Interview with Jessica Corra

I'm lucky (or cunning) enough to have lured yet another successful writer over to my blog for an SAT - Successful Author Talk. SAT authors have conquered the query, slain the synopsis and attained the pinnacle of published. How'd they do it? Let's ask 'em!

Today's SAT (Successful Author Talk) guest is a fellow Lucky13'er. Jessica Corra's debut, AFTER YOU is about seventeen-year-old Camilla Jay who has the power of second chances. She can rewind to any day and relive it, and she remembers everything. A tragedy like the death of her twin sister Madelyn shouldn’t be possible. Camilla rewinds to the same day over and over, but Madelyn dies each time – by her own hand. Madelyn doesn’t want saving. Madelyn’s death allows Cam to finally connect with her long-time crush Wall. As they grow closer, Camilla uncovers a series of writings Madelyn did about her own ability to forward in time. Madelyn believed killing herself was the only way to save Camilla from a horrible fate. Cam’s not convinced.

Are you a Planner or Pantster?

A plantster. I do prework on paper before I type anything, in which I explore character and guess at plots and stuff, and I draw a little plot arc and make sure I know my key scenes. The first thing I do for any story is write a blurb, though, I can’t work on it until I’m happy with my blurb. But once I have those key scenes I just intuitively write between them, and I actually pants my revisions, go figure.

How long does it typically take you to write a novel, start to finish? 

From idea to the end of the first draft, about 6-8 weeks. Each revision pass is another 2-4 weeks. I type really fast.

Do you work on one project at a time, or are you a multi tasker? 

One project at a time, although if I get really stuck, I’ll try switching gears just a little, but I only ever have one primary project.

Did you have to overcome any fears that first time you sat down to write?

Dismay at my overall incompetence and the stench of my previous failure? Seriously, the same fears all writers have: that I don’t know what I’m doing and any minute now they’ll figure it out. That’s more a later stage fear, though, so I’ll add there’s always the fear of not being able to make it happen.

How many trunked books (if any) did you have before you were agented?

Eight? Let me think. AM, CoaAG, P, TDT, TFC, TDB, CT – wait, no, I guess that’s only seven. ☺

Have you ever quit on an ms, and how did you know it was time? 

See the previous question. Those all have completed first drafts. TFC and CT also went through revisions and were queried, but seeing the feedback I knew they weren’t ready for primetime after all and moved on. The ones I didn’t bother revising were either genres I didn’t want to pursue or just plain practice novels. I don’t “know” when it’s time; I just have a feeling.

Who is your agent and how did you get that "Yes!" out of them? 

The Ay-May-ZING Suzie Townsend of Nancy Coffey Literary. I went the traditional query process, but another agent offered before Suzie so there was a bit of a race.

How long did you query before landing your agent?

That depends: I queried one of the trunked books in 2008 and then didn’t send anything out again until 2010, so technically 2 years? Actively, though, maybe six months across three manuscripts. Around 100 queries across three manuscripts, all told.

Any advice to aspiring writers out there on conquering query hell?

I will point you to this post on my blog. You have to believe in yourself before you can ask anyone else to.

How did that feel, the first time you saw your book for sale?

I’ll let you know. But seeing my contract was numbing.

How much input do you have on cover art?

I don’t. I get consultation like most authors, which means I say, “I’m just the writer; make it pretty,” and then I’ll coo over it when it’s done.

What's something you learned from the process that surprised you?

I am not as impatient as I thought. Things go as fast as they go and you can’t make them go any faster, so sit down and shut up. And I get really giddy over the idea of interior layout. Fonts! :squee:

How much of your own marketing do you?

I assume I’ll do a lot of my own marketing, blog tours, guest posts, etc. I’m very out-going and I love meeting people, though, so “marketing” to me just means doing what I already do: connecting with people. I expect to set up a lot of local signings and I hope to go to more cons and things. I’m a people person. I enjoy my blog. I don’t blog about writing. I blog about Deep Things and pretend I am a life coach and sometimes there are photos of food. I tweet up a storm.

When do you build your platform? After an agent? Or should you be working before?

Platform. Sigh. The thing I talk about most on my blog is being yourself. Platform doesn’t really mesh with that. I think you should jump into social media when you’re comfortable and just connect. Don’t think about it as platform-building. Certainly, in terms of marketing, though, you want to be out there as early as possible so you have a built-in following, but it’s all in your motivation. You’re selling something, but you’re not there to sell anything, if that makes any sense.

Do you think social media helps build your readership?

Absolutely. I have discovered some of my favorite authors through social media and made some of my dearest friends the same way, incidentally, so I’m a big fan of social media. No one is going to dispute that word of mouth sells books. Social media is just another form of potential word of mouth. The more enthusiastic your fan base, the more the readership will grow. It feeds itself, really.

Interview with Anne Clinard Barnhill

I'm lucky (or cunning) enough to have lured yet another successful writer over to my blog for an SAT - Successful Author Talk. SAT authors have conquered the query, slain the synopsis and attained the pinnacle of published. How'd they do it? Let's ask 'em!

Today's SAT (Successful Author Talk) guest is a fellow member of Book Pregnant, a group of 30 debut authors across all genres. Anne Clinard Barnhill has been writ­ing or dream­ing of writ­ing for most of her life. For the past twenty years, she has pub­lished arti­cles, book and the­ater reviews, poetry, and short sto­ries. Her first book, AT HOME IN THE LAND OF OZ, recalls what it was like grow­ing up with an autis­tic sis­ter. Her historical fiction debut, AT THE MERCY OF THE QUEEN features one of her own ancestors as the main character. At the innocent age of fifteen, Lady Margaret Shelton arrives at the court of Henry VIII and quickly becomes the confidante of her cousin, Queen Anne Boleyn. But she soon finds herself drawn into the perilous web of Anne’s ambition.

Are you a Planner or Pantster?

Hard question. For my first two novels, which have made a happy home for themselves under my bed, it was seat-of-my pants. I had an idea of where I wanted to go, what I wanted to write about, but mostly, I just plunged in. For AT THE MERCY OF THE QUEEN, I had a mental plan but again, mostly felt my way through the novel. The current one, as yet untitled, has an outline because my editor wanted one and wanted to know I did have a plan.  So now, I'm trying to make more of a plan before I start.

How long does it typically take you to write a novel, start to finish?

Ha! This is another tricky question. I have one under-the-bed-novel I've been trying to fix for at least a dozen years. On the other hand, I wrote AT THE MERCY OF THE QUEEN in about a year, the majority of it in three weeks. I don't have a particular time-frame.

Do you work on one project at a time, or are you a multi tasker?

I usually do one fiction project at a time. Sometimes, I'll add a little poetry in, just to put my mind in a different place. But I stick mostly to one thing.

Did you have to overcome any fears that first time you sat down to write?

I have to overcome fears EVERY time I sit down to write. Can I do it? Can I do it well enough? Will my editor like it? Will I like it? Is it stupid? Am I stupid? Well, you get the idea. I am riddled with doubts and fears, completely neurotic. I think most artists are that way. It's ridiculous.

How many trunked books (if any) did you have before you were agented?

And by trunked, you mean what I call Under-the-Beds? I have two, no, make that three-I forgot the YA fantasy. I think that's it.

Have you ever quit on an ms, and how did you know it was time?

Yes, I have quit on the one I call OPAL. It had an agent once, back in the 90's. The agent couldn't sell it and I decided it was just not ever going to be worth a hoot. I have now moved on and have no more interest in it. When I  no longer felt any affection for it, I knew it was time to let it go. It was the first one I wrote.

Who is your agent and how did you get that "Yes!" out of them?  

My agent is Irene Goodman and we met at the South Carolina Writers Workshop conference at Myrtle Beach, gee, it must have been 2008. I was on the faculty and so was she. We were standing next to each other at the happy hour and she asked me what I was working on. I told her about the Tudor novel, explaining I had just started it. But the really amazing thing was, as we talked, she really knew what I was talking about--she knew the major players, the culture, the whole 16th century. Most people (friends and family) had a sort of dazed look when I talked about Henry VIII and Anne Boleyn but Irene loved the era as much as I did. By the end of our conversation, she'd given me her card and asked for a sample. She loved the sample and we were on our way.

How many queries did you send?  

Well, for that particular book, I didn't ever query. But for my first book, AT HOME IN THE LAND OF OZ: Autism, My Sister and Me (memoir) I queried about 20 agents. Many were encouraging but didn't take the book. I sold the book directly to a British publisher, Jessica Kingsley Publishers. Which is a whole other story, way too long and convoluted to go into here.

Any advice to aspiring writers out there on conquering query hell?

Just keep swimming. Remember the movie, Finding Nemo? The little confused fish, Dorie, says that, no matter what danger approaches. So, I tell myself, just keep swimming. All writers are rejected. You have to persevere. Believe in yourself and in your work.

How did that feel, the first time you saw your book for sale?

Wow! It was surreal, wonderful, exciting, terrifying. Just about every feeling rolled into one. To hold it, to see it, just the best feeling in the world--a dream come true.

How much input do you have on cover art?

For the memoir, I suggested the cover, which is a picture of my sister and me dressed in the same yellow, dotted-Swiss dress my grandmother had made. They took that idea and did beautifully.For AT THE MERCY OF THE QUEEN, St. Martin's did the whole thing and the effect is stunning, if I may say so. I did request they change the gable hood for a French hood, and they did so very quickly. I LOVE my cover!

What's something you learned from the process that surprised you?

I was surprised by how long it takes and by how much I don't know about the process, even now.

How much of your own marketing do you?  Do you have a blog / site / Twitter? 

I have a website where I can blog if I want.  I have not done much blogging but maybe that will change. I have a facebook fan page and I'm on Twitter. My son set it up so when I write on my FB page, it shows up on twitter. I never check it--I really don't 'get' the twitter thing. 

When do you build your platform? After an agent? Or should you be working before?

Hmmm. I don't have a natural platform--I think of a platform like, if I were a psychiatrist and I wrote some sort of self-help book, my professional experiences, clients, peers, etc, would be my platform. I visit a lot of awesome Tudor sites: theanneboleyfiles, on the Tudor Trail, Queen Anne Boleyn, the Tudor Tutor--there are many more as well. I enjoy learning and exchanging ideas on these sites.

Do you think social media helps build your readership?

I really don't know. I suppose it helps, though I'm not quite sure how. I think if you write the best book you can at the time, trying to make it as perfect as you can at that time, you'll do okay. Someone told me most fiction books do not make back their advance--I find that scary but also freeing in a weird way. I try not to worry too much about readership (don't get me wrong; this is a constant problem for me!) and get on to the next project, immerse myself in the writing. After all, that's why I started--I love to write, a tell stories. If I can keep that focus, all will be well.

Submission Process Talk with Nancy Bilyeau

Today is a special day because I'm welcoming fellow Book Pregnant member Nancy Bilyeau to the blog! I may write YA and be covered in it up to my neck in the 40/wk, but I read everything. Historical fiction is one of my fallbacks when I need a good read, and I'm fortunate enough to have quite a few writers of that genre in the Preggers group.

Nancy Bilyeau is a writer and magazine editor who has worked on the staffs of InStyle, Rolling Stone, and Ladies’ Home Journal. Her debut novel, The Crown, is set in Tudor England. It took her five years to research and write her historical thriller before selling it in an auction to Touchstone/Simon&Schuster. She was born in Chicago and grew up in Michigan. Now she lives in New York City with her husband and two children and heads to The Cloisters at the Metropolitan Museum of Art whenever humanly possible. Find her on Twitter, Facebook, and her web site.

How much did you know about the submission process before you were out on subs yourself?

I’ve worked as a magazine editor for years, and at two of them—InStyle and Ladies’ Home Journal—I was the books editor, buying excerpts and selecting books for coverage. So I knew something of the business, but I did not know essential facts about it. I didn’t know that a book could not be bought without the approval of an entire editorial board, for example. I was under the impression it was up to the editor. Nope.

Did anything about the process surprise you?

A lot of things surprised me. I think what startled me the most was when I read some of the “passes” that my agent filtered to me. Even at that phase, it's still very much whether or not the reader is connecting with your material.

Did you research the editors you knew had your ms? Do you recommend doing that?

I did a little Googling but book editors don’t give many interviews so it’s hard to get a feel for them through research. I think it’s fine to give it a shot but the agents are the ones who know the editors and if you don’t trust your agent’s ideas of who to send the book to, then you are not in a good writer/editor partnership.

What was the average amount of time it took to hear back from editors?

About three weeks. My agent had early interest so he called people back and gave them a deadline. There was an auction for The Crown.

What do you think is the best way for an author out on submission to deal with the anxiety?

Gosh, I wish I knew. I find any kind of waiting difficult. But I tried to remember a phrase a screenwriting teacher had for us—“Stay frosty.” That was my motto.

If you had any rejections, how did you deal with that emotionally? How did this kind of rejection compare to query rejections?

I felt hurt and defensive but tried not to dwell on it. One editor said, “I want to like this more than I am liking it.” Ugh. The people who did respond well to the book said very nice things so I focused on the positive. I found a rejection from an editor more painful than when trying to get an agent.

If you got feedback on a rejection, how did you process it? How do you compare processing an editor’s feedback as compared to a beta reader’s?

My agent said if we see the same criticism a lot then it is something that must be paid attention to. But we didn’t. Some loved the opening and disliked the middle. Others weren’t crazy about the opening but liked it when the thriller plot kicked in more.

When you got your YES! how did that feel? How did you find out – email, telephone, smoke signal?

I had three “yes’es” so there was an auction. When my agent emailed me that Trish Todd got the book, I was ecstatic. I jumped up and down; I called my husband and friends. I walked the street that day in a daze.

Did you have to wait a period of time before sharing your big news, because of details being ironed out? Was that difficult?

I had to wait maybe a week. That is when the news went out of Publishers Marketplace and everybody was in the know.