Thursday Thoughts

Thoughts lately:

1) We've talked before about outdated universal hand signals, which fired another synapse in the BBC brain. When we want to silently signal to someone to stop what they're doing (talking on the phone, misbehaving, irritating us, etc) we tell them to cut it out by drawing our hand across our throat in a slashing motion. What we're actually saying to them is, "I'm going to kill you."

2) If you walk on the beach long enough, you get a free pedicure. Just an FYI, everybody.

3) The ride inside the Epcot ball ends with a view of Earth from space and a fantastic array of stars. On my second spin I was trying to figure out if they were accurately placed. Hard to do since I've never seen the night sky from a non-Earth angle. However, since Epcot is a science based place, it'd be pretty damn ironic if they weren't.

Interview with Amy Reed

I'm lucky (or cunning) enough to have lured yet another successful writer over to my blog for an SAT - Successful Author Talk. SAT authors have conquered the query, slain the synopsis and attained the pinnacle of published. How'd they do it? Let's ask 'em!

9491739.jpg

Amy Reed was born and raised in and around Seattle, where she attended a total of eight schools by the time she was eighteen. She eventually graduated from film school, promptly decided she wanted nothing to do with filmmaking, returned to her original and impractical love of writing, and earned her MFA from New College of California. Her short work has been published in journals such as Kitchen Sink, Contrary, and Fiction. Her Young Adult novel CLEAN has been described as “The Breakfast Club in rehab." You can read my review of CLEAN here.

How long does it typically take you to write a novel, start to finish?

BEAUTIFUL took me about two years, CLEAN and my third book, CRAZY (coming out next summer), took me one year each. I think the next one will take closer to two years.

Do you work on one project at a time, or are you a multi tasker?

I focus on one project at a time, but new ideas are always popping in my head and I’ll write a lot of notes to follow up on later.

Did you have to overcome any fears that first time you sat down to write?

The fear of failure is always there. I’ve gotten better at turning it off, but sometimes it’s still really hard.

How many trunked books (if any) did you have before you were agented?

BEAUTIFUL was my first attempt at a novel, but I have a few short stories that never got published.

Have you ever quit on an ms, and how did you know it was time?

I’ve quit on short stories plenty of times. I knew it was time when I stopped caring about my characters.

Who is your agent and how did you get that "Yes!" out of them? 

My agent is the wonderful Amy Tipton at Signature Literary Agency. I sent her a traditional blind query and she responded really quickly with a request for a full manuscript. I think I got such a quick response because I mentioned in the first sentence that we went to the same MFA program. It was a very small and unique program (Writing & Consciousness MFA, now at California Institute of Integral Studies) and I was pretty sure we’d be soul mates based on the fact that we both went there.

How long did you query before landing your agent?

In retrospect, I think I got really lucky and got to avoid a long depressing experience for the most part. I sent around a dozen queries to adult lit agents before I realized my manuscript was YA (an agent kindly informed me of this--I honestly had no idea!) Then I queried a total of two YA agents, and received interest from both of them pretty quickly.

Any advice to aspiring writers out there on conquering query hell?

Do A LOT of research. It’s a waste of time to query agents who aren’t interested in the kind of work you do, and it can be demoralizing to keep receiving those rejections. Find out who represents the writers you admire (and hopefully resemble) the most. A great way to do this is by checking out the acknowledgments in your favorite books. Each agent has very specific guidelines; follow them perfectly. Don’t assume you’ll be sending each agent the same letter or packet. And finally, be patient. They get really annoyed when you start calling after a week asking if they’ve read your manuscript.

How did that feel, the first time you saw your book for sale?

It was surreal. It’s still surreal. It’s hard to believe I have achieved a dream I’ve had since I was a little kid.

How much input do you have on cover art?

Very little. My editor sends me drafts and give feedback, but ultimately it is always up to the publisher. I work in publishing too, and authors meddling in their cover design is kind of a running joke in the industry. Cover designers are professionals who understand how to combine design and marketing. Authors do not often have this expertise.

What's something you learned from the process that surprised you?

How kind, supportive, and generous the YA community is, how humble and down to earth YA authors are. I feel very lucky to be in their company.

How much of your own marketing do you? 

A lot. I’ve done a lot to build relationships with bloggers, and I’m active on Facebook and Twitter. I also have a website/blog that I update mostly with news about my books, etc. I tried blogging for a while, but decided I’d rather spend my precious writing time actually writing books.

Do you think social media helps build your readership?

Absolutely! Since my main audience is teenagers, it makes sense that I would reach them where they are: online. YA is totally centered around the social media community, especially bloggers. I think bloggers do more for YA books than probably any traditional media outlet. It’s such an incredible grassroots community that has been built by readers themselves. I really credit bloggers for spreading the word about BEAUTIFUL and CLEAN. I absolutely love them! I can’t thank bloggers enough for their support.

Critique Group Case Study - The Critecta

Finding the special someone(s) who can complete your writing life is a lot like finding the special someone in your love life - damn hard. Where can you find these excellent people? How do you know when it's a good fit? What should you look for in a critique buddy? And what do you have to offer?

Our little trio met when we serendipitously crossed paths over at AgentQuery Connect, and we quickly discovered that ours was the kind of chemical balance you only find in a room full of professionals wearing white coats. We may all three end up in a room very much like that one day, but that's besides the point. Together, we're going to triple-team the concept of our Critecta—the guest poster here on my blog today is RC Lewis, sharing her approach to our trio.  You can read my post on From the Write Angle, and Caroline is on RC's blog, Crossing the Helix.

My Plan of Attack:

Whenever I read (even published books), there are certain things that make me pause, and in a critiquing situation, leave a comment.

Positives:
(1) It makes me laugh.
(2) It makes me cry.
(3) It makes me think, “Sheesh, why can’t I write like that?”
(4) It surprises me (in a good way).
(5) It makes me think, “MUST TURN PAGE. READ MORE NOW!”

Not-So-Positives:
(1) I’m confused.
(2) I’m annoyed/frustrated.
(3) I’m bored.
(4) I’m jarred out of the story.

#4 in the Not-So’s is an interesting one. It can come from style/voice issues, structure choices, or—thanks to my OCD—technical nitpicks. Depending on the critiquing situation, I may not point out every technical boo-boo, especially if they’re rampant. (Those situations usually get a broad statement of, “Be careful with your commas,” or similar.)

With the Critecta, though, I’ll point out anything I find. Often teasing them about it. (I only wish I’d been the one to first spot Mindy’s “lip floss.”) If it’s clearly a typo and not a tricky grammatical concept they might struggle with, I’ll just offer an “Oops!” and a smile. I know they’re not idiots, and they don’t really need me to belabor the difference between its and it’s.

Occasionally I’ll offer suggestions, but mostly point out what throws me, and (if possible) why. They’ll find a way to fix it with their voice and style, and if they’re not sure, we spitball some ideas.

My Co-Conspirators:

I’ve also gotten awesome feedback and help from larger critique groups and random beta readers. So why are these two my go-to gals? We’re huge fans of each other’s work, yet are able to be blunt and honest with each other, without hurting anyone’s feelings. More specifically, we feel like we’re roughly at the same level of know-how, but with different strengths and weaknesses to complement each other.

Caroline is our queen of Contemporary YA. The characters’ emotions radiate off the page, and she can vividly describe a setting without droning on. She won’t let me skimp on my own characters’ emotional reactions, and she brings a very human element to writing that my analytical brain doesn’t always come to naturally. Since she’s not big into science, she can also call me out when I go too heavy on the geek.

Mindy is mega-versatile. One novel is full of funny, while another is a gritty, stark dystopian. Being a school librarian, she reads like some people breathe, and she’s more of an intellectual than she might let on. She’ll catch subtexts and themes, letting me know if my threads are weaving together properly. She also wields the Hatchet of Excess Wordage Death. (I’ve renamed that hatchet at least five times.)

And that’s why it works. Mindy can put in comments about killing my excessive eyebrow-raising with a sniper rifle, and instead of thinking I’m a crap writer, I’m laughing as I make changes. I don’t recommend highlighting phrases and noting “Kill it!” over and over with someone you haven’t established a rapport with yet.

We're no longer limited by geography, and while some people do prefer a "physical" critique group to meet with, there are wonderful online resources where you can perhaps cross paths with that perfect partner. AgentQueryConnect offers a friendly, open forum where you can talk out your fears, discuss the market, and get query reviews. QueryTracker is a free service you can use to track your query rates, and read other user's comments regarding agent response time. Ladies Who Critique is a new service that operates much like Match.com, but for women looking for women to read their stuff. And as always, industry and book blogs are great grounds for meeting like-minded individuals.

Do have your own Critecta? (Or duo, or quartet, or whatever...) How did you find them? What’s your process, and why does it work for you?