The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

Fate cannot be avoided. This principle at the base of Greek tragedy is the leit-motiv Are you going to be using phrases like leti-motiv within the book itself? If not, don't use it here. The voice, flow, and feel of the query should be similar to the book itself luring Not sure of this word use... do you mean lurking? at the background of “THE WEAVING SEA”, a 98,000 new adult, that's a pretty high word count for a debut new adult. 85k is considered high end for that age category. I would try to get that down before querying mythology retelling I like to call “The Iliad meets the Little Mermaid”. Quick note, punctuation like periods or commas go inside of the quotation marks, but also - you don't need the quotation marks.

At “almost-seven-years-old” Not sure why this is in quotes, but also, if this is new adult, why does the story start with him at 7? Opening the query this way makes it seem as if we're going to be spending quite a bit of time with a 7 year old version of the character Achilles is a mischievous and curious child who’s always lived in the sea with his godly mother, Thetis, determined to shelter her son from the mortal world and gives him his rightful place among the gods.

But Achilles longs for the adventure, wishes to become a hero and above all wants to meet his estranged father.

And the more Thetis tries to keep him in a gilded cage, the more he tries to escape.

In the end, some things are simply bound to happen, like Achilles’ meeting with Patroclus and the his? love for him, no matter the troubles and misunderstandings along the way.

Right now, this is just reading as a summary of the story of Achilles, and a pretty bare bones one at that. You need a lot more detail, and more importantly, you need to exhibit how your version does something different than the original - or any other retelling since then. This is currently way too vague : there was a guy who had a helicopter mom, he got away from her and fell in love, and faced trials along the way, but that's fate. There's nothing specific to your manuscript here, and only speaking in generalizations isn't doing you any favors. I also don't understand how The Little Mermaid would come into this.

Classicist at heart, I had a classical formation in a specialised high school and then proceeded to graduate in Economics for Arts, Culture and Entertainment.

Born and living in Northern Italy, I have been honing my writing craft for the past 10+ years, writing fictions both original and in the fandom ambience. Not sure about the word choice here In 2011 I won a prize in a literary contest. That's cool, but you definitely need to state which one.

The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

Nessa Bailey wants revenge on her brother’s killer. The only trouble is, she’s in love with him. Nice... so you clearly understand what a hook is and how to use one. Well done.

Seven years after the suspicious car accident that killed Silas and sent hmmm... so, we don't know who Christian is. We can kind of assume that he's the "killer" but I think it needs clarification. Was Christian driving? Suggested rephrasing ... and sent the driver - Silas' best friend Christian - or, if it was a two car accident and Christian was driving that car, simply refer to him as "the other driver" to prison, Nessa’s life is stunted. I think I need to know more here. Is she just unable to move past it? Is she fixated? How is it stunting her? Despite her complicated emotions, Why are her emotions complicated? Was she already in love with Christian at the time of the accident? Also, the way this is written, it sounds like the emotions referred to are the therapist's, not Nessa's her therapist's solution is simple: face Christian upon his release and forgive him. Again, I think we need more about this accident. An accident is called an accident for a reason - why was it suspicious? What is Christian jailed for, exactly? Manslaughter? Drunk driving? Only, instead of apologizing, Christian stonewalls. How? Insisting upon his innocence? Again, the details surrounding the car accident need to be given just a little bit more room. And instead of forgiving, Nessa takes a golf club to anything within swinging distance. Including him? The next line makes it sound like this was in public, and she got into legal trouble. More please.

This earns her community service alongside Christian, which she sees as an opportunity to exact revenge.How? And does it play out? The cost doesn’t matter; anything is better than shouldering the guilt of never avenging Silas. But when anonymous letters appear on her doorstep, Nessa discovers that more than her precarious mental health Is her mental health precarious? I don't think that's completely clear here, minus the golf club mention. What's her situation? Is she working? Living in her parent's basement? Hospitalized? How bad, exactly, is her mental health? Can she function? is on the line. Someone other than Nessa and Christian has vested interest in the accident, and they will do anything to make sure she stops digging. And what does that mean for the two of them? Are they both in danger? Do they both have a vested interest in finding out who this is, or why they did what they did? Would it clear Christian's name? What's his stake in this? Are they thrown together, and made to work together to find the solution? Does her "revenge" plan for him come into play at any point? Is she still in love with him? Is that blooming again? How does that feel? How does he feel for her?

THE LOVELIEST THINGS THAT STILL REMAIN is a 77,000-word contemporary romance But... it also feels like there's a mystery / thriller angle told through dual POV and timelines. If this is dual POV, then the query should be as well, to an extent. One para for Nessa, one for Christian. Also... dual timelines meaning the present, and the past, leading up to the incident? I wasn't getting that out of the query, at all. If Every Summer After married Forever, Interrupted and went to therapy, you’d have my book.

Before crying myself through writing this book, I authored missing "a?"standalone Divine and The Separation Trilogy, then appeared in First for Women Magazine and Chicken Soup for the Soul. I also write romance novellas under the pseudonym Tesla Storm. Your bona fides for the articles in magazies / collections are solid. If you don't have good / many reviews for your other titles, I wouldn't mention them When I’m not writing, I teach high schoolers as a trauma-informed educator. And when they’re not giving me scathing (if honest) critiques of my outfit choices, they are good company lol. Yah. I substitute and once had a fifth grader inform me I had on too much foundation

The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

WOMAN IN THE PAINTING is an upmarket, dual-era romantic fiction with elements of magical realism, perfect for book clubs. Melding the sexy, playful humor of Christina Lauren’s THE SOULMATE EQUATION into the grand worldbuilding of THE INVISIBLE LIFE OF ADDIE LARUE, the happily-ever-after will appeal to anyone who wonders whether soulmate is more than a metaphor.

My first reaction has always been that your hook should come first - not comp titles or genre. Every querying author out there has comp titles and a genre. Start with what only you have - your hook, for your book.

Like me, Jude Christensen is half-Filipino, an art lover, and an unabashed Anglophile. Don't bring yourself into the body of the query. You can allude to your identity with the MC in your bio, but here is the place to focus on the fiction, the book itself. Also, you need a bigger hook than just describing your main character. Since acquiring an unsigned 19th-century portrait, the Seattle curator dreams he’s a Regency-era gallant in love with the bewitching Philomena, the woman in the painting. You might want to clarify "dreams" here. Is he actually asleep and dreaming, or is this a daydream / obsession? Obsessed with unmasking the secret artist to determine its value and perhaps make sense of his increasingly complex dreams, Jude is drawn to Philomena’s descendant, Dr. Marielle Heathcote, who has her same haunting eyes. It's a little more clear now that we are talking about actual dreams, but I think you might want to clarify sooner, to avoid any confusion. Also be careful with the use of the word "obsessed." By nature it has negative qualities attached to it, so it throws a certain shadow on the narrative - unless that's what you want. It's question of whether this interest is healthy or unhealhty.

Marielle is reluctant to sell her family’s treasures, but heirlooms are all she has to stave off bankruptcy. From Seattle to England, she and Jude embark on a romantic affair fueled by a shared zeal for art, literature, and solving the mystery of the painting. What is the mystery of the painting? And what does her financial situation have to do with it? Why are they on a road trip? How are all these things connected? Marielle’s chilling night terrors and regression therapy reveal an impossible Georgian-era love triangle. Forgotten journals from Heathcote Hall expose the painter to be Philomena’s husband—but he’s not the same man Jude sees with Philomena whenever he closes his eyes. Yet, Jude refuses to believe in past lives. So is this what they are doing with a road trip? I'm confused about the triangle. Philomena and her husband, but then also a third man that Jude can see... but it's not Jude? I thought he dreamt he was a gallant trying to romance Philomena?

To understand the gut-wrenching connection between Philomena, the disgraced father of her child, and his charming, steadfast friend who secretly loves him, Marielle and Jude must open their hearts to the possibility that this is not the first time they’ve fallen in love. I'm confused about who is who in this narrative, and how it relates to the modern characters. Told through the eyes of four characters in two parts: Part 1, His Other Half (the male gaze) and Part 2, Her Other Half (the female gaze) have alternating timelines and point-of-views. My debut novel is 122000 words and is the first of a planned “Soul Group” series. I would definitely state it's alternating POV's but you don't have to get that into the weeds with how it will be structured in a query. Your word count is way too high for a debut - you need to get it below 100k, and I would also do you best to get it in a place where you can pitch it as a stand alone with series potential.

In September, WOMAN IN THE PAINTING won third at the Pacific Northwest Writers Conference and is now a finalist in Romance Writers of America’s Romance Through the Ages contest. Since 2013, I’ve edited more than fifty novels and curated five anthologies. A member of the Jane Austen Society and Pacific Northwest Writers Association, I live in Washington State. My own whirlwind English fantasy came true thanks to actor Henry Cavill when we sipped champagne together atop the London Eye. True story. You can Google it

lol, I like the bio. I'd get the allusion to your own identity into that para, as well.

Right now I'd say your biggest problem is that I'm not really sure what the goal is. Figure out who painted the painting? What it's worth? Which one of them is someone else from the past, and if they've been in love before? Right now, it's got a nice romantic, historial and mystery vibe, but I don't really see what the obstacle is. Is there a threat from the past that can damage their current love? What is the goal and what is the obstacle?

As you can see from my above comments, I'm also a little in the weeds about the tangled identities. I think you might need to present it in a more simplistic way.