Vineyard.

Kristin Nilsen on Celebrity Crush Covers for Middle Grade Readers

I love talking to authors. Our experiences are so similar, yet so very different, that every one of us has a new story to share. Everyone says that the moment you get your cover it really hits you – you’re an author. The cover is your story – and you – packaged for the world. So the process of the cover reveal can be slightly panic inducing. Does it fit your story? Is it what you hoped? Will it sell? With this in mind I put together the CRAP (Cover Reveal Anxiety Phase) Interview.

Today’s guest for the CRAP is Kristin Nilsen, author of Worldwide Crush which releases today

Did you have any pre-conceived notions about what you wanted your cover to look like?

Definitely! I obsessed about it! No matter what your teacher told you, people definitely judge a book by its cover and it felt very make-or-break to me. Especially because my story may appear to be one thing on the outside (fluffy first crush, celebrity-style) but deliver something very different on the inside (humor! a quirky grandma! poignant coming–of-age arc!). I was so afraid the cover wouldn’t sell the story properly. 

I also have very strong opinions about cover art for middle grade books right now – there’s a trend that is so strong, it makes every book look exactly the same. I won’t say what that trend is because I don’t want to throw anyone under the bus, but I will say I was terrified of getting one of those covers. And I was prepared to say “We are underestimating middle grade readers. They are attracted to more than one thing.”

Did you have any input on your cover?

I had input, yes, but it came with boundaries and I was very nervous about overstepping those boundaries. Which I did. And then I got a call from the publisher which felt very much like getting called to the principal’s office. Being able to say “no, I don’t like that” was both a blessing and a curse. 

How far in advance of the reveal date were you aware of what your cover would look like?

Since I’m a debut author, the only person waiting for my cover reveal with bated breath was me. And the people and animals who are within arm’s reach of me. This makes a reveal announcement a little awkward; it felt less like a public event and more like a personal one. So a reveal date, per se, was not set for me (because no one was watching except maybe my mom), and I was free to reveal the cover when it was officially finalized.

Was it hard to keep it to yourself before the official release?

I felt the opposite actually; I was free to reveal the cover when it was complete – but I couldn’t. I wasn’t nervous anymore because we did, indeed, arrive at that place where I was like YES! THIS! But releasing it to the world felt wobbly. I wasn’t ready. I needed to cradle it in my arms a little longer. So while it was revealed on the publisher’s website, I waited to announce it on my social channels until the two of us had truly bonded. 

What surprised you most about the process?

Two things: first, how I longed to be a part of the process and then actually hated being a part of the process. Okay, I didn’t hate it but it was sooooo STRESSFULLLLL. For a brief moment, I wished I had never been asked for my input because getting to perfection seemed out of reach but I couldn’t stop trying. And I knew I was the thorn in someone’s side. I pictured people rolling their eyes every time they saw an email from me. 

And second, it revealed how much of my book lives inside my head; what does a celebrity crush mean to you? It’s different for everybody. When I say celebrity crush, I picture something specific but the designer pictured something else entirely. We had to come to an understanding about what a celebrity crush means for this book, without our personal interpretations interfering.

Any advice to other debut authors about how to handle cover art anxiety?

No, I really don’t! Although I’m ecstatic about how my cover turned out, I’m still licking my wounds a little bit. I have butterflies just writing this sentence! And I’m sure I will have the same anxiety with my next book. Because it’s that important! 

For me, I think I will work on my communication about the tone and style of my story and also provide quotes from the book that describe my characters fully so the designer will know what the reader is expecting. But for those who don’t have that kind of input, my advice would be… be a good person and manifest hard!

Kristin Nilsen is an erstwhile librarian, a collector of crush stories, and the author of Worldwide Crush (July 2023), a middle grade novel inspired by her own childhood crush on Shaun Cassidy. She co-hosts The Pop Culture Preservation Society, a weekly podcast celebrating the cultural nuggets of the classic Gen X childhood. Kristin lives in Minneapolis with her Gen X husband, her Gen Z son, and their rock and roll goldendoodle, Axl Rose Nilsen. 

Leslie Karst on Why She’s Over the Moon About the "Justice is Served" Cover

I love talking to authors. Our experiences are so similar, yet so very different, that every one of us has a new story to share. Everyone says that the moment you get your cover it really hits you – you’re an author. The cover is your story – and you – packaged for the world. So the process of the cover reveal can be slightly panic inducing. Does it fit your story? Is it what you hoped? Will it sell? With this in mind I put together the CRAP (Cover Reveal Anxiety Phase) Interview.

Today’s guest for the CRAP is Leslie Karst, author of Justice Is Served: A Tale of Scallops, the Law, and Cooking for RBG, a heartfelt story of simultaneously searching for delicious recipes and purpose in life

Did you have any pre-conceived notions about what you wanted your cover to look like?

Yes: I knew I wanted it to be clean, simple, eye-catching, preferably in primary colors, and with something that made clear the story was about Ruth Bader Ginsburg. 

Did you have any input on your cover?

I’m lucky that my publisher’s cover designer worked closely with me, as many publishers allow little—if any—input from their authors. I was encouraged to provide samples of other covers that I thought reflected the sort of design I was after, and then once my designer had come up with several different ideas, she sent them all to me to consider and provide feedback.

How far in advance of the reveal date were you aware of what your cover would look like?

We settled on the final cover design over a year prior to the release of the book, but I waited until the advance reader copies had been printed—a full six months later—before giving folks a sneak peak on social media. But then I waited another two months (four months before the release) to do my formal over reveal. 

Was it hard to keep it to yourself before the official release?

Boy, was it hard not to shout from the rooftops (and Facebook, and Twitter, and Instagram) that it existed! Because I love this cover SO very much! Having a dinner plate in the style of RBG’s iconic collar was a stroke a genius, not to mention the gavel that accompanies the fork, and the place card with RBG on it, as well. Simply brilliant. And I adore the bright colors and bold design. So thank you, She Writes Press!

What surprised you most about the process?

That my designer and editor actually knew better than I what was right for my book cover. (Imagine that!) I originally picked a different design as my favorite, but was talked into this final one by them, and it’s a decision I am so very glad I made!

Any advice to other authors about how to handle cover art anxiety?

Well, given what I said in answer to the previous question, I guess that advice would be this: Trust your publisher (if you have one) and your cover designer. They know the market and they know your book. And if you love your cover, it’s a good chance others will, too! 

The daughter of a law professor and a potter, Leslie Karst waited tables and sang in a new wave rock band before deciding she was ready for “real” job and ending up at Stanford Law School. It was during her career as a research and appellate attorney in Santa Cruz, California, that she rediscovered her youthful passion for food and cooking, at which point she once again returned to school—this time to earn a degree in culinary arts. Now retired from the law, Leslie spends her days penning the Sally Solari culinary mystery series, as well as cooking, gardening, cycling, and singing alto in her local community chorus. She and her wife and their Jack Russell mix split their time between Santa Cruz and Hilo, Hawai’i.