Thursday Thoughts

Thoughts lately...

1) Why do we instinctively cover our mouths when frightened / astonished / scared? When I was watching Breaking Bad last week my hand went to my mouth in the first ten minutes and half an hour later it was still up there, making my lips sweat. Boyfriend's theory is that it's a primitive self-defense "shush myself so predators don't hear me" move.

2) Is there such a thing as a fat bat? There are so many bugs this fall that I wonder if there are any bats sitting around with bloated bellies, unable to achieve flight.

3) I accidentally shut a frog in my door the other day. I can't say for sure when this happened because I didn't notice until a few days after the fact. Me being me, I had to investigate. It looks like he was trying to come inside the house, which made me yell at his corpse, "What were you thinking?!?! Now I have guilt!!"

Wednesday WOLF - Pig-Headed

I've got a collection of random information in my brain that makes me an awesome Trivial Pursuit partner, but is completely useless when it comes to real world application. Like say, job applications. I thought I'd share some of this random crap with you in the form of another acronym-ific series. I give you - Word Origins from Left Field - that's right, the WOLF. Er... ignore the fact that the "from" doesn't fit.

Our interesting word origin for today comes complete with a legend, and kings, and swine! We all know that being bull-headed means that you're a very stubborn person, but being pig-headed means that you're.... well, kind of a jerk and always want to get your own way. I'm totally fine with being bull-headed (and freely admit to being so), however, being pig-headed is a different story.

So where does it come from? Interestingly, I thought this one would be fairly simple but I had to do some digging, and I'm not entirely confident on the sources for this one. But like a true writer I like the story so much I just feel like sharing it.

My research led me to two different references to a legend from the Middle Ages set in Indonesia. The story goes that there was a king who could enter a meditative state so deep, that his head could be lopped off with a sword, then placed back on his neck without any detriment to himself. It was kind of his thing, and he like to show off a bit.

So, one day, his servant lopped his head off, but it rolled rather far away and could not be found. Apparently there's a time limit on unconscious-head-reattachment, so the servant quickly decapitated a pig and tossed that on the body so that the king could reanimate himself.

But when he did he was totally pissed.

He had the servant killed, but he was stuck with the pig head, and spent the rest of his life kind of being a pretentious jerk about it. So - lesson learned - don't encourage people to chop your head off.

Cover Talk with Vivi Barnes

Today's guest for the CRAP (Cover Reveal Anxiety Phase) is Vivi Barnes, author of OLIVIA TWISTED (Entangled Teen), a contemporary re-imagining of Oliver Twist, debuting November 5.

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Did you have any pre-conceived notions about what you wanted your cover to look like?

Yes. I’m not exactly a graphic designer, though, so what I had in my head would probably make designers roll their eyes. My friend Jen suggested the binary code in the background, since the Monroe Street kids are hackers, and that kind of stuck with me (and ended up on the cover). I originally thought I wanted just to have the image of the girl on the front, maybe with the house on Monroe Street in the background or something. Maybe with a backpack next to her. And a set of school lockers. And a laptop. And a locket. And…

Okay, see? I don’t have the eye for this. At least I didn’t wish for Comic Sans font, so maybe there’s some hope for me.

How far in advance from your pub date did you start talking covers with your house?

As soon as I signed, I received a lovely welcome packet from the publisher, and part of that was a form for cover art. It was rather lengthy, asking not only what I envisioned, but other covers I admired, books I’d compare my book to, things I definitely didn’t want (I think I pretty much asked for no naked people). I was surprised at how lengthy the form was.

Did you have any input on your cover?

Definitely! One of the wonderful things about Entangled is that they ask for author input on the cover design. Besides the extensive cover art form I filled out, they sent me the draft of the cover from the designer. That was my opportunity to request changes or approve. And I loved it! It had the look and feel of Olivia Twisted. There was a change to the guy model on the cover (and believe me, the guy we landed on is totally Z), but Kelley York (multi-talented designer) completely exceeded my expectations.

How was your cover revealed to you?

Via e-mail. I was so nervous, and I had just finished lunch with a friend when I got the cover. I spent the next minutes on the phone with my agent discussing it. Then my agent gave mine and her feedback to the publisher. It was a pretty amazing, surreal experience.

Was there an official "cover reveal" date for your art?

Oh, yes! We had so many wonderful bloggers sign up to do the big reveal in March, and we did iTunes gift card giveaways, too.

How far in advance of the reveal date were you aware of what your cover would look like?

I received my cover “draft” about a month before my reveal date. They went through tweaks and such, then set up the cover reveal with bloggers, so it took about a month. But they had it to me about nine months before the book debut, so I thought that was really fast.

Was it hard to keep it to yourself before the official release?

Um…yes. A printout of my cover might’ve accidentally landed on my desk at work. You know, so I could stare at it all the time (which is kind of what I did). And my husband and closest friends had to endure me showing them over and over and over.

I hate keeping my own secrets!

What surprised you most about the process?

That they actually listened to what I wanted. I had heard horror stories about authors and their covers, but Entangled really works with their authors to give them covers that make them proud.

Any advice to other debut authors about how to handle cover art anxiety?

Sometimes you have in your head exactly what your cover is going to look like (whether you realize it or not), and when you first see the cover, your first thought might be to criticize (“This isn’t the guy in my book!” “The colors are too bright!” “I wanted red font instead of gray!”).

The best way to handle it is to look at it, then step back, wait a little while, open it up and look again, rinse and repeat. Let it soak in. Give yourself a day or two, then gather your thoughts and provide them to your agent/editor/cover designer. And trust that the publisher knows what kinds of covers sell.