Interview with Erin Cashman

I'm lucky (or cunning) enough to have lured yet another successful writer over to my blog for an SAT - Successful Author Talk. SAT authors have conquered the query, slain the synopsis and attained the pinnacle of published. How'd they do it? Let's ask 'em!

Today’s guest is Erin Cashman author of THE EXCEPTIONALS. A teenage girl must use her long-ignored ability to communicate with animals to unravel the mystery behind the disappearances of the most talented students at Cambial Academy, a school for teens with special abilities. Along the way she uncovers a chilling prophecy and meets a gorgeous but secretive boy – who may know more than he’s letting on.

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Are you a Planner or Pantster?

I’m a hybrid for sure. Once I come up with an idea, I jot down some ideas, and then I let it swirl around in my head for several days, especially when I’m out walking my dog. I usually know how it will end, and how it will begin. For everything in between, I prefer to just write, and see where the story – and more importantly, the characters – takes me. But then I have a tendency to lose my way. Now I write a very loose book outline – like a half a page to a page, and then start jotting down notes -- character descriptions, settings, ideas, etc. And then I roughly outline a few chapters, and take it from there. I don’t outline the whole book in detail, because then I think it’s hard to change it. It becomes like a roadmap to the book, instead of the book. (At least for me). A thing that really helped me, is if I’m dying to write a scene, even if it’s the last scene, I write it right away. So with The Exceptionals the very first thing I wrote was the last scene with Claire and Dylan. Otherwise, I rush to write the part I want to the most!

How long does it typically take you to write a novel, start to finish?

Anywhere from six months to a year, depending on how extensive the re-writes need to be!

Do you work on one project at a time, or are you a multi tasker?

I work on one project at a time, and I try to work on it every day if I can, so that I stay with the characters and the flow in my head.

Did you have to overcome any fears that first time you sat down to write?

No. I guess I figure, just get something down, you can always go back and change it. And if it’s terrible, chalk it up to a learning experience and move on.

How many trunked books (if any) did you have before you were agented?

Two.

Have you ever quit on an ms, and how did you know it was time?

I quit on my first novel, a vampire middle grade story that I finished just as Twilight came out. I worked on it and sent it out for three years until an agent finally said: we are only interested in vampire romance, and even that is getting saturated, but I love your writing, so if you write anything else send it to me requested. I had an epiphany right then and there. My novel just wasn’t going to sell, so I needed to put it away and move on. I started something else within a week, and 6 months later finished. But as I sent it out, I began writing The Exceptionals, and 6 months later I finished that, and luckily, I got an agent and an offer right away. (Finally!)

Who is your agent and how did you get that "Yes!" out of them?

My agent is Erica Silverman from Trident Media Group. I actually read online that she represented YA, which, at the time she didn’t! I sent her an email query, and she agreed to have her assistant at the time, Alexandra Bicks, read it. Alexandra liked it, so Erica told me she would read it. A few days later she called to tell me she loved it. (I was absolutely ecstatic!) I became her first YA client.

How long did you query before landing your agent?  

For The Exceptionals I only sent out a few queries, but with the other two novels I sent out dozens!

Any advice to aspiring writers out there on conquering query hell?

I absolutely hated writing query letters, and as an attorney I am terrible at them. I write them too professionally! My only advice is to be sincere, and to tell – in a couple of sentences – what makes your book special. What I did learn is that when you’re rejected, it’s usually not your writing that the agent is rejecting; it’s simply that the agent doesn’t think your story will sell. So keep writing, and keep trying!

How did that feel, the first time you saw your book for sale?

Just today I saw The Exceptionals in a bookstore. It was surreal! To see a dream come true in such a tangible way is amazing.

How much input do you have on cover art?

My incredible editor, Pam Glauber and I talked about it several times. We both did not want an illustration, or a photograph. Pam chose Richard Tuschman, who is a very talented artist. He combines drawing and photography in his work. I love the dreamy quality to the cover, and the light between Claire and Ferana, the hawk in the story. But I did not have final approval or say in the cover.

What's something you learned from the process that surprised you?

I was surprised by how important a good editor is. Pam was very thorough and thoughtful. She never told me what to write, but she pointed things out like: I know you need Charlotte for the plot, but she’s kind of boring. Charlotte is a minor character, and I had never given her much thought. Once I thought about her, and her place in the family and at Cambial, she became the annoying, bragging, tattle-tale that she is now. Pam helped me write a far better novel.

How much of your own marketing do you?  

I have a website, and a facebook fan page. I go on them often, and love interacting with readers!

When do you build your platform? After an agent? Or should you be working before?

I think you should focus first and foremost on the writing. Then, look to join some author groups. I am amazed at how kind and generous other authors are. They are so free with their time, advice, help and encouragement. It is a wonderful community, and I am so happy to be a part of it. They will help you figure it out!

Do you think social media helps build your readership?

I am very new to social media – about a month into it – so I’m not sure. I think it will. I would have loved it if my favorite author in high school, J.R.R. Tolkein, (and still one of my favorites, now) had a fan page and website! I would have emailed him all the time!

Interview with Kathleen Peacock

I'm lucky (or cunning) enough to have lured yet another successful writer over to my blog for an SAT - Successful Author Talk. SAT authors have conquered the query, slain the synopsis and attained the pinnacle of published. How'd they do it? Let's ask 'em!

Today's guest is Kathleen Peacock. Her debut, HEMLOCK, takes place in a small town where Lupine syndrome—also known as the werewolf virus—is on the rise. Many of the infected try to hide their symptoms, but bloodlust is not easy to control. When Mackenzie decides to investigate her best friend Amy’s murder herself, she discovers secrets lurking in the shadows of Hemlock. Secrets about Amy’s boyfriend, Jason, her good pal Kyle, and especially her late best friend. Mac is thrown into a maelstrom of violence and betrayal that puts her life at risk.

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Are you a Planner or Pantster?

I used to be what I called a “Three Point Pantser.” I would have an idea for the opening, the ending, and one big event in the middle. These days, I’ve become much more of a planner and typically outline before I start.

Do you work on one project at a time, or are you a multi tasker?

Usually I’m a one manuscript at a time kind of girl, though that will probably have to change as projects will eventually overlap (copy edits on one, outlining another, etc).

Did you have to overcome any fears that first time you sat down to write?

Definitely! There was a long gap after high school when I didn’t write anything other than blog posts, press releases, and user manuals. Plus—and I know, now, that this is silly—I worried about the fact that I’d gone to art school instead of university.

How many trunked books (if any) did you have before you were agented?

I had one trunked collection of short stories. Also, I started two YA books while/after I queried Hemlock that were trunked (one at fifty pages and one at one-hundred-forty pages).

Have you ever quit on an ms, and how did you know it was time?

With the fifty page manuscript, I loved the initial concept (I still do) but I had trouble striking the right tone. It was meant to be a black comedy, but somewhere around page thirty, it ended up being just plain black. I decided to take a break from it to work on a dystopian idea. That one was trunked when Hemlock sold but I’d love to revisit it.

Who is your agent and how did you get that "Yes!" out of them? 

My agent is the awesome Emmanuelle Morgen of Stonesong. I sent her a traditional query (with the first few pages) via email after reading her bio on Miss Snark’s First Victim.

Any advice to aspiring writers out there on conquering query hell?

I’m a big fan of sending out queries in small batches. If you query ten agents and five come back with the same concerns, you have the ability to evaluate and (possibly) address their concerns before querying more agents. Keep track of your queries. You can do this through an online service or by setting up a simple spreadsheet. Have a separate email folder for rejections so that you don’t have to see them every time you open your inbox (I’m actually a fan of having a separate email address just for querying). Be patient. Some days you will feel like a ROCKSTAR, and some days you’ll feel like the first woman eliminated on the season premiere of The Bachelor. Be equally suspicious of either feeling.

How much input do you have on cover art?

The designers at HarperCollins are just AMAZING. I had one or two small request but the final cover is extremely close to the original concept work they showed me. Same goes for Simon & Schuster UK. I’m just in awe of their creative teams.

What's something you learned from the process that surprised you?

How supportive the YA writing community is.

How much of your own marketing do you?  

I have a blog, website, Twitter, and am on Goodreads.

When do you build your platform? After an agent? Or should you be working before?

Well with non-fiction, you probably should start building it before (based on my very limited understanding of that market). With fiction, honestly, I think it’s good to explore social networking early, but I see it less (at that stage) as being about platforms and branding and more about making connections and engaging in conversations. If your goal is publication, you should register the name you hope to publish under on social networking sites as soon as possible. Also, it doesn’t hurt to register your name as a domain (if you can get it).

Do you think social media helps build your readership?

I think so. I’ve met so many incredible book bloggers through Twitter.

Interview with Alison Cherry

I'm lucky (or cunning) enough to have lured yet another successful writer over to my blog for an SAT - Successful Author Talk. SAT authors have conquered the query, slain the synopsis and attained the pinnacle of published. How'd they do it? Let's ask 'em!

Today's guest is a fellow Lucky 13, Alison Cherry. Her debut, RED, is set in a small town where the redness of your hair is directly tied to your social standing, until the coolest and reddest girl in school is blackmailed on the eve of the Miss Scarlet Pageant. Coming from Delacorte in the summer of 2013.

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Are you a Planner or Pantster?

I’m a excessive planner. I have note cards and lists and outlines galore. I find it hard to even start writing a book until I know how it ends. I’m trying to learn to be a bit more pantsy.

How long does it typically take you to write a novel, start to finish?

My first, never-to-be-published book took me three years to write, revise, and polish. My debut, RED, took one year. I like to revise as I write, so my process is pretty slow, but that also means that my finished first drafts are more like fourth drafts.

Do you work on one project at a time, or are you a multi-tasker?

Until this month, I was a monogamous, one-book-at-a-time girl. But now I’m cheating on my WIP with another manuscript in a different genre. Shh, don’t tell.

Did you have to overcome any fears that first time you sat down to write?

Is there anyone who can answer “no” to this question? If so, I want to bake that person a cake. I have to overcome fears every time I sit down to write. What if everything I come up with today sucks? What if my WIP doesn’t turn out to be as good as my first book? What if I’ve used up all my ideas and I’ll never ever be able to write again, ever ever ever?!

How many trunked books (if any) did you have before you were agented?

Just one. I’m mining it for parts right now, so you’ll likely see pieces of it in my second published book.

Have you ever quit on an ms, and how did you know it was time?

I trashed a manuscript after three pages once when I realized the world-building made no sense. I still like the idea, but I don’t intend to go back to it any time soon.

Who is your agent and how did you get that "Yes!" out of them? 

My agent is the astonishingly awesome Holly Root at Waxman Agency. After doing an absurd amount of research, I came up with a list of dream agents and showed it to a good friend who used to be an agent herself. She pointed out a few people she thought would be especially good for me, and Holly was one of those. She was the first one I queried, and she asked for a full right away. But when she read the whole book a few months later, she wrote to me and basically said, “I love your writing and I think this book is awesome, but I also think it’s too quiet to sell. Do you have something else?” I was half finished with a first draft of RED at the time, so I sent her a few chapters. We met up in person a few weeks later, and she told me she was smitten with RED and that I should send her the rest as soon as possible. I could have continued to look for someone who wanted the first book, but after meeting Holly, I knew she was the agent I wanted. So I stopped querying and started writing like a madwoman. Five days after I finished RED—and fifteen months after my initial query—Holly offered me representation.

How long did you query before landing your agent? 

The book I queried first was rejected by 16 agents over the course of nine months. Holly is the only one who ever saw RED.

Any advice to aspiring writers out there on conquering query hell?

Remember that you are not your manuscript; rejections are just business, not personal slights. Also, if an agent turns you down but says she wants to see the next thing you write, she’s not just saying that to be nice. She saw something special in your writing, even if your first project wasn’t right for her. Send her your next book!!!

How much of your own marketing do you?  

It’s way too early for me to start marketing, but I made a website and started blogging recently in order to establish an online presence. Holly also suggested I join Twitter when I first signed with her, and I was very skeptical, but now I’m addicted. I tweet about weird stuff a lot.

When do you build your platform? After an agent? Or should you be working before?

Having a website/blog/Twitter account before you query does help agents find out more about you, but I didn’t have any of those things, and everything still worked out fine for me!

Do you think social media helps build your readership?

Absolutely. My book is at least 17 months from publication, and I’ve already met a number of people at various book events who knew who I was because of social media. It’s always a bit startling when that happens.