Fred Koehler On Experience, Inspiration and the Outdoors

Mindy: Welcome to Writer Writer Pants on Fire, where authors talk about things that never happened to people who don't exist. We also cover craft, the agent hunt, query trenches, publishing, industry, marketing and more. I'm your host, Mindy McGinnis. You can check out my books and social media at mindymcginnis dot com and make sure to visit the Writer Writer Pants on Fire blog for additional interviews, query critiques and more as well as full transcriptions of each podcast episode. at WriterWriterPants on Fire.com. And don’t forget to check out the Writer, Writer, Pants on Fire Facebook page. Give me feedback, suggest topics you’d like to hear discussed, and let me know if there is someone you’d love to see a a guest.

Mindy:   We're here with Fred Koehler, who, apart from being an author himself and having quite a life full of misadventures and inspiration, also has a development program called Ready Chapter 1, for writers, and he also helps brands across the US tell their own story and runs a design studio, just a lot of different elements at work here with this guest to dive into and talk about different elements of writing and publishing and especially marketing. So let's start by you telling us a little bit about your life and just the various elements of your life that the rest of us probably haven't experienced.

Fred: I’m kind of woodsy, and I think I used to say the word redneck, but I don't know if that's derogatory or not anymore. My dad was an outdoorsman and we spent a lot of time camping and fishing, and I never got into the hunting or anything like that, but riding my bike barefoot and wading in the lakes and rivers, and there were alligators and all kinds of stuff creeping all around us, we didn't know. We were just kids. We were just kids growing up. When that kind of turned into me being an artist, I felt like that was a voice that I could pull from because not a lot of people had those kinds of experiences or not that I've encountered in the publishing industry have had those experiences, so... It's a neat perspective to be able to bring, and I know it's one that you've had as well.

Mindy: I grew up... Woodsy is a great way to put it. I'm still Woodsy, I live in the middle of nowhere. I'm in Ohio, so we don't have anything out here in nature that can kill us, no alligators or anything like that, but when I think about the things that I did as a child growing up there were just so stupid. Near death, most of the time. I thought I was having fun and I was, I was having a great time. I really love that, and I love that naivete of childhood where we're not worried all the time, we're just having fun, it's a beautiful thing.

Fred: That's an experience that is incredible to be able to put that energy and that curiosity and that imagination into books and into stories. But also I feel like it's part of our bigger mission is to create a world where kids still get to have that, or they still get to be kids. I wanna simultaneously live out my childhood throughout my entire life, but I also wanna create safe spaces for kids to have those same opportunities.

Mindy: Yeah, absolutely. Have you read The Last Child in the Woods?

Fred: No. That sounds good though.

Mindy: It's fascinating, it's called The Last Child in the Woods, and it's just about children growing up with absolutely no contact with nature, there's a certain unhappiness that can be tied to it. I know that whenever I'm not doing well, like mentally or whatever, it's like you gotta go outside, man.

Fred: Exactly, I'm in Central Florida, so I'm about 50 minutes, less than an hour from Tampa, a couple of hours to the East Coast. And we love both coasts, but if I can get my toes in the salt water, and I still do this today, I free dive and I Spearfish, and kayaking, and I go to the springs.

Mindy: So I'm from the Midwest, we hike all over the Midwest, and we found a spot in Kentucky that it's like an unofficial jump off the cliff into the water spot.

Fred: Oh my gosh, yes.

Mindy: We were participating in that and there weren't many people around and getting up that nerve to do something like that, of course, and then being like, That was awesome, I'm gonna do it again. And it's like re-capturing that feeling, 'cause you know I'm in my 40s and I'm like, I'm gonna jump off this cliff and I'm gonna see what happens. I was kind of like, Oh, I remember this, I remember this feeling.

Fred: Isn't that what we have to do? Screw up our courage? If you wanna put your work out there into the world, and I bet you have a lot of listeners who are breaking into the publishing industry and it's such a scary thing to be like, Okay, this story that I wrote, this thing that's so personal and so dear to my heart, if I put it out there into the world, what if something goes wrong? What if I don't hit the water? What if I belly-flop? I mean, there's so many analogies you could make.

Mindy: Oh yes. What if something goes wrong is basically how I think a lot of people live, which is fine, and they'll live a long time, and probably be healthier. I am a risk taker. There's no doubt. And it does hurt though. You can get hurt. This is a really good point. I was querying for 10 years, this was before, because before you couldn’t query with emails, we were doing self-addressed stamped envelopes. But it hurt. Every time you grow a callous, but man, rejections are still rejections, and I think that it's scary to take that stuff where you're trying to find an agent. But I actually do think that it is almost scarier that first time you're sharing something you wrote with someone, man, there's a vulnerability there, like you're saying it is like throwing yourself off that cliff or swimming with the crocodiles in Florida.

Fred: It’s alligators in Florida.

Mindy: I’m just very Midwest over here. We don’t have things that can kill us. I don’t know what yours are called.

Fred: I'm more afraid of the alligators that I am the sharks, they're all just trying to live their lives and be who they are, but you have to remember they are also wild animals with big pointy teeth. But they all hurt, When they clamp down.

Mindy: Yes, they do. Tell my listeners a little bit about your development program and your training program, which is called Ready Chapter 1.

Fred: This is literally a thing that happened because of covid, so much happened because of covid. I had a local writers group, when you're a writer, you wanna hang out with other writers, those are your people, that's your tribe. That's where you feel the least insane is when you're around people who think and act and have the same sort of vision and hopes as you do. So we were getting together with this writer's group, and people were coming from all over Central Florida just to meet and hang out and read some pages and talk about where they wanted to go with their writing and their creativity. And then covid happens, and it's like, Well, we can't meet any more. I wasn't ready to accept that as an ending to where I was seeing all of these folks elevate their craft. So I thought to myself, Well, you know what, if we use the same technology that I have to use for all the boring meetings that I go to for work, what if we could figure out a way to sort of bring that learning and that craft development into the virtual world? I basically invited nine of my friends who are extremely successful, either agents or editors or best-selling authors, and I was like, Will you guys each come and teach a class for me, and let's not just teach a class, let's make them consecutive.

So let's take the 10 most important elements of storytelling and teach them in the order you would need to know them to write a really, really good story. And lo and behold, they were like, sure I'll teach that class for you, and so now we've got... We're building and it's still in progress, but we've got a cohort of about 60 students who are going through this process where literally we've taken them from the idea, from the very concept of their story, and we're gonna end with a completed story and a query package that they're gonna be able to take out and submit their work out into the world. 

Mindy: Nice. A lot of people need that encouragement right from the beginning, because I know that when I was doing this, everything was kind of hush-hush and magical and behind closed doors, and you had to go to the book store and buy the Writer's Market guide to literary agents for that year. It blows my mind when I look around and I look at sites like yours, I'm just like, Oh my gosh, I feel like so much has been demystified, those barriers are coming down, the barriers to entry, but also just the barriers to knowledge, because I feel like the knowledge was very guarded for a long time.

Fred: Yeah, and I absolutely agree with that. And I spent 10 years wandering the deserts of publishing trying to figure stuff out, and I don't want other people to have that experience, and I just wanted the answers, I just wanted the information and I was willing to put in the work. Those are the types of folks who I feel are gonna be successful, so if you're listening to this and you are the type of person who's willing to put in the work, and you're hungry to elevate your craft and you're hungry to elevate your network... My guess is you are the type of person who's gonna be successful sooner in publishing than the folks who are looking for somebody to just hand them the answers.

Mindy: Absolutely. I had a conversation with my mother this past weekend because I was keynoting a festival, and they had asked me to speak about Why I Write the things that I write, 'cause I write dark stuff, I write for teens, but I write very dark, gray moral areas and things like that, it's what I like to explore. The people who are organizing it said, Hey, why don't you make your keynote about why do you write these things? Why do you like those things? I don't know, it's just who I am. And went over to my mom's and I just open up the old family scrapbooks to find pictures of families together on family outings and everybody's having fun, and then there's me, and I am clearly miserable and very unhappy. I'm in my head right now, I'm not having fun at the water park, everyone around us could drown... That's what I'm thinking about. I'm thinking about falling off this high slide and dying, I'm in a worst case scenario I'm four, And I'm like, We all die here. So yeah, I was a fun kid. Once I was in that mode, I was just like, I wasn't leaving it, it's like you're not going to convince me that I'm having fun.

I'm not having fun. I'm legitimately scared. I think I'm gonna die. The rest of you are naive to think that this is fun, I was a pretty unbearable child. And my mom would get so upset and she would be like, Mindy, you're so stubborn once you're thinking anything or you're convinced of something, you don't let it go. It doesn't matter. All evidence to the contrary. You're not gonna let it go. You're stubborn, and my grandmother told her, she's not stubborn, she's determined, and that is going to be a wonderful quality for her to have. And my mother was telling me this story in the car this weekend, and I was like, You know, if I wasn't determined, there's no way I would make it in publishing. There's no way. The only reason I'm good at what I'm good at is because I don't quit.

Fred: Exactly, exactly. And it's so interesting that you brought that up. My day job is in animations, I work for an animation studio as a writer. They made me do a personality profile before they would hire me. I was the only person in the entire hundred person organization who was 100% Green, and basically what it meant was that my super power was determination, but there was also a flip side of that, and when you flip the thing over the Achilles heel is stubbornness. And so I think there are two sides of the same coin, and it's literally like, how you are when you're at your best and how you respond when you're at your worst. So that's something for both of us to keep in mind is that when we're highly stressed out we will be stubborn.

Mindy: Oh yes, absolutely. And you will not move me, even if I know I'm wrong, I will argue to explain how I know that I'm wrong, but I'm still not budging.

Fred: Okay, so give me an example of how that has served you in publishing.

Mindy: Just that length of time, those 10 years of querying, you are being rejected for 10 years. You're having someone say, No, you're not good enough. No, this doesn't work. No, no, no, no, we don't want you. Right? For 10 years. And instead of absorbing that as, you really aren't good enough, you really can't make this... You can't do this. So this is where I was determined, but not stubborn. I think if you're stubborn, you're thinking - screw you... You're missing out. No, I was determined to absorb that feeling and get better because I needed to. I was rejected for 10 years for good reason - I was not good enough. I had to write four more books before I was good enough, but I was determined to get better and to do it, and to break in, there was an edge to it of, Yes, I will make this, I will get in here. This is the only thing I've wanted to do with my entire life, this was my life’s goal from a very young age. This is what I wanted. Like you, I had No connections. I’m a Farmer's Daughter from Ohio. I'm doing this on my own. Not only do I have to climb this ladder on my own, I have to make the ladder.

All of it is on me. I did it because I wasn't going to quit. And I do dislike in many ways, when people say, Never quit, don't quit. I do think it is okay to quit for a small period of time because you can't hit your head against a brick wall ‘til the point where you have a concussion and keep going. You have to stop, let the concussion heal and then come back to the brick wall and start hitting your head against it again.

Fred: I like that analogy, and then I probably have some scars on my forehead from that process, I think we all do. You're exactly right. Those are the folks who are gonna find success, I love to meet people like that through the program, those are the people that I've been able to give scholarships to. I didn't wanna make cost a barrier to anybody to participate, so it's like... Just write me a note and tell me how excited you are about your career and how passionate you are and what you think, and how you think you can change the world by becoming a better storyteller. And literally, I gave so many people a free ride to this program because I could see myself reflected in them. I wanna root for every single person who feels that way, it feels like you just described.

I wanna talk about writing. It's so refreshing just to get to talk to another writer and hear their stories and hear their struggles. Have you seen the effects, fallout from the pandemic in the industry? 'cause I feel like I have everywhere.

Mindy: So the most obvious right now, which is a real thorn in my side, is the paper shortage. It's bad.

Fred: Printing fewer books?

Mindy: Printing fewer books and literally running out of them. So I had a book come out in March and my new releases are fine, so... That's great, but I don't give up on my back list. I have, I think, 12 books out now, and when I travel, I promote all of them. I will speak primarily about my newest books, and then I'm like, and these are my other books, because I wrote them, I don't care if they came out 10 years ago, they still matter to me and I'm still promoting them. So I would be promoting books and people literally can't get them. I was at a school visit, and in some ways it was on the school... 'cause two weeks before my visit, they said, Hey, we wanna buy a copy of your book for every single seventh grader... That's amazing. Of course, I will sign them. And then they got back to me and they were like, Hey, we can't get them. They don't exist, and I got a hold of my publisher, And they don't have 350 Copies of that, and we can't get them printed, we can't make that happen.

Fred: All the frustrating things about the industry, which again goes back to that whole thing about determination, stubbornness. I found during the pandemic that everything I sent out for querying just kind of felt like it disappeared into the ether, what used to be a week turned into months and then a lot of times… crickets. I was just like, Oh well, maybe my work isn't good enough anymore, maybe they don't wanna publish my books anymore. Come to find out that's not necessarily true, it's just like it feels like the industry has done a reset and it's on us to figure out what these shifts are and how we need to adjust and pivot just to be able to be successful.

Mindy: Yeah, I agree with that. I have found that because I write for teenagers, I have to be in front of them. They aren't showing up to Zooms, they don't care. And it is an interesting facet of being a young adult author, people outside of teens think of them as always being on their phones, they're always on their phones, they're always on the computer, they're always looking at a screen. And that's true for certain areas, if they're gonna do homework, they want a computer, they want a phone, if they're gonna obviously social media and texting their friends, all that stuff, it's phone, phone, phone. But what's really interesting is when it's not - they're out. They don't read ebooks. Teenagers do not read  ebooks, they want physical books. And it's true about interacting with authors. When I do anything online, it's adults that show up. I don't get kids. When I have people in my social media feeds, 95% of the time, it's adults. The kids want a person in front of them. And I think that's super refreshing, but that is something I always believed, and then I learned it very, very strongly in the pandemic. Because I would do virtual events anything, anybody wanted - Yes, of course, I'll do it. And three people show up. I'm starting to go back out on tour and things like that, and of course it's a school, so it's a captive audience, but I'll have 300 kids in an auditorium and at least half of them come up to buy books or to talk or to get a selfie. So yeah, for me, it was a really big re-understanding of something that I already knew that the teen audience wants to interact with you in a legitimate way, they don't want that screen in between you and them.

Fred: Yeah, it makes such good sense. So my books are middle grade and picture books, I experience those kids even less through any sort of digital way, if it's not an in-person event. They're not gonna sit on mom and dad's lap to show a Zoom. I haven't done a school visit since the pandemic, all my author friends like they're starting to get back out into the world. I know it's gonna get better, I know we're gonna come out of this, but I feel like as writers who have to promote. Sometimes you have on your introvert hat, you get to be the introverted person sitting in the corner of the coffee shop, writing the story. And sometimes you have where you’re a promoter and where you're out in the world talking about your books, that shift is gonna shake up the industry a little bit as we come out of the pandemic.

Mindy: The introvert extrovert hat is a real thing, and I can very, very powerfully be both, and I enjoy that dichotomy about myself. When I do school visits, I'm always trying to be partially just entertaining, you know what that's like. It's like you have to keep their attention. Selling me and selling the books are two different things, right? But if I can sell myself to you, then you'll buy the books. 

Fred: What advice can we give to your listeners that help point them along their journey, and you've done enough of these that you've probably got stuff that you say over and over again. So what do you say over and over again? What do you wanna underscore for your listeners

Mindy: If you wanna be a writer, you have to be a reader. You must read. Having classes and things like yours available are absolutely amazing. I didn't have access to any of that. I learned how to write entirely by reading, I grew up in a not artsy place, I never had a single instructional moment of writing my entire life, I learned to write by reading, and that's what I tell people like If you can't write... For whatever reason, if it's not there today, if you're hurting, whatever is going on, if you can't write, be reading.

Fred: I love that advice. That's so good. Well, I think what I'll add to that is get out there into the world and having the experiences. For both of us, as outdoorsy people, it's second nature to be away from the civilized world. It's also the way that I get story ideas is by going out and having really dumb adventures. Think of the things that you want to know how to do, that have always sounded exciting and interesting to you, and then just give yourself permission to go try it. Whatever it is, whether it's sky diving or hiking or Botany... I don't know, but whatever it is, just by going through that experience you'll have the memories and then sort of the physical recall to put into the details of your story, and it's gonna make it that much stronger.

Mindy: My last three books exist because I go outside and I had a single moment, an event, a thing that happened, there was a seed that grew into a novel. And if I was the person that sat inside and tried to come up with ideas, was an idea generator, those books wouldn't exist

Fred: Since we were talking about Ready Chapter 1, I will give you a coupon code or your listeners, anything that's gonna help them get themselves going and get them motivated, it would be a pleasure to just introduce them that way into the program.

Mindy: That's awesome, well, thank you so much. Last thing, why don't you let listeners know where they can find you online, but also your books and where they can find your program, Ready Chapter 1?

Fred: Let's start with a book. So I used to be able to say, anywhere books are sold, and it seems like that's harder to get onto the bookstore shelves these days in the physical store. So a lot of them are through online retailers, and I always suggest that you support your local indie book store. My best known books are probably Garbage Island, which is a middle grade novel about animals stuck on the Great Pacific garbage patch. And then One Day, The End which is a picture book about the adventures a little girl has just in her own backyard, and then the way she tells that story of her experiences. My personal website is I like Fred dot com and that's where I have all of the books listed there, and ways to contact me and get in touch, and the program is Ready Chapter 1 dot com, and that's the numeral one. So Ready Chapter 1 dotcom.

Mindy: Writer Writer Pants on Fire is produced by Mindy McGinnis. Music by Jack Korbel. Don't forget to check out the blog for additional interviews, writing advice and publication tips at Writer Writer Pants on Fire dot com. If the blog or podcast have been helpful to you or if you just enjoy listening, please consider donating. Visit Writer Writer Pants on Fire dot com and click “support the blog and podcast” in the sidebar.

Crystal Swain Bates On Promoting Diversity In Children's Publishing

Mindy: Welcome to Writer Writer Pants on Fire, where authors talk about things that never happened to people who don't exist. We also cover craft, the agent hunt, query trenches, publishing, industry, marketing and more. I'm your host, Mindy McGinnis. You can check out my books and social media at mindymcginnis dot com and make sure to visit the Writer Writer Pants on Fire blog for additional interviews, query critiques and more as well as full transcriptions of each podcast episode. at WriterWriterPants on Fire.com. And don’t forget to check out the Writer, Writer, Pants on Fire Facebook page. Give me feedback, suggest topics you’d like to hear discussed, and let me know if there is someone you’d love to see a a guest.

Ad: This episode of Writer, Writer, Pants on Fire is brought to you by Formulate. Are you tired of the guests and test method when it comes to hair care? Formulate is the world's first personalized hair care formulation chemistry service. Work with your chemist to design the best shampoo and conditioner you have ever used. Each custom formulation is designed based on your unique characteristics and adjusted based on your feedback and progress. Head on over to www dot formulate dot com forward slash podcast to complete the brief hair questionnaire and use my code WRITER at checkout order today and you will get a second order free. Once again, that is www dot formulate dot com forward slash podcast and use my code WRITER at checkout, or follow the link in the show notes. 

Ad: You are not alone in this neighborhood called space. There are trillions of universes and life forms that exist. If you choose to listen to these broadcast, you must be prepared to meet them and experience their worlds. The Star jelly Files podcast shares stories from across space with those who wish to see beyond their own skies and into the worlds that exist past the edge of what is known. Come peek behind the veil. The Star jelly files is a weekly science fiction and fantasy podcast that explores the question of what if the universal community was simply hiding from Earth this whole time and what stories would happen across space if the veil was suddenly lifted? Listen to the Star jelly Files, science fiction and fantasy podcast.

Mindy: We're here today with Crystal Swain Bates. She is a celebrated Children's book author and she's the owner of Goldest Karat Publishing, which she founded in order to address the lack of diversity in Children's literature. She's written and published 12 Children's books which have been seen on platforms including CNN, and Huffington Post. Her book, Big Hair Don't Care is one of Amazon's most highly reviewed black Children's books on the market. 

So one of the things I really want to talk to you about, because I think it's important is that at this point, I would hope that there is at least an awareness in the publishing community and in the larger, broader world that there is a need to address the issue of encouraging diversity in the publishing industry. It's become something that we talk about to an extent that I think people may not realize that we need to continue talking about it. This isn't a one and done - let's have the conversation and put a bandaid on it. So, I'd really like for you if you could talk about why this is a continuing conversation. 

Crystal: That's a really good question, because it has been at least a decade that people have been talking about the need for a greater diversity in Children's literature and although there have been articles about it, although there are some black books on the market, there still are not a lot and it's for so many different reasons. Although a lot more people have been able to use self publishing as an avenue to publish books that are more diverse, when you self publish, it's very hard to get your books actually sold in stores. You want your book to be widely available to people, you want your book to have the same status as a lot of the other books that are out there. So what I've been seeing is that a lot of the mainstream publishers, while they may have increased a little bit, the publishing of books that feature black characters, it's very much something it seems like they do just so they can hit the numbers and say, See, we published this one book, we published one book with one black character, so you should be happy. 

And the thing is, we are so far behind in Children's literature when it comes to diversity, that one book is not enough. We need books that hit on all sorts of subjects and topics that Children experience. Something as simple as potty training, something as simple as I'm a big Brother, I'm a big sister. I published a book in a I’m Big Sister and Big Brother series and people were in the Amazon Reviews so blown away saying, wow, I've never been able to find a book with a black character that talked about becoming a big brother or big sister and it seems so basic. But the way that the traditional publishers are publishing books and just doing one or two and feeling like they fulfilled that need, really reflects the reason it's still needed. 

We haven't had enough books that have been published. We don't have enough indie publishers who are being picked up by the traditional publishers - people who've had success, including myself, someone who's had so much success self publishing. So many people love my books. I've never once had a traditional publisher reach out to me and say, Hey, I'm really loving what you've been doing. I would love to get you to do some additional books for our publishing company. 

Mindy: It's so true. What you're saying about for instance, those little corners of life, like I'm a big brother, I'm a big sister, I'm the little sister. I was a Children's librarian for about 14 years. And one of the things I did for the district was I rehauled the way the entire elementary library was organized. It needed a lot of help and I went in there and just took everything off the shelves and redid the entire thing. One of the things that I ended up doing was creating a section that was for some special moments in life. So there were books like my parents are getting divorced, my grandmother died. My best friend moved away. I have to get glasses. I have to get braces. My dog died... any life moment. And those aren't just happening to white kids. Right? So I think it's so important. 

We talk a lot about Children needing to see themselves represented in literature, but you're right about that band Aid where it's like the traditional publishing model, they release so many books a season and very much they are still leaning on the, well we have our black book for this season. We have our indian book, we have it, you know, check box. The kid that has to worry about their weight and not have a book that shows themselves as a Black kid or an Indian kid or whatever their skin color is, to have the book that is about what their particular issue is and to have the character look like them. I can't even imagine the weight, the immense good that that would do for a child. 

Crystal: Absolutely. I've talked a lot about the invisibility of Black Children and Children's books and it really makes a difference. It really stands out in ways that as adults, we might not realize. An example of that is I have a book called I'm a Pretty Princess. Now, I wrote this book because it's pretty hard to find Black Princess and it is very hard to find black princess books. And the thing is when you don't have very many black princesses or any at all, that kids get to see. Guess what? They end up thinking that they can't be a princess. 

So I had a parent reach out to me, she was very upset. She said that she bought her daughter my book and she's reading it with her and her daughter is like, no, this can't be me, I can't be a pretty princess. You know, her mom's like, hyping her up, like, Oh look at you, you know, you're pretty princess too! And she says, I can't be a princess. And her mom says, well why? And she says, because I'm not white. 

Screen Shot 2021-06-13 at 8.33.59 PM.png

That is what it does when kids don't get to see themselves in books. And of course, I mean, a princess, you know, there are real life princesses, but even if you take that to something that's more real life, more realistic and you look at something like careers. Okay, what about black characters that are doctors and nurses, or engineers or astronauts? The President? When you don't get to see these things, you automatically feel like if you're not seeing it is because I can't be it. You know, maybe this profession, maybe this happiness, this joy that I see kids having in these other books is limited to them. And it doesn't extend to me because I'm black or because I'm whatever, right? So that's why it's so important. 

And kids really do realize when they see these books, they see skin color, you know? They might not even be able to express what they're seeing, but they do see it and they see differences. Kids see colors, they see differences at a very early age. It's something that's so important to me and I really struggle with trying to explain it to people because there is a percentage of the population that is very anti the types of books that I'm writing. 

I have received hate mail over my books. I had an Amazon commercial that was nationally televised and it was all over the place. It got so many views. And the commercial shows me, you know, this was Amazon highlighting a small business that sells on Amazon. So the commercial shows me and I'm showing my books and I say that I write books that normalize Black girl Magic, and black boy joy. I get literally, I mean every time I open my email there was someone saying, oh you shouldn't be writing books with black characters, You should write books with all characters. You shouldn't be making race an issue. Whereas in none of my books is Race even mentioned. It's just a black character just being black and living their lives, right? 

So I got so much hate mail. And even on my Youtube channel, whenever I talk about my books, there's someone that comes along and they say that race is no longer important. I should not be writing black Children's books. Books that make sure that there is a black character, you know, at the start. And the thing is where were you, when all of these books were created that had nothing but white characters, you weren't saying anything. Then you weren't saying oh all Children matter. All colors matter. You didn't say anything until you saw me publishing books with black characters and you felt a way about it. So it's very difficult.

I completely understand why from a financial perspective you have a lot of the mainstream publishers who don't want to publish a whole bunch of books with black characters. It's because they don't want to publish these books and not get a lot of sales. In my experience, white people don't buy books with black characters. When you go into a bookstore, first of all, the way that they even place our books to begin with is in an African American section or an urban section. And it's very much removed from the rest of the books. So you have to actually intentionally wander over to that section to find a book with the black character. They're not just aligned with the rest of the books on the bookshelf in the genre appropriate section. They're put in their own little section. It tells people that, oh I don't need to buy this book unless I am Black or unless it's Black history month and I want to do something special for my school or you know. And that's a big part of the issue. So the sales of black books are not going to be as high because again, if only 12 or 13% of the population will purchase a book, you're already doomed. 

That's one of the really big difficulties that we still have to overcome. I've seen this happen in real life when I was vending my books. I used to do a lot of shows, a lot of exhibits and things like that where I would take my books and I would sell them at festivals and things. I saw a white father and his two kids, a boy and a girl. And the kids are looking at my table because I have a beautiful display with all of my books and they can tell it’s Children's books. So the kids are like, daddy daddy and they're trying to pull him over to my table. He looks and he sees - I assume that the books have black characters and he pulls them away, like he doesn't let them come over to the table. I've read an article about a woman who bought a baby book, right? That had a black character on it and took it to a white woman, her friend, her friend's baby shower and the lady looked at her like she was crazy. Like why would you buy my white baby this black baby book? 

So we still have a lot to overcome. We really still have to make it known that Children need to be reading books with all characters, all colors. It shouldn't just be that you're only buying books in the same way that black parents buy Children's books that have both white and black characters. And a lot of it is out of default because it's very difficult to even find black Children's books in the first place. Everyone should be reading books with characters that don't look like them, characters that do and that don't. They need to get that perspective so that when kids go to school and they meet other kids they're not so fascinated with - So why does your skin this color? Why does your hair look like that? Kids, they only do that because they're not used to seeing other kids that don't look like them. So when you create an environment in your household where all of your reading literature is of characters that look like your child, you're actually doing them a disservice and it's something that carries on throughout their lives as well. 

Mindy: I just particularly want to talk about, like you were saying, the father who pulled his kids away from your table, like, no, that's not for you. That instant othering is so harmful. And I'm not sure that people realize that even having that separate section in the bookstore, some people - white people particularly - might look at it and be like, oh look, that's great. There's a whole section for Black kids. It's like, no, they should just be in with regular books. Like there is a section for Black kids, maybe the intent is celebratory, but it's still pure and total segregation and that is affecting discoverability. 

Crystal: Exactly. 

Mindy: I mean, I am in the publishing industry, so I'm aware of what's being published and what's out and what's new and what's been done, typically in the YA sector. That's where I operate. I know very, very little about what's going on in Children's publishing. And that's kind of how publishing works, you’re active in usually one area. So when I am going to buy, for example, a book for a baby shower… which one of the things that people do now, which I think is really cool, is that instead of bringing a card, they ask for a book and to write message for the baby or the mom inside of the book and kind of to build a library for the infant, which I think is super cool. 

But when this happens when I'm invited to a baby shower, I don't know what the hot books are right now in Children's publishing. So I'm going to walk into the Barnes and Noble or whatever and I'm going to go back to the Children's section and it's pure discoverability where I'm standing there browsing and I'm going to be exposed to all of these books for the first time. So you're totally right. There is a section for white books and the Black books, I as a white person, would more than likely be buying a book for a white mother. I'm just going to go towards those books. But if the books are all in one place and it's just - these are books for Children, they're all going to be in front of me and I have the literal discoverability of being like, oh look at this one, right? And that child then grows up with a book showing kids of different colors and just like you're saying, don't have to be surprised when they go into the real world and see people that don't look like them. It's just that representation is so important in the growth of that child that it can't be overstated. 

Crystal: Exactly. 

Ad: PubSite is the new easy to use D. I. Y. Website builder developed specifically for books and authors. Whether you're an author of one book or 50 PubSite gives you the tools to build, design and update your website pain free. Build your site with a 14 day free trial. PubSite is easy to use. You can set up a simple site within a couple of hours and when you're ready, enhance it with features like a blog, photo, gallery, book tour, calendar, mailing list sign up, social media feeds and more. Too busy to build your own site? Have a PubSite expert build your site for a small fee. PubSite is used by authors such as Tom Clancy, Robin Cook and Janet Daily. Visit PubSite to get started now.

Mindy: What if I told you that in as little as 20 minutes a day, you can free yourself from pain and muscle tension? Introducing the online course, Discover Somatics in 30 Days. Modern living is making us sore and stiff by the time we're approaching our forties, especially if you find yourself at a computer most of your day. Fortunately, that doesn't have to be your reality. In Discover Somatics in 30 Days, you'll learn how to understand how your body moves on a deep level and discover what is keeping you in pain with easy to follow on demand video classes and daily accountability. You'll gain lifelong tools to improve your posture, counter regular computer work and reduce and prevent pain and stiffness independently. This revolutionary gentle practice of somatic exercise is perfect for everybody, no matter your fitness level. The best part is listeners of my show receive a very special offer. Writer, Writer Pants on Fire listeners get 20% off the course for a limited time. To sign up for Discover Somatics in 30 Days, visit move deeply.com forward slash writer. At checkout use the promo code WRITER to save 20% off the entire course. That's move deeply.com forward slash writer. And don't forget to use promo code WRITER. 

Ad: Enter a dark sci fi universe for mature readers that asks four pivotal questions: Are we alone in the universe? Is there a God? What does the future hold? And do you really want to know? Shadowed Stars by Stephen Kautz, Book One is available now at Amazon, Barnes and Noble, Google Play, and iTunes. Dive deep into this dark sci-fi that reflects the feeling of unexplored space. Read glossary entries and short stories for free at Shadowed Stars books dot com. With new content posting every month, visit Shadowed Stars books dot com, That's S H A D O W E D stars books dot com. To start your journey today.

Crystal: This is a subject I'm so passionate about and it does make me sad because I feel like this is a fight that's been going on for so long and even when it comes to doing interviews and podcasts, this is something that I talk about a lot and you know, honestly sometimes I feel like, gosh, I'm tired of talking about this. Like I want to talk about it because it's still needed. But why do I still have to talk about the lack of diversity in Children's books? It's very frustrating. 

I have a facebook group of predominantly women and largely underrepresented women. When it comes to publishing, the group is open to everyone, but the people who tend to join do tend to be black women because they see me and I am a black woman. So one of the things that I see is right now, I've taught them how to publish books, how to write and publish their own Children's books. And I am so blown away by them because a lot of those gaps that we talked about, they are filling those gaps. So, you know, they're writing books about autism and these books have black characters. They're writing books about various diseases and cancer and depression and going to the dentist and just the things that we don't get to see when you go into a bookstore. 

But I feel like, okay, I've taught them how to do this, they're doing it and they're doing it well. But how can I get, how can I help increase the discoverability of their books? Because it's not enough to just write the book. Write the book, but how do you get it in front of the people who need to see it? So it's something that I struggle with because there's no easy way to find these books, even once they're online if they're on amazon or if they're sold an independent bookstores that may or may not pick them up, it still becomes a matter of, you know, a lot of parents are still having difficulties finding the books because when they go to the bookstore as a lot of people do, they're not seeing them. 

I would love to see a change. And even the bookstores, you know, maybe there is a mission to really focus on indie publishers. And all right, we've got this black book section. Maybe we just have an independent publisher section where now you can find books that maybe you wouldn't typically find in the store because they're not traditionally published, but they're very high quality, very excellent books. And now you have a means to discover some of these books that you wouldn't have found otherwise. 

Mindy: So true. It's an uphill battle and you've got two hills there because, I'm familiar with indie publishing and how very very very difficult it is to get eyeballs on your book. It literally is just a matter of in some cases money, you gotta spend money to make money, but you can dump money into ads and it can help, but a lot of people don't have the ability to do that upfront. And that's a major key, especially for an indie author or a self published author to grow awareness. Because like you're saying they don't have a space in your traditional bookstore. 

The other part of your battle there in just making these books visible is of course the race question, but also it's so difficult to market. You're not targeting the Children themselves, you are targeting the parents, librarians, educators. It's very, very hard in terms of tweaking and ads, knowing where to put your ad space, things like that. When it comes to indie publishing and Children's indie publishing, you're not even marketing directly to your readers, a kid. You don't have that moment where a kid sees something and says Mommy Daddy or look I want this. That's what drives parents spending when the kid says, I want this. What a difficult space to be in. 

Crystal: It's very difficult. And you mentioned ads and even when you look at buying ads, let's say they're for Facebook or they’re for Amazon or wherever they are. You have another difficulty there because a lot of these pay per play, a lot of these ads, companies are not letting you, they're no longer letting you target your audience by race.

Mindy: Really?? 

Crystal: Mm hmm. Yeah. So Facebook used to let you target by race. People were using it for nefarious means. You know there's always somebody doing something horrible, right? There are kind of ways to get around it by just targeting magazines or things that you think a black person might read, right? Or tv shows you think only black people will watch. There are some ways that you can kind of get around it. But because of that it makes it even more difficult to target the actual audience that is more likely to purchase. So you don't want to just run ads and waste clicks or run ads and end up getting, you know, the negative comments from the non black people who are like how dare you publish a book with the black character, you know? So even running ads can be difficult. 

It's very tough. It really is and it's something I've been trying to figure out for myself. You know what is the best way? This is something I'm actively tackling. What is the best way, what will resonate the most to get these books greater discoverability? Honestly, it's very stressful. But I am happy that we do have more and more people who are publishing books and who are publishing books with black characters. Even if they are independent publishers, the books still exist and that's half the battle. And now it's just getting people to know that these books exist and then going from there. 

Mindy: Do you have any aspirations for reaching out to the larger publishing industry, the traditional Big Five? Or have you just found that those particular doors and windows aren't as perhaps open as they should be? 

Crystal: So I don't have any aspirations of reaching out. If one of the Big Five were to reach out to me, then I would be very happy to discuss whatever they wanted to discuss and see where we could go from there. But for me, when I look at what they're publishing, that pretty much tells me all I need to know. It tells me that they're not interested in publishing the quantity of diverse books that should be on the market. And I'm not one to beg for a seat at the table. I'm going to make my own table, right? I don't even want to sit at the table. I don't want to bring a chair, I'm just gonna build my own table. 

And so that's what I've done. It's been going extremely well. And I think that's one of the things a lot of people don't realize is that self publishing now is something that you can do and you can be very successful at. Yes, it does take work, but you can actually earn a very nice living by self publishing. So you don't have to be so worried about, let's say you did try to get your manuscript picked up and it never did get picked up. Well, okay, have you ever considered self publishing your book? Because a lot of the books that we write, our books are so important and books that can can really and truly change lives and have an impact. So, I hate hearing about people who are so afraid of self publishing because oh, it's not a real book or it's not considered to be as important or as high quality as the others. I hate that people let that bias hold them back from actually putting out the book that they wrote and that could actually change lives. 

Mindy: I agree, completely. Self publishing has changed dramatically. There is still some bias out there. But 10, 15 years ago, very much the concept of self publishing was that these were the people that couldn't make it. That wasn't true then, and it's certainly not true now. You can find some really great stuff. And unfortunately, like we talked about, that is where you might find more of the multicultural and the representation. Because some big five publishers, if not all, are maybe just ticking a box when they're releasing their winter titles or their spring titles. And you've got your one black kids book for this season. In the meantime, there are probably a proliferation of them out there, self published, indie published online. 

You were talking about doing festivals. So, tell me a little bit about that. Like with your publishing company, Goldest Karat publishing, Is that a shingle for your own books? You mentioned you have a Facebook page that you help encourage other authors to get their Children's books with diversity out into the world and to be created in the first place. Do you accept submissions or is that a shingle for your own titles? 

Crystal: So, it started out that I would accept submissions. I published my first book through Goldest Karat Publishing, and then I published a couple of other books from a professor at Howard University. Then I decided that I didn't like it. I decided that I didn't like it because when you publish someone else now, you need to Take royalties right? A pretty significant amount of royalties. It ends up being like around 40 or 50% or sometimes higher. 

And what I didn't like about that was one, of course you're fronting all the expenses of publication. But if your author is not doing any work to really promote the books, then you can end up losing money. It just seems very, very risky. So, like, they end up with the book, but you might not actually end up recouping your investment. And then of course, the part about having to maintain for the rest of my life, having to track royalties and send a royalty check. 

And especially at the time, because I guess this was around probably around 2014 that I took on a client and published their book. And at that time there was really no good royalty tracking system. Everything was very outdated, nothing was automated, you know, where you can just connect to Paypal and send out the money or whatever. So I shut that down. Now, Goldest Karat publishing is basically what I use for all of my own books. 

So then after that, I decided, okay, I'm not going to actually run a publishing company where people publish through my company. Now, I'm going to help people self publish through their own company. What that looked like is people would send me their manuscript, they would hire me to bring their book to life, but then their book would be uploaded and sold online and they would get to maintain 100% of their royalties. There was no cut. Like after the book was out, that was it. I did that for a few years, very successfully published a lot of people's books. And it was good, until it wasn't. Because it's something that you can't really scale. It’s very hard to have so many different clients and you're dealing with so many different illustrators and client expectations. And so in 2020, I took my last client and pretty much wrapped them up around the end of the year. 

So what I do now, I basically teach other people how to do the process that I did, that clients paid me to do, right? So instead of you having to pay me $4500 to publish your children's book, I'm going to teach you how to do this entire process yourself. So instead of you paying me, you can save that money and then you can get your book published for much less than that if you need to. It's all based on different people's budgets. But I find that that made it more accessible for people Who maybe didn't have $4500. 

The other thing is I encourage people to publish as many books as possible. That's how you get to the real money in publishing. It's not by publishing one book, it's by publishing numerous books. And so for me, the thought of someone having to pay me thousands of dollars for every single book that they wanted to publish. I didn't like it, it just didn't sit well with me. 

So that's when I created this group and started doing things like free challenges. And that's how I got a lot of people into the group, as I would do these free challenges and I would teach them for five days for free, the step by step process to publishing their book. And then after that if they wanted to take my course, get more information, more advanced information they could. But a lot of people have been publishing off of the free content that I provide. So that makes me really happy. Out of all the different means that I've tried as far as working in the publishing industry. This is my favorite way of empowering women to publish their own books on their own terms. 

Mindy: That's awesome. Yeah, that makes a lot of sense. I also do freelance editing on the side. I have a single where I help people just with the actual content of novels. It's funny to me how connected you can feel to the work once you've been in it, even though it's not yours. There are times when I'll be working with someone and they'll ask me like, you know, would you look at this again and you know, it's not cheap. And so there are times when I feel bad taking people's money, but you know, at the same time obviously this is a business that I am trying to make a living off of. Last thing, why don't you share with us, specifically the Facebook group, how to find it, what the name is, how to join. But then also where people can find you online and where listeners can find your books. 

Crystal: Sure. So, well I have a long name, so I'm going to apologize in advance for that. All of my books can be found, my handle everywhere is @CSwainBates. So I'll spell it. It's C S W A I N B A T E S. It's my first initial and my last name without the hyphen. 

Now I did make it easier for my Facebook group. The group is called Six Figure Self Publishing Secrets. And you can actually access it easily by just typing in Crystal on FB - Facebook. Crystal on FB and that group will pop right up. So far, we're at over 6000 members strong, it’s very exciting to be in the group. And if you're interested in finding any of my courses you can find those at publish with Crystal dot com

Mindy: That all sounds wonderful. I am sitting here thinking about what your workday must look like and I'm sure it is overwhelming.

Crystal: My work day... It really can be a lot. But I feel like there's author Crystal Swain Bates, book coach and motivator publishing expert Crystal Swain Bates. There's diversity, Publishing pro Crystal Swain Bates, to write all these things and talk to all these people about publishing and diversity and then there's entrepreneur Crystal Swain Bates because I'm always kind of working on something new. So it can be a lot to do. But the thing is when you love what you're doing, none of it feels like work. My days could be busy, but it doesn't feel like work, it just feels like, well I have lots of things on my calendar today, but I love it, I love it, I love it. And seeing the impact for me is really what makes it all worth it.

Mindy: Writer Writer Pants on Fire is produced by Mindy McGinnis. Music by Jack Korbel. Don't forget to check out the blog for additional interviews, writing advice and publication tips at Writer Writer Pants on Fire dot com. If the blog or podcast have been helpful to you or if you just enjoy listening, please consider donating. Visit Writer Writer Pants on Fire dot com and click “support the blog and podcast” in the sidebar.

Research For Middle Grade Historicals & Incubation as Inspiration with Anne O’Brien Carelli

Today’s guest is Anne O’Brien Carelli author of Skylark and Wallcreeper, a middle grade story that alternates between Brooklyn in 2012 and the German-occupied town of Brume in 1944. Anne joined me today to talk about writing for children, and the amount of research required to write historical fiction – no matter the age, as well as using incubation and your subconscious to think your way around the sticky spots in your manuscript.