The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

Ursula is born a witch under the loving tutelage of her Grandmother Altagracia, who is a powerful witch of haske, the magic of good light. Altagracia fiercely battles to keep the girl out of inuwa, the evil magic of darkness, as addictive and destructive as heroin, but under the pernicious influence of Altagracia’s wicked twin sister, Ursula falls—and then rises to become the most powerful and wicked witch in the region, terrorizing its people with unspeakable atrocities. Good set up, but I guess my only question is, what's the goal for Ursula here? Is she a ruler? How does she benefit from using her powers for ill?

When Ursula hears of a prophecy that the daughter of her mortal great-niece, Gabriela, will grow to be the witch who destroys her, Ursula vows to murder all of Gabriela’s daughters as soon as they’re born. Altagracia, once Ursula’s most powerful ally, now becomes her greatest enemy. She is old and weak in the face of Ursula’s unprecedented power, but she is smarter and determined to protect Gabriela’s baby girls, fulfill the prophecy, and rid the region of Ursula’s malignant presence. This is all perfectly fine and reads well, but it's very generic - there's a bad witch, a good witch, a prophecy, and a goal to eliminate the one who will unseat the ruler. That story has been told a million times. What makes yours different?

“The Witches of Ziohoza” is a 97,600-word dark speculative fantasy with elements of horror. It is set in Colombia, South America from 1889 to 1937 this could be what makes it different. This needs to be in the body of the query itself, not buried down here. Incorporate the setting into the query. Right now it reads like high fantasy set in a different world, not like something set in relatively recent history in our own world and narrated entirely by the good and bad women who populate it. It’s a traditional witch story with cats, potions, enchanted cottages, night-dark humor, and the thunder and sparks of hurled spells designed to disembowel. At the end is a surprise twist as tricky as the witches. A query isn't the place to tease. The body of this promises nothing new, and while the setting does draw interest, the plot has to have more than just the generic setup, and a promise of a twist that isn't shared with the agent

I am an American writer, playwright, editor, and copywriter with a BA in English who has, for twenty years, lived in Colombia, not far from where this story is set and where, to this day, witchcraft haunts its people. Great bio Readers who like Alex Grecian’s Red Rabbit, Neil Gaiman’s Ocean at the End of the Lane, and Alexis Henderson’s The Year of the Witching will enjoy this story, as well as those who like their wicked witches particularly nasty. There's nothing here that really tells us that these witches are particulary nasty. If that's the case, show us, don't tell us. Also, considering recent events, you might want to take out Gaiman as a comp.

The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

When Hurango, a young aspiring pianist, morphs into a gorilla, a team of humanoids tranquilizes him. The government of Texan America stamps him with ‘animan disease,’ wipes his memories, and ships him to an internment camp for ‘animans’—to use in medical and military experiments. Interesting, and I'd keep reading, but I think we need a little indication of how normal / not normal this is. The use of the word humanoids makes it seem like this is a common enough occurrence that there are teams of them. But also, why would a team of his own kind attack him?

Hurango fills the memory hole Why would he lose his memory? What does that have to do with becoming a gorilla? with new memories, especially those of Manika’s, a girl with visions swirling around her, but worries about protecting his newfound memories eat him up daily. As part of a gladiator team to entertain better-armed humans, Hurango learns ancient war strategies in secret and dreams of new ones. Not understanding the memory element at all. Why would he lose his? How can he participate in Manika's visions? Why does she have them? And what does the gladiator element and battle tactics have to do with anything?

A betrayal leads to his exile in the Arctic Archipelago, where death prowls under the guise of military experiments, and a ‘you could die any moment’ psyche reigns all over. Separated from Manika and believing his memories are compromised again, Hurango chases after bombs. Who betrayed him? Why? And why are the memories such a big deal? Is he trying to hold on to his humanity? Why are memories the crux? What do bombs have to do with anything? Does he have death wish?

When the responsibility of safeguarding the future of Earth’s farming and saving animans from the death sentence is thrust upon him, his gorilla shoulders wobble. I have no idea what this means. Why would this become his duty, and what does it actually mean? Why would a gorilla be put in charge of saving farming, and what does that entail? What does it have to do with the plot? Hurango struggles to harness the best of animans’ dual nature—animal instincts paired with human ingenuity—to win the war without fighting. What war? I don't know who the bad guys are, or what the goal is.

ANIMAN is a speculative fiction novel complete at 98,000-word. It will appeal to the fans of Oryx and Crake by Margaret Atwood, Sweet Tooth by Jeff Lemire, and The Animal Kingdom screenplay by Cailley and Munier.

Knowing your interest in speculative fiction, I hope you will represent ANIMAN. It’s a standalone book, with potential for future stories set within the same world.

I’m based in Nevada and work in technology field. Animals fascinate me, and reevaluating the dynamics between humans and animals, inspired me to write this novel.

Right now this isn't doing a great job of portraying the main elements of what a query needs to do -- what does the main character want? What is standing in the way? How are they going to overcome those obstacles? The heavy reliance on memories doesn't make any sense within the query, b/c I didn't realize he'd lost them, and I also don't understand the critical importance of keeping them. The world building is murky - I don't understand who is fighting who, or why. Overall, you need to get the basic plot injected here, as well as a greater understanding of the world. Right now this is reading more like you are hitting hard on themes, but I'm also not really clear on what those themes are.

The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

I am seeking representation for Can’t You Sea?, an adult dark romance fantasy complete at 106,000 words, and first of a planned series, but can standalone if needed. Your word count is high, even for fantasy. Try to get it below 100k, and simply call it a standalone with series potential Can’t You Sea?, combines romance born from mutual distrust and dark intentions, similar to Daughter Of No Worlds, and blends of action-packed sequences with moments of emotional intensity, like TV show Motherland: Forth Salem. I would personally put the comp titles at the end. I also would mention the author's name of Daughter of No Worlds. Admittedly, I don't know this genre well, so it might be a well-known title, but I'd include the author

Determined to get justice for her father, who died in an orchestrated terrorist attack, 21-year-old Aelita Saar inducts into her realms realm's war college to become a sky rider. The phrase terrorist attack immediately makes me think of modern day, but then that's clearly not what's going on. Also what is a skyrider? This could be a person who pilots a spaceship or rides a dragon, so it needs clarified. Little does she know, a nightmare, a song, and a handful of honey cakes would make her the perfect cherry on top of the new alliance made with her neighboring realm and war college, Sirentyr. I have no idea what this means.

When her mission to become a sky rider crumbles, and a cutthroat ranking system after her involuntary transfer is enforced, no idea what this means, either Aelita must survive the bloodbath to earn a spot amongst an elite kingsguard of water wielding soldiers, who use song and sea siphons, to amplify their power. Also known as streamers. Not a full sentence, and isn't needed As if the trials to see the next sunrise weren’t hard enough, let’s sprinkle a huge target on her back because everyone thinks she’s a spy, an eye crossing curriculum, and worst of all, Seymour Creed. So she's fighting for her life, but still going to classes?

Seymour Creed is Sirentyr’s most formidable and merciless chieftain, and despite their common war enemy, he doesn’t trust a single breath from Aelita’s lungs. As a loyal soldier to the crown, he’s dead set on killing her off from his unit. But with her sharp tongue, rebellious attitude, and voice made from heaven, he can’t help but find himself…intrigued. I'm not clear on who the shared enemy is, what a skyrider is, why she's thought to be a spy, or what war college is, for that matter.

I run an online thrift shop I started back in 2020 to feed my ever-growing love for vintage clothing. When I’m not daydreaming about books, buried in a book, or sitting still long enough to write a book, I’m enjoying life with my fur baby Montii, and packing orders.

If you don't have any publishing credits and your current job isn't related to the material (it's not), I'd instead focus on how much you read, and establish that you know the genre, market, and tropes well.