The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

Seventeen-year-old Cameron Sloane, despite what the Tremont High principal declares, knows he isn’t brave for coming forward to say his algebra teacher acted in a “sexually inappropriate” way. Cam knows he lied. I had to look at this a few times, wondering at the wording. Of course he knows he lied. In fact, he had to. It was his only option. If not, Shauna, his best friend, could have gotten hurt. We need to know how his actions protect Shauna, becuase right now I don't see a connection between their narratives, and someone making false accusations like this is not going to have the sympathy of the reader. He'll need to have a REALLY good reason. Also, your original wording wastes space. You'll need to be concise in a query.

First-year teacher Brad Miller desperately wants the nightmare of the false accusation to end so he can get back to teaching algebra, a career his father rejects as being second-rate. When his principal pulls him out of his classroom, Brad suffers another panic attack, which he’s tried to hide from everyone, especially his students. When the sweat and tremors come, the principal sees guilt. Brad, in turn, sees his career and life ending. In general, narrators in YA need to be teens. There are some exceptions, but they're rare and it is usually established authors taking that leap. Also, this doesn't read as a narrative arc for Brad, just a scene - does he take any actions? What is his role in the story, other than being the unjustly, panicked, accused?

Shauna Lange, one of only four Black girls in the school, wants out of Tremont High. Like right now! Actually, she wants out of Tremont, Ohio after being targeted by classmates. a group of teenage racists. Not happening, her parents tell her. Turn the other cheek, they say. No way, Shauna responds. Changing the wording here a little bit for the sake of being concise. The fact that she's the only back girl implies that the target comes from racist, and using "classmates" insinuates that they are teens as well. Unless they stop harassing her, she’s going to find out who these bullies are and stomp them, she doesn't know who it is? Assuming it's classmates, then? Also, she's going to literally attack them? What's her narrative here, other than getting angry? Does she have a plan? Is she asking questions to figure out who it is? despite Cameron’s pleas to let him handle it. But again, how in the world would Cam's accusations help Shauna? I see no connection.

Cameron, Brad, and Shauna share the role of protagonist in What He Said, a stand-alone, realistic YA novel of 90,800 words. Chapters shift from each character’s point-of-view as the story moves to its ominous resolution. You're going to have to be more clear about how these stories intersect to create a plot, and what the arc is for each character, as well as what's at stake.

I am seeking representation for What He Said, my contribution to YA fiction that deals with racism and homophobia. Although Cameron, Brad, and Shauna are separated in so many ways at Tremont High, the events in What He Said ultimately connect them in ways they never expected. We need to see those connections in the query body itself, and understand how this forms a cohesive narratove. Cut this para entirely and get the connections into the query, instead of stating they exist here.

Racism in school hallways and sexual misconduct by teachers aren’t new. Television and the internet seem to report regularly about hate crimes and the inappropriate relationships between teachers and their students, but how often do news sources reveal later that the accusations are false? A teacher accused of such conduct rarely gains any sympathy in the media, and Brad Miller is no exception. Again, this isn't part of the query, and makes it seems like the adult protag has more weight in the story than your teen narrators, which isn't a good move.

Previously, I published my debut novel My Last Year of Life (in School) (Black Rose Writing, 2015) and ten nonfiction books, including Writing Smarter (Prentice Hall, 1998) and The Elite Wrestler (Coaches Choice, 2020). I am also a veteran English teacher who was named Ohio’s High School English Teacher of the Year in 2000.

Awesome bio!! Cut the irrelevant paras, get the cohesive narrative into the query and you're looking much better!

The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

Eighteen-year-old Andie Shore is finally old enough to audition for the reality TV show I Can Dance!, which she’s dreamt of competing on since she was nine. I don't know if we need quite that much detail. The word "finally" above tells us she's been waiting a long time She convinces her older sister Piper to audition too, even though Piper gave up dance two years ago for college and her controlling boyfriend. Phrasing a little awkward here - she gave up dance for college, but did the boyfriend push her to give up dance? The way the two are paired here just comes off a little awkwardly Andie needs her sister because only Piper can help with her debilitating stage fright—the kind that makes Andie nauseous, breathless, and all around a total mess. Getting Piper away from her boyfriend for a few weeks is a bonus.

But while everything is easy for Piper, Even after being away from it for so long? who doesn’t even care about winning, Andie struggles from the moment the judges say, “cue music.” Failing her first audition, injuring a fellow contestant, and that annoying voice in her head saying she’s not good enough, are just a few things Andie never planned for. Worse is getting partnered with Tae Kim—the technically perfect ballet dancer she accidentally jabbed in the nose. Andie can’t stand Tae, and Tae can’t stand Andie. Unfortunately, all of Canada can tell. Unless they find their connection, there go the votes. So she failed an audition and is still in the show? This might need clarification

As the choreography each week gets tougher, the internet haters get meaner, and her hatred Echo here with "haters / hatred" for Tae turns to something else (something definitely not allowed on the show), I'd strike this simply b/c it doesn't make a ton of sense. Romance between contestants is always a plus for a reality show, and you don't have the space to explain why that's not the case for this show in the query Andie’s stage fright only gets worse, and not even Piper’s support Is Piper still in the running? can help anymore. She’s one switch-split away from cracking under the pressure. But if Andie doesn’t win I Can Dance!, she’ll lose her only opportunity for a professional dance career. Worse, she’ll never prove to Canada, to Piper, Does she have to prove it to Piper? Her sister seemed liked nothing other than supportive until this line and more importantly to herself that even with her issues, she’s good enough after all.

A lot going on here, and for the most part you balance it well. In the first para Piper's b/f comes up twice, then is lost completely. I'd argue for striking him from the query, if he doesn't play into the plot enough to appear again later. Piper's involvement in the show isn't mentioned past a certain point either, even though you infer that P is better than A to begin with, so is she still in the running? The romance is a little lost as well, since it doesn't seem to play into the plot much more than just as an awkward sidebar. If it's inimical to the ending and climax, get that in there. Some tweaks and clarifications, but overall you're looking pretty good!

The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

Separate Seating (100,000 words) is women’s fiction. It can be compared to the work of Naomi Ragen, Ruchama Feuerman, Deborah Feldman (Unorthodox), and Tova Mirvis (The Ladies Auxiliary); and to the Netflix series Shtisel. I tell everyone to start with a hook, not their data. Everyone who is querying has a title, word, count, genre, and comp titles. Start strong with what only your have - the hook for your book!

Three friends travel together to Rome to uncover a forbidden love story in Cinecitta, the city of cinema and a former D.P. camp. However they can't escape the painful choices awaiting them back home in Jerusalem. Whose love story is it? Why is it connected to all three of them? Why are they expressly traveling there to look into it? Why is it forbidden? Also, this is my ignorance showing, but I don't know what a D.P. camp is. What are the painful choices, and how are they related to the love story? Right now this is very vague, which isn't going to gain points.

Following her grandmother's death, betrayal sends Shulamit spiralling away from the ties of family and community, as she investigates her secret Roma heritage. What was the betrayal, and why would it drive her to look into her heritage?

Batsheva is single minded in her quest to be a perfect mother, until a medical diagnosis forces her to face an impossible decision: should she abort her baby? Again, why would this drive her to go on this trip? And what is the connection between these three? Are they friends / family?

Noa is smart, ambitious and determined to be the dedicated wife of a Yeshiva student. A workplace romance makes her question her heart's deepest desires. But what does that have to do with this trip? How are these women's stories connected, and how do the stories connect to the trip?

Set in the Ultra-Orthodox Jewish community of Jerusalem, Separate Seating explores the conflict young women face in Israel's Ultra-Orthodox community, when age-old laws meet the modern world. But again, what do those laws have to do with these three stories, and the trip?

I am a Ultra-Orthodox writer, software architect, and mother of four. I hold a master's degree in Computer Science. My work has appeared in: Tablet Magazine, Mishpacha Magazine, The Times of Israel, and other publications.

Great bio! Right now everything here is too disparate to feel like it connects together to create a cohesive novel. You'll need to tie the women together in the present, their stories to the trip, and the entire concept to how their faith is conflicting with modern womanhood.