The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

Sam has always been able to see auras shimmering like silver stardust under people’s skin, though she does her best to ignore the headache-inducing emotions they whisper into her mind and the blurry people who brush past her on sidewalks. Decent hook, but break the thoughts up a little. Right now you have one sentence, and we don't know if all people are blurry, or just certain ones. If she ignores everyone then she's a pretty introverted person. Give a little more space here to explain.

When two of Sam’s hallucinations Confused. he can see aura on real people, right? Real people are not hallucinations, which the next sentence does explain somewhat, but I think there needs to be clarification here. realise that she can see them, they reveal that they are Elementals: people from a parallel world who can manipulate one of the five natural elements (earth, air, fire, water and anima, or life force). Sam is one of the rare humans So are the Elementals human? able to wield anima, making her the first Animator since an atrocity left every Animator dead and the surviving Elementals unable to have children 200 years ago. But... these two are still around? So they're not human? With proper training, she’ll have the power to create and nurture life, revitalising the Elemental world. You'll need to be more clear about why an Animator is needed to create life. Obviouly their reproductive process is different from ours.

Lured by the promise of learning to control her debilitating headaches, Sam enters the Elemental world. But when she discovers that Animators still exist in hiding and that an imprisoned god hunted down Animators to exact revenge for his banishment, two things become crystal clear: the surviving Animators intend to use Sam to lure out the god’s spies, and they’re willing to let her die in the process. How did this god do anything if he's imprisoned? And why are the Animators in hiding? Don't they know that they are imperiling their own race by doing so? Why would Sam be bait? What about her is special, if she's not the only Animator left?

In a desperate bid to make it home alive, Sam forms an alliance with an ambitious man from a notoriously mercenary branch of Elementals. As her abilities become harder to hide, who is she hiding them from? Doesn't everyone know? Sam must master her element to save herself and the people she’s come to love from the god who would kill them all.

THE SACRIFICIAL ANIMATOR is a 113,000-word fantasy novel which will appeal to readers who enjoy Melissa Caruso’s character-driven SWORDS AND FIRE trilogy and fantasy worlds that intersect with ours (as in Alix E. Harrow’s THE TEN THOUSAND DOORS OF JANUARY). Good comp titles, but you define this as character-driven, when really I don't know anything about Sam's character other than that she gets headaches. If this is character driven, you need to get her character injected into the query.

I am a half-French, half-Japanese American currently living in Berlin, where I work as a finance lawyer. I studied law at the University of Cambridge and can be found hiking or planning my next novel when I’m not at work.

Overall, I'm just confused about what role the Animators play, why the god is a threat if he's banished, why the Animators are in hiding, why Sam would be the bait, etc... Everything I mentioned above. This sounds interesting, but right now it feels like a lot of disparate elements that aren't tied together cohesively.

Save the Cat! Writes for TV! - Enter To Win!

Have you ever considered writing for TV?

It’s a distinct skill set, and slightly different than writing a novel, or even a screenplay. A TV series is the long game—the series itself needs an arc, or course. But so does each season, each episode, and each character. Sound like a lot of work? It is. But there’s a tried and true method that can be applied to writing for television.

First, what is Save the Cat!®? 

Save the Cat! provides writers the resources they need to develop their screenplays and novels based on a series of best-selling books, primarily written by Blake Snyder (1957- 2009). Blake’s method is based on 10 distinctive genres and his 15 story beats (the Blake Snyder Beat Sheet). Our books, workshops, story structure software, apps, and story coaching teach you everything you need to unlock the fundamentals and mechanics of plot and character transformation. 

Find out more about Save the Cat! by visiting their webpage at https://savethecat.com/

About the Save the Cat! Writes for TV

Blake Snyder's Save the Cat!, the world's top-selling story method for filmmakers and novelists, introduces The Last Book on Creating Binge-Worthy Content You'll Ever Need. 

Screenwriter Jamie Nash takes up Snyder's torch to lay out a step-by-step approach using Blake's principles for both new and experienced writers, including:

  • How to write and structure a compelling TV pilot that can launch both your series and your TV writing career

  • All the nuances, tricks, and techniques of pilot-writing: the Opening Pitch, the Guided Tour, the Whiff of Change, and more

  • The 8 Save the Cat! TV Franchise Types that will improve your story and your pitch

  • The not-so-secret TV Pitch Template that turns your TV series into the necessary read-over-lunch industry document

  • a how-to in creating layered characters who are driven by complex internal struggles

  • Beat sheets of the pilots of Barry, Ozark, Grey's Anatomy, The Marvelous Mrs. Maisel, What We Do in the Shadows, Black-ish, The Mandalorian, This Is Us, Law and Order: SVU and more to help you crack your story.

Create your binge-worthy TV series with Save the Cat! Writes for TV.

Purchase a copy of this book on Amazon or Barnes and Noble. Or save it to your GoodReads reading list.