An Interview with Jeyn Roberts & A Query That Worked

I'm lucky (or cunning) enough to have lured yet another successful writer over to my blog for an SAT - Successful Author Talk. SAT authors have conquered the query, slain the synopsis and attained the pinnacle of published. How'd they do it? Let's ask 'em!

Jeyn Roberts (pronounced Jen - the Y is silent) grew up in Saskatoon, Saskatchewan, and started writing at an early age, having her first story published when she was 16 in a middle-grade anthology called LET ME TELL YOU.

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When she was 21, she moved to Vancouver with dreams of being a rock star, graduating from the University of British Columbia with a degree in Writing and Psychology. For the next few years she played in an alternative/punk band called Missing Mile before moving to England where she received her MA from the prestigious Creative Writing graduate course at Bath Spa University. Jeyn is a former singer, songwriter, actress, bicycle courier and tree planter.

An avid traveler, she’s been around the world, most recently, teaching high school in South Korea.
A lover of animals, Jeyn volunteers regularly with helping abandoned and abused animals, especially cats.

Jeyn's YA title DARK INSIDE will be released by Simon & Schuster 1 Nov 2011.

SAT authors have conquered the query, slain the synopsis and attained the pinnacle of published. How'd they do it? Let's ask 'em!

Are you a Planner or Pantster?

I just go with the flow. Usually my idea starts tiny and grows from there.  I almost never know the ending of my stories when I start writing them.

How long does it typically take you to write a novel, start to finish?

Three to five months.

Do you work on one project at a time, or are you a multi tasker?

I try to stick to writing one project at a time but it’s rare that I’m thinking about just one project. With my last novel, I had three other ideas competing with my brain at all times. It gets a little crowded inside the brain sometimes.

Did you have to overcome any fears that first time you sat down to write?

Not usually.  But recently, since working on my sequel to DARK INSIDE, I’ve been having a lot of nagging doubts that this book will be terrible compared to the first one. But I think that could just be the paranoia of the ‘second book’ syndrome.

How many trunked books (if any) did you have before you were agented?

Four. Two of which I’m still working on, two of which I’ve chalked up as learning experience.

Have you ever quit on an ms, and how did you know it was time?

Not since I’ve started taking writing seriously. When I was a teenager, I started new books every day.

Who is your agent and how did you get that "Yes!" out of them?

My agent is Julia Churchill from The Greenhouse Literary Agency. I got her the old fashioned way, I queried her.  A year ago she had turned me down after requesting a full on another novel. Although she gave me a no then, she left enough of an impression that I queried her again with DARK INSIDE.

How long did you query before landing your agent?

Julia was the first person I queried. She requested to read the book and signed me within twenty-four hours.

Any advice to aspiring writers out there on conquering query hell?

Always get advice on your query before you send it out. There are a lot of great websites that offer query help so take advantage of them. The query letter is harder than writing the novel; don’t be afraid to take advice. Be open-minded. Most writers query before they are ready. Be patient. Expect rejection. Don’t give up. All it takes it that one ‘yes’.

How did that feel, the first time you saw your book for sale?

The book isn’t out until September (UK) and November (USA/Canada) but I’ve had some pre-sales so far. It was pretty amazing to see that Amazon rank go up.

How much input do you have on cover art?

To be honest, when they sent me the cover art, I was so blown away by how amazing it was, there was no need to ask for any changes. But if I had truly hated it, they would have worked with me to find something more suitable.

What's something you learned from the process that surprised you?

I’d learned a lot about the publishing industry when I did my MA in England so I knew a lot about the process. But I do think a lot of writers are surprised at how long it takes to get a book out into the public.

How much of your own marketing do you?

I’m on Twitter, Facebook and Myspace. And my UK website has just launched.

When do you build your platform? After an agent? Or should you be working before?

That’s a tough question. I’ve seen people with options all across the board. With me, I waited until the book deal was announced.  I wanted to wait until I felt I had something that was good enough to push to an audience.

Do you think social media helps build your readership?

Absolutely. But it doesn’t have to come from the author. It’s really the fans that matter. They’re the ones who are the most important and no writer should ever forget that.

Jeyn was awesome enough to share her Query That Worked with me.  Read it and you'll know why she was signed within 24 hrs. of sending it.

In the moments before a worldwide disaster—the Baggers are awakened. 

On the first day Mason’s mother dies. Then the earthquakes shatter the West Coast. The Baggers stir and the killings begin. In just three weeks, mankind is on the edge of extinction and the last remaining survivors are still being hunted. 

Mason learns quickly there are no friends in this new world. In an attempt to escape his guilt, he travels across the country where he meets Aries, Clementine, and Michael. He knows he shouldn’t trust them but he’s drawn into their circle. Together in an abandoned tenement they will do whatever it takes to stay alive. But someone will betray them, a friend who doesn’t want to kill but can’t ignore the darkness inside. 

Writing WisDUMB with Michelle Simkins

I'm madly writing the sequel to NOT A DROP TO DRINK, so some of my ultra-helpful talented e-friends over at AgentQuery took me up on an invitation to guest post here on the blog.

My first guest is Michelle Simkins (
M_Simkins to AQ'ers), who runs a wonderfully eclectic blog over at Greenwoman and tweets from @MichelleSimkins.  You should follow her.  She RT's me. :)  Michelle decided to write a post about writing advice.  BAD writing advice, or as she calls it - WisDUMB.

You know, there's a lot of advice for writers out there. You could spend ALL of your time "learning how to write" and never get a single word on the screen or on paper. The thing is--who ARE these people giving this advice? Do they know what they're talking about? Have you read their writing? Is it any good? The internet gives everyone a platform, but it does not make everyone an expert. In other words: there's a lot of bad advice out there, y'all.

For the most part I've been lucky in the writing advice I've received. I had (mostly) good teachers in high school and college who gave me a wealth of useful information on the craft of writing (No, really, they were great. Anything wrong with my writing is ALL MY FAULT). But I've received a few pieces of very silly advice over the years. Here are my top four (or would that be BOTTOM four?):

1. Don't use semicolons. After I read this comment in a critique from a writing coach, I wondered, "Is she telling me this because I'm using them WRONG?" So I asked The Chicago Manual of style. I was using the semicolon correctly. I'm not sure where my instructors punctuation prejudice came from. She was, in all other respects, a sensible woman with very sound advice.

I think punctuation marks, like vocabulary, are valuable tools when used appropriately. Of course moderation should be practiced, but sometimes nothing but a semicolon will do. Roy Peter Clark, author of The Glamour of Grammar (which I highly recommend), describes the semicolon as "a gate that stands between two thoughts, a barrier that forces the separation but invites you to pass through to the other side." When a period is too much, but a comma isn't enough, I reach for my semicolon.
In the grand scheme of things, "don't use semicolons" isn't an especially horrible piece of advice. But I'm wary of any advice that tells me not to use one of the weapons in my arsenal.

2. Write what you know. We've all heard it, haven't we? But I think it's a load of horse pucky. You want me to write what I know? What I know is working dead-end clerical jobs and spending too much time on the internet. If I write what I know, it will be therapy, not fiction. YES, I think you need to have a life outside of fiction to write fiction that feels real. YES, I think you need to do your research if you don't want to sound like an idiot. YES, I think it's a good idea to infuse your fiction with real-life details from your own experiences and the experiences of people you know. But in my opinion, if you want to actually finish that novel, and have people read it with pleasure? Write what you love. You can learn what you need to know.

3. Write something meaningful. To be honest, I'm not sure if this advice was given to me by someone else, or if I made it up myself. But during my adolescence I got this idea that if you're going to write, it should serve a PURPOSE.

While it's GREAT to want to make the world a better place, you will kill your novel if you try to force your agenda on it. Whether you want to entertain, raise awareness of kitten abuse, or suggest a cure for cancer, your first duty as a novelist is to tell a good story. If your story sucks, your message will NOT hit home, no matter how sincere your intentions. If you sacrifice good storytelling for a message, you fail as a writer AND you fail your cause. Sure, there is truth in fiction. A lot of delightful novels are thought provoking and explore important issues. But the thoughts and explorations should evolve organically out of a good story. Put the story first, and its truth will shine through in the end.

4. Eliminate all distractions when you work! INTENSE FOCUS IS THE ONLY WAY. You know what happens when I eliminate all distractions? I get bored. out. of. my. mind. And I abandon whatever I'm working on.

This might not be true for everyone, but it's certainly true for me: Distractions help me get more done. Not just in writing, but in all areas of life. I can focus very, very intensely on something . . . for about 15 to 30 minutes at a time. Then I need to come up for air, look around, Tweet something silly, check my email, sweep the floor, something. Often my distraction is as brief as clicking on my Gmail tab to see if I have a new email, but it's kind of essential. It's like blinking or something.

Maybe I'm weird. Maybe I have undiagnosed Attention Deficit Disorder. Maybe it's a nervous tension/anxiety thing. Maybe it's just a product of growing up with television (though I didn't watch very much of that) or maybe I'm spoiled by the internet, I don't know. But I do my best work when I have something pleasant to distract me every so often.

That said, I have trouble working in really noisy environments, and (I know everyone will find it shocking) I can't work when my kids are having an argument in my immediate vicinity. So if the advice were re-worded as "Choose your distractions carefully"? Then it would be golden.

Why A Fresh Query Is Like A Boob Job

Unfortunately, I think we've all been there. Your query has been flying to agent inboxes for months, maybe years, with nothing but form rejections coming back. The occasional partial or full request might get your heart pumping, but a few weeks later you get that email that says, "Nice try, SUCKA!!!"

And you know what? You knew that was going to happen. You're at the point where even seeing an email from an agent in your inbox with the subject line RE: QUERY - MY OVERWORKED MS doesn't put butterflies in your stomach so much as bile. You know it's a rejection, you know because your request rate has dipped like that heart monitor on a zombie. There's no life in there.

So what do you do? Feel sorry for yourself for a bit, definitely. Commiserate with some crit partners, sure. Give up and die? Well... lets not do that quite yet.

Was that story the only one you have in you? If it was, then sorry, you're not a writer. Maybe you thought this was THE ONE, the story that would break down walls and land you on the cover of... something. But it's not looking good, so what else is in there? Have you been writing, or sending off emails to agents with your fingers crossed and pre-patting yourself on the back?

Hopefully you've been writing, 'cause that WIP might be your saving grace. Take it from me - my first YA ms had been on the query path for two years, and had racked up over 130 rejections. Yeah, you read that right. Reality had sidelined me from writing anything new for awhile, so I was going the "crossed fingers" route. Not particularly helpful, or productive.

I was also feeling sorry for myself, which is about as productive as planting seeds and watering them with Roundup.

So I wrote a new story, scripted a fresh query and got request rates that had my head spinning.  I had an agent within a month.

Jogging out the old ms with a tired query is like squeezing yourself into last year's jeans and hitting the town looking for that special-someone. You've got some muffin-top going on, your lipstick is feathering cause it expired six months ago, and your roots are showing cause you can't be bothered to buy a new bottle of hair dye.

A fresh query makes you feel like you just went to the salon, had your teeth whitened, and got a boob job all in the same day. You feel like people are looking.

And that feels good.