The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

I am seeking representation for my literary work, KISMETROPOLITAN. I believe we'd be a good match based on your interest in dark and offbeat humor, and narratives propelled by a strong voice. KISMETROPOLITAN is an ~80,000-word novel about fledgling New Yorker Ringo Kismet as he struggles with the paradox of pursuing one’s dreams in a city that never sleeps. I typically tell people to start with their hook, but this flows well and if you are leaning on the personalization to draw an agent in, I can see how this would work. I don't know that the "paradox" of dream vs. sleeping really struck me on the first reading, but when I went back over I had a "I see what you did there" moment. I think it's clever.

The 25-year-old maladaptive daydreamer thought he had scripted his destiny perfectly: flee his New Jersey suburb, start life in the big city, triumph over obstacles, and have at least one makeover montage, all while falling in love with both a soulmate and with the city itself. Good intro. We know what the MC wants and we have a feel for voice.

Feeling claustrophobic on arrival by both his internship and his apartment, Ringo realizes emulating idols like Holly Golightly, Andy Warhol, or Carrie Bradshaw is an impossible feat. The only connection between Breakfast and Tiffany’s were Watch your tenses - you slip between present and past overpriced baguettes. Everyone's 15 minutes of fame were now 15 second TikToks. And while he had plenty of sex (and the city clinic's condoms), no one was big on love. It might be good to clarify more specifically what Ringo wants. Does he want love? Is there a dream job or career? Why emulate these people? What is the goal?

Before becoming more jaded than a Chinatown tchtchocke, Ringo's bright side is stoked upon discovering his grandmother's paperwork from Ellis Island in the floorboards of his apartment,this is a little confusing... he randomly ended up in the same apartment that his grandmother had? Or was this a known, planned thing? along with an old subway token strung on a chain. After donning the talisman, sparks of serendipity lift his spirits: he catches the F Train at any hour, even when it's out of service; he always finds 99¢ Pizza, even at expensive restaurants; and a peculiar pigeon with iridescent plumes manages to swoop to the rescue just before he gets killed by a speeding bus or exploding manhole cover. He begins chronicling these tokens of “kismetropolitan,” growing an audience Where is he chronicling them? Social media? that reinvigorates his quest to be a creature that thrives in this metropolitan menagerie. Before the year is out, he's convinced these fortuities will land him a fulfilling job, an amazing apartment, and a devoted partner. If they don't, he'll face any New Yorkers' greatest defeat: moving back to New Jersey.

KISMETROPOLITAN is an epistolary bricolage with a sprinkling of magical realism. The novel combines journal entries, correspondences and documents from immigration manifests to psychic readings, bound together by the first person narrative and articles the protagonist publishes throughout the story. Okay, so we know what it is he wants, but what is the obstacle? What does he have to overcome to make his dreams come true? It sounds like this talisman is going to make his life hunky-dory, so what goes wrong? What's the plot?

Inspired by surreal-life experiences in New York, I believe I am in the perfect position to publish this story of Zillennial coming-of-rage finding his roots. A professional writer for over a decade, my work has appeared in Interview Magazine, Newsweek, Blackbook, and Hyperallergic. I have won numerous prizes, including a NYFA Grant and a Tisch Scholarship. This past May, I completed a Fiction Fellowship at the CUNY Graduate Center. This will be my debut novel. Great bio, you've definitely set yourself up to gain the attention of an agent.

This is well written and does a good job of getting voice across, but as mentioned, I need to know what goes wrong. Without obstacles, there's no plot, and this ends on a note that suggests everything is just fine now... which isn't interesting to read about.

The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

Ursula is born a witch under the loving tutelage of her Grandmother Altagracia, who is a powerful witch of haske, the magic of good light. Altagracia fiercely battles to keep the girl out of inuwa, the evil magic of darkness, as addictive and destructive as heroin, but under the pernicious influence of Altagracia’s wicked twin sister, Ursula falls—and then rises to become the most powerful and wicked witch in the region, terrorizing its people with unspeakable atrocities. Good set up, but I guess my only question is, what's the goal for Ursula here? Is she a ruler? How does she benefit from using her powers for ill?

When Ursula hears of a prophecy that the daughter of her mortal great-niece, Gabriela, will grow to be the witch who destroys her, Ursula vows to murder all of Gabriela’s daughters as soon as they’re born. Altagracia, once Ursula’s most powerful ally, now becomes her greatest enemy. She is old and weak in the face of Ursula’s unprecedented power, but she is smarter and determined to protect Gabriela’s baby girls, fulfill the prophecy, and rid the region of Ursula’s malignant presence. This is all perfectly fine and reads well, but it's very generic - there's a bad witch, a good witch, a prophecy, and a goal to eliminate the one who will unseat the ruler. That story has been told a million times. What makes yours different?

“The Witches of Ziohoza” is a 97,600-word dark speculative fantasy with elements of horror. It is set in Colombia, South America from 1889 to 1937 this could be what makes it different. This needs to be in the body of the query itself, not buried down here. Incorporate the setting into the query. Right now it reads like high fantasy set in a different world, not like something set in relatively recent history in our own world and narrated entirely by the good and bad women who populate it. It’s a traditional witch story with cats, potions, enchanted cottages, night-dark humor, and the thunder and sparks of hurled spells designed to disembowel. At the end is a surprise twist as tricky as the witches. A query isn't the place to tease. The body of this promises nothing new, and while the setting does draw interest, the plot has to have more than just the generic setup, and a promise of a twist that isn't shared with the agent

I am an American writer, playwright, editor, and copywriter with a BA in English who has, for twenty years, lived in Colombia, not far from where this story is set and where, to this day, witchcraft haunts its people. Great bio Readers who like Alex Grecian’s Red Rabbit, Neil Gaiman’s Ocean at the End of the Lane, and Alexis Henderson’s The Year of the Witching will enjoy this story, as well as those who like their wicked witches particularly nasty. There's nothing here that really tells us that these witches are particulary nasty. If that's the case, show us, don't tell us. Also, considering recent events, you might want to take out Gaiman as a comp.

The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

When Hurango, a young aspiring pianist, morphs into a gorilla, a team of humanoids tranquilizes him. The government of Texan America stamps him with ‘animan disease,’ wipes his memories, and ships him to an internment camp for ‘animans’—to use in medical and military experiments. Interesting, and I'd keep reading, but I think we need a little indication of how normal / not normal this is. The use of the word humanoids makes it seem like this is a common enough occurrence that there are teams of them. But also, why would a team of his own kind attack him?

Hurango fills the memory hole Why would he lose his memory? What does that have to do with becoming a gorilla? with new memories, especially those of Manika’s, a girl with visions swirling around her, but worries about protecting his newfound memories eat him up daily. As part of a gladiator team to entertain better-armed humans, Hurango learns ancient war strategies in secret and dreams of new ones. Not understanding the memory element at all. Why would he lose his? How can he participate in Manika's visions? Why does she have them? And what does the gladiator element and battle tactics have to do with anything?

A betrayal leads to his exile in the Arctic Archipelago, where death prowls under the guise of military experiments, and a ‘you could die any moment’ psyche reigns all over. Separated from Manika and believing his memories are compromised again, Hurango chases after bombs. Who betrayed him? Why? And why are the memories such a big deal? Is he trying to hold on to his humanity? Why are memories the crux? What do bombs have to do with anything? Does he have death wish?

When the responsibility of safeguarding the future of Earth’s farming and saving animans from the death sentence is thrust upon him, his gorilla shoulders wobble. I have no idea what this means. Why would this become his duty, and what does it actually mean? Why would a gorilla be put in charge of saving farming, and what does that entail? What does it have to do with the plot? Hurango struggles to harness the best of animans’ dual nature—animal instincts paired with human ingenuity—to win the war without fighting. What war? I don't know who the bad guys are, or what the goal is.

ANIMAN is a speculative fiction novel complete at 98,000-word. It will appeal to the fans of Oryx and Crake by Margaret Atwood, Sweet Tooth by Jeff Lemire, and The Animal Kingdom screenplay by Cailley and Munier.

Knowing your interest in speculative fiction, I hope you will represent ANIMAN. It’s a standalone book, with potential for future stories set within the same world.

I’m based in Nevada and work in technology field. Animals fascinate me, and reevaluating the dynamics between humans and animals, inspired me to write this novel.

Right now this isn't doing a great job of portraying the main elements of what a query needs to do -- what does the main character want? What is standing in the way? How are they going to overcome those obstacles? The heavy reliance on memories doesn't make any sense within the query, b/c I didn't realize he'd lost them, and I also don't understand the critical importance of keeping them. The world building is murky - I don't understand who is fighting who, or why. Overall, you need to get the basic plot injected here, as well as a greater understanding of the world. Right now this is reading more like you are hitting hard on themes, but I'm also not really clear on what those themes are.