Kanchan Bhaskar on The Healing Process of Writing

By Kanchan Bhaskar

I never considered myself a writer or had the urge to become one. Although, I have always been an avid reader of both fiction and non-fiction. I am fascinated by writers’ courage and admire the expression of their thoughts and feelings but could not fathom the driving force that made them hold a pen and paper in their hands to build their narrative. 

My children have pushed me for years to write my story and get it out there. It was not until my therapist Leslie told me I needed to share my compelling story of transformation from a victim of domestic abuse to a survivor. “Become their advocate, Kanchan. They need you”. I teared down and hugged her, standing in her embrace for good thirty seconds. And she failed to hide her emotions too. Writing my story and reaching out to people in adversity became my core purpose, my mission. 

On my way home from the clinic, I called my three children one after the other, “Mom is ready to write.” They were thrilled to hear the eagerness in my voice. I came home fully energized and inspired. I straight away routed to the garage and looked for the box labeled Kanchan’s notes, loosely filled with written legal papers, inked in napkins, post its, papers from notebooks turned yellow bearing my emotions and mental thoughts scribbled on them throughout my years of agony. I picked up the box and brought it to my patio. I then moved my writing desk to the patio, opening up into a nicely trimmed lawn with pine trees, facing a church, across the road surrounded by mature oak trees which brought in soulful vibes.   After all, I needed an environment to write. Isn’t that the way authors bring out their thoughts? I had to follow their practice to become a writer, I kiddingly smiled to myself. However, my patio is my favorite space in my whole house where I spend most of my time, after work and on weekends. 

I was all set to take off-blank sheets from my printer, my surface pro, although my first draft was to be on paper, and a set of my preferred black ink gel pens.  After chronologically arranging the papers from the box and sketching the framework, I started to write. It came as a surprise and a pleasant revelation that I had the flare to express. I was astonished and enthused in the same breath when I read back the pages voicing my emotions on paper. “I can do it,” I said to myself. However, putting out my tumultuous journey of living in the imprisonment of an angry, alcoholic and violent husband was going to be treacherous.  I was trapped under his control, power and sadist behavior-solitary, isolated and alone for years. But, my commitment to writing kept me going day after day, page by page, diving back to my deep embedded hurt, which I believed was gone, that I had moved on, turned out to be not true. I realized it was going to be a tough jaunt, tougher than I had envisaged. 

It brought back the remnants of the torture and suffering, transported back the symptomatic, physical, mental and emotional pain in my body. It was a roller coaster ride, soaring high in the sky one moment, bringing a smile of joy, hope, desire, tenacity and empowerment of the times when I got free, turning into moments of loud shrieking noise coming from my heart with the downward spiral reminding me of the gory episodes, the torment and distress, the depressive spells and the silent agony.  I went through a period of PTSD. But the core purpose of writing my story, sharing it with the world, and reaching out to people of domestic violence did not deter my spirit from writing. I was as relentless now as I was when building the ramp toward my freedom along with my three children, who were casualties of the gruesome environment. 

Reaching out to people was my only mission and there was no stopping me. I was needle focused, generating chapter after chapter. There were times when I had to take short breaks- walk in the nature or meditate to remain sane and centered. Then, I had to take a couple of longer breaks to come out of the PTSD spell, and overcome writer’s block. I took a vacation to Munich, Germany and Vienna which I always wanted to do. Hallstead was my favorite in that trip, setting serenity and calm in me. I felt inner happiness and sensed the true healing enrapturing me. I recognized writing my narrative of distress and pain were going to cure my crushed heart and soul which it seemed had not yet completely healed. 

I had just suppressed my pain in the wake of moving on and enjoy my newly found freedom. Now, I allowed myself to create more space in my heart and brain for acceptance and forgiveness to keep working on the core purpose of my life. I came back from my retreat full of exhilaration and warmth in my heart to begin the chapters where I had left. In the previous chapter, I had already escaped and survived, protected my children and brought them to a safe place. I had to complete a few more chapters of my life. My journey had not stopped after coming out as a survivor. Now, I had to live my life and catch up for the days lost. I had freed my body but there was more healing to be done to free my mind and soul. Thus the journey towards spirituality began. 

Faith in universe had taught me orderliness follows chaos, peace follows war and joy is not far behind suffering. I had a firm belief joy will come in my life someday, one day. I read spiritual books, listened to podcasts and interviews of spiritual gurus and learned men. Met and talked to seekers, like me. Mindfulness, surrendering to anger, greed, lust, attachments, and ego were some of the fundamentals of spirituality that touched my inner self. While writing the chapter, “Rekindling my spiritual journey”, I reminisced, how I gained my inner strength, humility and gratitude. How serenity and tranquility brought me to clearly see and admire the rising orange ball from the east side of my house, stillness in the trees, the white swans gliding in the infinite sky, the water falls, the star studded atmosphere, the ever changing shapes of moon. I could once again laugh at jokes, and move my body at the turning on of music. I had come full circle with a regained identity, dignity and close to my bare Self-Who I was. The choice to write my memoir was the wisest decision I took. I feel fully recovered and healed now.  

Kanchan Bhaskar (Kan-chan Bhas-car), an Indian-American, is a first-time author. She holds a Master's Degree in social work and a certificate in life coaching. She is also a certified Business Coach. Being a successful Human Resource professional, her expertise is in training and mentoring. She is a certified advocate, speaker, and coach for victims and survivors of domestic violence. Kanchan lives in Chicago. Learn more about Kanchan on her website: kanchanbhaskar.com

The Saturday Slash

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A work of upmarket fiction, EKPHRASIS is an empathetic novel about art, inspiration, and love that arrives too late. It will appeal to readers who enjoyed Sally Rooney's Conversation with Friends and Lynn Steger Strong's Want. I have to say that generally I tell queriers to put this information - title, genre - at the bottom, but I love the phrase "love that arrives too late." I think it could be a wonderful hook. I am a little leery of calling it an "empathetic" novel, mostly because you're not stating genre here and "empathetic" isn't a genre.

Wynonna Nichols is not an artist. She just recreates the world's great masterpieces for fun after her two little girls go to bed and her husband retires for the night to grade papers. But when she abruptly becomes the sole breadwinner and her boss at Austin's newest art museum learns her secret talent, Wynonna is flung into the spotlight as the star of wholesome videos where she imitates the paintings on screen. This is really good - you've captured a lot by saying a little - she's a mom, she's married to a teacher, life seems a little boring. I don't have any fixes for you here, although I do think you could use a slightly stronger hook, I don't think what you have is weak, by any means though.

Thrown by its immediate popularity, Wynonna can't believe the climbing view count as she slowly falls for her videographer, Julien, a local who cannot stand the changes to his city. Changes like what? Does Wynonna agree? Are they bonding over this? Their chemistry becomes the key to the videos' success, and as their audience rises out of control, not sure about the wording here, as an audience isn't something you could control anyway they find themselves careening toward one another. This is just a statement that might show my ignorance on the matter, but would a videographer be on screen for the audience to see him interacting with W?

For the first time since graduating college, Wynonna finds herself consumed with passion, both for her work and the people around her, but while the world takes notice, fame takes its toll. Millions of strangers adore her, but remorse threatens to destroy everything she loves when she finally gives in to the affair. While her morality wanes, her success grows—articles in Vogue and free trips to Italy, Julien by her side. Where's the remorse coming from? How torn is she? Does she love her husband? Is this an "I love them both?" or is it "I am in love with one and have duties to another?" I'd just like to know more about what exactly she's balancing, as well as how the kids come into it.

Forced to pick between her idyllic life of finger-painting was her life idyllic though? The first para makes her sound mildly bored at home. I think in order to feel the urgency of the choice, we need to know what's being weighed on each side and the all-consuming fervor of Julien, Van Gogh, and Klimt, Wynonna's life spirals out of her hands.

EKPHRASIS is complete at 83,000 words and ready for your consideration.

I am a fourth-generation Austinite with an MFA in screenwriting. This is my first novel.

You don't mention a genre, which is important. This could be a paperback romance, this could be a literary midlife crisis. What does Austin have to do with anything? You mention Julien's issues with it changing, and your own attachement to the city, so it feels like it's important, but I'm not seeing a lot of reason why in the query. Overall this is really well written, we just need a touch more info about what's at stake, and mentioning a genre would be good. I know your comp titles are doing a lot of work in that arena, but a genre is a must.

Setting Guardrails with Love

Some of the most poignant daily struggles that I have faced as a young writer-mother are the mornings. If I wanted to live my first-choice life, I needed to get ahead in my books in the first hours of the day, before anyone required my energy for anything else. If I woke before the light to do what nourished me, nothing could upset me. It gave me a full day’s immunity to negativity: a shield. By starting my day with writing, exercise, and solitude, I felt impermeable, calm, effective. I felt like my best self.

I would prepare: set my alarm, go to bed early, lay out my clothes—so I could out-wake my children, the earlier the better, and have a quiet two hours to myself to write. But they bested me daily, always in the most loving ways. I’d tiptoe, silent cup of tea in hand, at 5:30 a.m. to my desk—and the huge-diapered, pajama- footed baby would smell me and toddle over, big smile, ready to start the day. I started waking earlier: 5:15, 5. There felt something metallic and unkind about pushing back into the fours, but sometimes I did it anyway.

I thought of my ancestors—coal miners and ranchers—and how this was their morning time to push back into the hard, unforgiving rock or to tend to their hungry animals. Hoping this day would not swallow them. I am lucky, immeasurably lucky, to get to do work I choose (writing) in a place (home office) and time (early morning) of my choice. But I could not seem to get up early enough to do my work—my first-choice activity of what makes me feel whole and happy—before the day and its many demands took over. And as Joyce Carol Oates has observed, “The great enemy of writing is being interrupted by other people. Your worst enemy will have your most beloved face.”

Focusing on writing before spending the day focused on my household felt like the obvious, necessary guardrail—especially since my husband had a more regular daytime work schedule— but I had to stage some ways to make it work. None worked all the time, though each one worked sometimes; I jostled between them.

One was asking my husband to be on morning duty. He always said yes, but morning duty meant different things to us. I felt it necessary to acknowledge our children at the threshold of their waking and offer some form of love. My husband, on the other hand, felt it necessary to sleep past six, so this whole battle went on during his unconscious hours. If I sent the babies to him, they’d return like boomerangs to me.

The second was the most inspired. It was to set up their own desks in my office, complete with art supplies and snacks, and to try to initiate them to the truth that morning is an excellent time for projects, with its own gravitas and its own treats. We even tried using a timer for “work time.” This worked to delight the child and buy me a few minutes at intervals.

The third was to find a coffee shop that opened at 6:00 a.m. This worked every time!

So I bandied among these three, always wrapping by 8:00 a.m. so I could lavish attention on my children for a few minutes before school (my husband took them to school, I picked them up).

And then, to my amazement, the seasons changed and my daughter was no longer my early morning companion—she had learned to sleep past seven—but my son still was. And then suddenly both were sleeping heavy, long nights and no longer desiring to wake early and hang with me. Which, in the dizzy way I remember all things about early parenthood, I found myself missing.

But I have a souvenir from those seven years of trying and failing daily to out-wake my household: I still wake early and write most days before doing anything else. This guardrail enables me to live a full life during the daytime hours—showing up for my kids’ school events, collaborating with other artists, teaching a full course load of writing workshops, seeing friends, going for hikes and spontaneous dates with my husband, and tending to the day as it unfolds.

This souvenir ties me forward to my babies—my catalyst for becoming an early morning writer—and backward to my ancestors, who woke early for their own reasons of survival. I still try to write ahead in my book before anyone speaks my name.

And what is left of our work—if we are lucky, and I mean really lucky—is ourselves.

Elisabeth Sharp McKetta teaches writing for Harvard Extension School and Oxford Department for Continuing Education. She is the author of ten books, including the novel She Never Told Me About the Ocean. Her shorter works have been published widely. She delivered the 2019 TEDx talk “Live Like a Poem.” Elisabeth lives with her husband and two young children.