An Interview with Alison Gutknecht

I'm lucky (or cunning) enough to have lured yet another successful writer over to my blog for an SAT - Successful Author Talk. SAT authors have conquered the query, slain the synopsis and attained the pinnacle of published. How'd they do it? Let's ask 'em!

Today's guest for the SAT (Successful Author Talk) is Alison Gutknecht, author of the MG title DON'T WEAR POLKA-DOT UNDERWEAR WITH WHITE PANTS (AND OTHER LESSONS I'VE LEARNED) which will be available on November 12th from Aladdin. And on a side note, I have to say this look absolutely hilarious and I'm buying it for my middle school library right now.

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Are you a Planner or Pantster?

I am a planner, but I’m not super-strict about my own plan. I do a chapter-by-chapter outline of a book before I begin it, but the outline only consists of one-sentence summaries per chapter. This way, I know what I have to accomplish in the chapter before I sit down to write it, but if the outcome turns out differently, that’s okay.

How long does it typically take you to write a novel, start to finish?

When I’m working on something, I write a chapter a day until I finish a first draft, which I then revise at least five times on my own. I’ve completed all first drafts within a month, but the revision process can vary widely in terms of timing – anywhere from another couple of weeks to months or even years if I end up placing the manuscript on the backburner for a while.  

Do you work on one project at a time, or are you a multi tasker?

One at a time, if left to my own devices. I like to finish something completely before moving on.

Did you have to overcome any fears that first time you sat down to write?

There is a lyric from Sunday in the Park with George which I love: “Anything you do, let it come from you, then it will be new. Give us more to see.” I think it’s important to remember whenever you start something new that you are the only one on the planet who can tell the story in your particular way.  Stop agonizing over the result and just write it, and then, make it the best that you possibly can. Because the writing itself is the only part of the process that is unequivocally yours to control.

How many trunked books (if any) did you have before you were agented?

None which I would have considered trying to get published.

Have you ever quit on an ms, and how did you know it was time?

I’ve never quit on a first draft, but I’ve sometimes put aside second or third drafts if I didn’t feel that they were getting better with the subsequent revisions. Sometimes a little distance from the piece can eventually show you how to “fix” it.

Who is your agent and how did you get that "Yes!" out of them?  

Charlie Olsen from InkWell Management is my agent, and I found him the old-fashioned way: cold querying. I had actually queried another agent at InkWell, who passed my submission onto Charlie, and I am forever grateful that she did!

How long did you query before landing your agent? 

I had been querying for about three months before signing with Charlie.

Any advice to aspiring writers out there on conquering query hell?

I think it’s important to remember, no matter where you are in the writing process, that you just have to keep going. Anytime I received a rejection on a query, I would wallow for about one minute, and then I would send out another one. A quote that I found heartening at the time is “Don’t be discouraged, it’s often the last key in the bunch that opens the lock.”

How did it feel the first time you saw your book for sale?

It doesn’t hit the shelves until November 12th, so I haven’t seen it physically on sale yet. But few things have made me happier in the past couple of weeks than receiving “reviews” from young readers at the elementary schools I’ll be visiting, who have received preview copies of the book. Their comments all help to remind me why I wanted to write for kids in the first place.

How much input do you have on cover art?

Simon and Schuster chose the illustrator for the series, Stevie Lewis, and she has done an amazing job at capturing the spirit of Mandy Berr, both on the cover and in the chapter illustrations. I was asked for my opinion on the cover, but thankfully, I was pretty happy with the polka-dot underwear peeking through the white pants from day one!  

What's something you learned from the process that surprised you?

I think that especially when you write books for kids, there is a certain “mystique” around the authors who you yourself loved growing up, and this idolization is something which you never quite get over. So when you grow up and you see the passion that these authors, along with all of the behind-the-scenes people who had worked on their books with them, have for their work, it makes you realize exactly why you were so passionate about their books as a child, and why you care so much about writing today.

How much of your own marketing do you? 

I have my own website, along with a Facebook author page and a Twitter. Also, months before my publication date, I began reaching out to local papers in the Philadelphia/South Jersey area, which is where I grew up, along with arranging various school visits and two book launch parties in both New York City (where I live now) and in Philadelphia. I tried to get a head-start on as much as possible, because book releases are stressful enough without having to scramble with logistics at the last minute!

When do you build your platform? After an agent? Or should you be working before?

I think it’s a matter of personal preference. I did not create a public website, Twitter, Facebook, etc. until after I had a book deal, but I already knew how to use the social media sites, which at least made the learning curve a little less steep.

Do you think social media helps build your readership?

It probably depends on who your target audience is. For the most part, young elementary school students are not on social media sites regularly, but their parents are. But in general, I think everyone needs to do what they’re comfortable with, because any sort of promotion only works if it is something you truly want to be doing – that’s the only way it will come across as genuine.  

Interview with Alison DeCamp

I'm lucky (or cunning) enough to have lured yet another successful writer over to my blog for an SAT - Successful Author Talk. SAT authors have conquered the query, slain the synopsis and attained the pinnacle of published. How'd they do it? Let's ask 'em!

Today's guest for the SAT (Successful Author Talk) is MG author Alison DeCamp, whose debut, My Near-Death Adventures (99% True!), will be available in 2015. I've only read the first few pages, but I love it like only pre-teen girls are allowed to love things. Alison has a grown up bio, but instead of using it I'm going to use her requests for what she'd like her bio to sound like: Alison Decamp would like to sound reasonably intelligent and funny and like someone who has long legs and hair that doesn't frizz. Also, she works out a lot.

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Are you a Planner or Pantster? 

I wish I had invented the term “Plantser,” because it’s so great! And pretty much what I do. I can outline, but it changes at least 5 times from start to finish because ideas come up as I write that I never could have anticipated.

How long does it typically take you to write a novel, start to finish? 

I thought I had finished LumberStan (or whatever it ends up being called) at least three times before I actually even figured out (with lots of help from my agent) what the actual climax is AND the main character’s true dilemma. That being said, from start to finish, probably 10 months. I thought I was done in December after starting the book in September. Then I added 10,000 more words. And then I thought I was done. And then I signed with Sarah and added 15,000 more words, subtracted 5,000 and somehow ended up with around 43,000 words. And I’m still not done. (Also, why are my answers always so long?)

Do you work on one project at a time, or are you a multi tasker? 

Just like I can read 2 books, 3 magazines and anything else in print (including toilet paper packaging and cereal boxes) all at the same time, I can work on different projects at the same time. The voice sometimes carries over, however, from one work to another, so I have to be careful about that. Or else my 8 y.o. girl MC sounds suspiciously like my 11 y.o. boy MC.

Did you have to overcome any fears that first time you sat down to write? 

I really felt like I had nothing to lose. I wasn’t sure I could write an entire book, however.

How many trunked books did you have before you were agented? 

Technically, none, although I have unearthed old SASEs from the time when you would send queries directly to publishers. They were picture book ideas. I had no idea what I was doing and they were really bad.

Have you ever quit on an ms, and how did you know it was time? 

I quit every manuscript I ever write probably 15 times throughout the process. And then I pick it up again. But since this is the first “real” book I’ve ever written (not counting “Old King Harriss and the Three Trolls”—the evil character’s name was Bloody Eye, which was in NO WAY referencing your little pencil accident—which I wrote when I was 10), the short answer is “no.” But I have had ideas I’ve quit on.

Who is your agent and how did you get that "Yes!" out of them? 

Sarah Davies of The Greenhouse Literary Agency is my most excellent agent. She’s also the agent of one of my closest friends and critique partners, Kate Bassett, so prior to signing with her I got to see how she works with her clients and was so impressed with her editorial process and insight. I must have told Kate how lucky she was to have Sarah as her agent at least once a week. (She agrees, by the way). I actually waited to query her until I was 85% sure I was going to get an offer of representation because I really didn’t want her to say no. Then I sent her the query and two days later an email letting her know I had an offer of representation. She loved the voice of my MC and I signed with her the following week.

How long did you query before landing your agent? 

I started querying in January 2013 and signed with Sarah in March. It seemed A LOT longer than that during the process, however. Days in the query trenches are measured in dog years, right? So I think that’s equivalent to 4 years. That’s more what it felt like. And right before my first offer of representation I had gotten a rejection that left me literally with my head in my hands saying, “What am I doing? Why am I putting myself through this?”

Any advice to aspiring writers out there on conquering query hell? 

I had four offers of representation, BUT I had at least 40 rejections and even the week that I signed with Sarah I got an email from an agent who had my full; all it said was that my writing wasn’t strong enough. It’s so very subjective. I know everyone says that, but that’s because it’s true. I think during the process you need to be humble enough to listen to people’s critiques (especially if you get helpful feedback from an agent—that’s a huge bonus, so don’t downplay it. I never got a rejection that said, “Hey, this isn’t quite working for me, but send me something else!” So if you get encouragement, it’s because you’re doing something right). And if something isn’t clicking with agents, rework your query, get help from others, enter contests, reach out to the community because YA/MG writers are amazingly supportive.

How much of your own marketing do you?  

I have had blogs in the past, but mainly when I was making glass beads and jewelry, so the audience is not quite the same. As it gets closer to the time when my book will come out, I’ll get a blog up and running. I like blogging. For me it’s an easy way to write without the major commitment of an entire book. I’m also on twitter as @aliyooper (a “Yooper,” by the way, is someone born in the Upper Peninsula of Michigan—the U.P.), and I check twitter a lot, but don’t always post things. I’m afraid of not being funny.

When do you build your platform? After an agent? Or should you be working before? 

I think having a platform at any time is valuable. I simply am not very good at promoting myself, so I’ve been waiting until I actually have something to promote.

Do you think social media helps build your readership? 

I think social media can help build readership. I know I have bought books simply because of Twitter buzz. But I don’t think it’s absolutely necessary.

Interview with Lisa Creswell

I'm lucky (or cunning) enough to have lured yet another successful writer over to my blog for an SAT - Successful Author Talk. SAT authors have conquered the query, slain the synopsis and attained the pinnacle of published. How'd they do it? Let's ask 'em!

Today's guest for the SAT (Successful Author Talk) is Lisa Cresswell, author of HUSH PUPPY. A native North Carolinian unexpectedly transplanted to Idaho as a teenager, Lisa learned to love the desert and the wide open skies out West. This is where her interest in cultures, both ancient and living, really took root, and she became a Great Basin archaeologist. However, the itch to write never did leave for long. Her first books became the middle grade fantasy trilogy, The Storyteller Series. Her first traditionally published work, Hush Puppy, is now available from Featherweight Press.

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Are you a Planner or Pantster?

Total planner – outline evangelist. I cannot seem to finish anything without an outline of where I’m going.  An outline is like Peter Pan’s magic feather to me. I have to have one to fly.

How long does it typically take you to write a novel, start to finish?

It takes me a long, long time because of lots of reasons, but I’m getting better. To give you an idea how long Hush Puppy took, I wrote the initial outline and first few chapters just before my son was born. He’s seven now.

Do you work on one project at a time, or are you a multi tasker?

I used to work on one at a time, but the more ideas I get, the more I find that I must multi-task to some degree. Even then, some projects get higher priority than others based on my goals at the time. I might outline a book when I get a new idea and set it aside for a while until I have time to start writing it.

Did you have to overcome any fears that first time you sat down to write?

Not fears really. I’ve certainly had frustrations when my writing wasn’t as eloquent or polished as I wanted it to be, but I’ve never been fearful. My biggest fear is no one will read what I write!

How many trunked books (if any) did you have before you were agented?

I don’t have an agent actually. I’ve never had any luck with agents, so I started approaching small presses that were willing to give me a chance. And I don’t have any trunked books really. If they are, it’s because I never finished them.

Have you ever quit on an ms, and how did you know it was time?

I guess I have quit on one manuscript, but it was my first attempt. I didn’t have a good outline and I felt overwhelmed. I think I could go back and write it now if I wanted to. That’s the thing about me. I don’t throw anything out, so I can always go back to it.

How did it feel the first time you saw your book for sale?

Shocked.  My publisher told me the release date was August 30, but I discovered the e-book for sale on line on August 19.  I’m still not sure what happened. Maybe the retailers got it posted sooner than planned? After waiting so long for publication and expecting to wait even longer, I was delightfully surprised to find out I didn’t have to wait anymore.

How much input do you have on cover art?

A lot actually. Featherweight Press sent me some draft covers, which inspired me to respond with some other ideas I had. Lucky for me, they took my suggestion and made it the cover.

What's something you learned from the process that surprised you?

I was surprised to find out how many folks expect free books from you!  I’ve approached several local bookstores about hosting signings and carrying my book locally, and they all expect a complimentary copy for their review first.  If you want library journals to read and review your book, you have to send them free copies. And almost all of these folks want print copies. They haven’t moved into the digital age, for whatever reason, so there’s a fair amount of expense for the author involved.

How much of your own marketing do you?  Do you have a blog / site / Twitter? 

Featherweight Press is very small and I am expected to do all the marketing for my book. Basically, they get it to the retailers and I do the marketing. Knowing that up front, I started researching book marketing early.  I had a blog that I didn’t write much for and I knew I needed to “get with the program”, so I invested in a professional website and blog. It was a significant expense, but I knew I didn’t have the skills to make the site look the way I wanted by myself. After that was in place, I got in the habit of blogging more often and set up a blog tour for the book. I love twitter, so I do plenty of promotion there and on Facebook. I’m even on Goodreads and Pinterest.

When do you build your platform? 

I would start now, wherever you are in your career, with a blog at the very least. There are so many social media outlets now it’s easy to become overwhelmed. You need time to figure out which ones you enjoy using the most, that fit your writing style.

Do you think social media helps build your readership?

It’s a bit too soon to tell. My audience is teens and I can pretty much guarantee you the majority of my friends and followers on social media are adult writers.  Some of them may read young adult fiction, but most are out there to promote their own books, just like I am. I look at social media as a way for my readers to find me online if they want and I hope that they will. I’m working now on ways to get my book into school libraries where I hope to reach more teen readers than I currently reach on social media.