The Saturday Slash

Slash.png

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

Carson’s plans to spend the summer inside and alone are dashed against the rocks by a single word—divorce. This is a good hook in that we immediately understand a few different things - Carson's personality (a summer inside and alone?) and what the obstacle is. My only caveat is that we'll need to see what change is occuring within him as a result.

While his parents sort everything out, thirteen-year-old Carson and his little sister are sent to live with their eccentric grandmother in the Florida Keys. Next thing he knows, he’s reluctantly snorkeling with sharks and saving his harebrained sister from being swept out to sea. So here is a good example - how is this different from his normal life of being inside and alone? It clearly IS, but what kind of change is taking place and how does he feel about it?

The mangrove swamp around his grandmother’s house serves as a refuge for juvenile wildlife much like his grandmother’s home is a refuge from Carson’s battling parents. good comparison here, but the sentence itself is a little awkward. You can use "her home" without repeating "grandmother" but find other ways to tigthen this up a bit. Outside the safety of the swamp, an invasive species of starfish is devouring the reef and steadily creeping closer to the one place that was supposed to keep Carson and his sister safe. but the threat isn't to them, is it? It's to the wildlife... maybe link the thoughts by illustrating his growing connection to nature, which can also serve as an opportunity to note his further growth and change.

Like the stars are eating away at the reef, Carson’s doubts what kind of doubts? Is it more like just anxiety or sadness? about his family eat away at him. So he decides to put all of his energy into saving the reef. Which is a good thing, because, in the end, Carson, his sister, and their newfound friends are the only ones capable of saving the mangroves from destruction. Why? It's good to see them at center stage, but what about them is so special that they're the only ones that can do this?

Summer of the Sea and Stars is a contemporary middle-grade novel complete at 42,000 words. It will appeal to fans of Ali Benjamin’s The Thing About Jellyfish and Celia C. Pérez’s Strange Birds. The book utilizes a unique setting and a cast of LGBT, neurodiverse, and BIPOC characters to showcase a myriad of family structures and the urgent effects of climate change. This is great, but I think the friends might need more than just a one line shout out if you want to illustrate the diversity fo the cast. Even one line about meeting new people would be good.

My writing won national awards for young writers from YoungArts and Bluefire in 2019. I have written for both literary and environmental magazines and won the national Kay Snow Prize for Nonfiction. Additionally, my passion for the outdoors and time working for the National Parks and Forest Service makes me uniquely suited to write about an invasive species and how to combat it. Absolutely fantastic bio. You need a few tweaks here and there, but this is looking good!

The Saturday Slash

Slash.png

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

It’s dangerous to be a sorceress in a place where magic is a crime. Good hook! 15-year-old Tatiana (Tana) Definitely pick one name and go with it has never seen the world beyond her village on the island of Kisiwa. Her past is a giant question mark, her parents are lost to her memory, and her only link to them is a strange amulet she’s had since birth. Though Tana longs to run away to the distant mainland, far from her drunken uncle and their decrepit farm, she can't risk losing her only home. But when an assassin murders her uncle, Tana flees the island and finds herself at the center of a crazed sorcerer’s insidious plan. With a bounty on her head, she scrambles to uncover the ugly truth about her amulet and save the only people she trusts.

While this is well-written, you're suffering from the same issue that an earlier Slash had - you're being too vague. You've got a name and an island, but there is nothing else here to differentiate this story from any other number of fantasies that deal with a lost past, a found hero, and a villain. Why is her uncle murdered? What is the ugly truth about the amulet? Why is magic a crime here? A query needs to not be a tease. You're not trying to get an agent to wonder what will happen next - that's for a reader. For an agent, you want to show them why they want to represent this book. In other words, what make this different and unique from every other fantasy query they had in their inbox this week that deal with these same tropes - a lost, special child, a murky past, and a destiny that can't be avoided.

The Lost Heir is book one of a YA fantasy series, complete at 70,000 words. This novel would interest readers who loved J.K. Rowling’s Harry Potter and John Flanagan’s The Ranger’s Apprentice.For comp titles, it's better not to use really big names. Everyone wants to think that they will be the next Harry Potter, so it's overused. I’m 16, and I live in Santa Barbara, CA where I am a student at Laguna Blanca Highschool. For the last five years, I’ve written various versions of this novel, though I’ve never submitted it for publication. I also review YA books for the Santa Barbara Independent; for example, this is my most recent review (https://www.independent.com/2020/07/20/review-hafsah-faizals-we-hunt-the-flame/). Also, I participated in a Stanford Pre-Collegiate creative writing course in the summer of 2019.

It's great that you are serious enough to pursue a pre-collegiate program, but I don't know that I would share your specific age, or student status. I would instead let the work stand for itself, and see if it garners interest. Of course, if they should request to see pages, or a full manuscript, you should be up front about your age. I don't think it can necessarily hurt or help you either way, but I don't know that it merits mention in a query.

The Saturday Slash

Slash.png

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

Impulsive 17-year-old Kyla has lived in the underground caverns bordering the Adara Desert for as long as she can remember. Interesting, I'm immediately curious as to why above ground isn't an option, however I don't know if it's a strong enough hook. Confined underground, she finds her independence the only way she can- by escaping to the desert surface whenever her mother isn’t looking, spurred on by incredibly vivid dreams that seem to be more than just the creations of her mind. I think you need to explain the dreams, and if they are that vivid and moving, perhaps they should be the hook.

When she is discovered on one of those forays, Kyla and her people are captured and transported across the desert to the mountain city, the same one that her people Echo with "her people" had escaped from nearly two decades ago. Why did they escape? What were they running from?

Fugitives to a cause Kyla is only just beginning to understand, which is kind of a problem because I don't actually understand it either, and I think I need to in order to buy in to the idea Kyla finds herself sentenced to theft she didn’t commit, and thrust into imprisonment in the dangerous mines. Trapped in the darkness with criminals of all types, Kyla barely escapes the first night with her life. Again, this is murky. She and her people are captured for some reason that I'm not clear on, then returned to a city they left for a vague reason, and then she's accused of a crime she didn't commit? Right now you're being too vague, so that plot points feel arbitrary.

But when Kyla finally emerges from the mines, the reunion she has been searching for turns deadly, where Kyla has to learn what family truly means in order to find, and unleash, the source of her power. Same problem, it's too vague to be compelling. I didn't know that finding out what family truly means was part of the plot, and I had no indications that she had a power until the very last line.

SPINNING DREAMS is a YA fantasy novel complete at 85,000 words. It will appeal to fans of Laura Sebastian’s ASH PRINCESS trilogy or Tracy Banghart’s GRACE & FURY. I graduated from the University of Reno, Nevada with a degree in journalism, which helped fuel my career as a website copywriter. In the rare moments when I am not writing, you can find me at the park with my dogs.

Good comp titles and good bio, but right now the body of the query is technically sound, while being so vague as to not pique my interest. I assume the dreams are important, since that's the title, and probably tied to her power... but the query itself gives no indication of that whatsoever. You've got to be bald-faced in a query, not leave things to be discerned.

Right now this just reads like - there are good guys, and some bad guys, and some unfair things happen, and this girl is special. Which, honestly that could be any YA fantasy. Get those specifics in there to show what about yours is special and different.